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A small collection of Football Records, including Grand Final editions for 1976, 1990, 1993, & 2000. Plus other similar publications of the period, mostly with an Essendon focus. Together with a Weg poster commemorating the 2007 last game for Kevin Sheedy

100th Game Football: A red Sherrin football with yellow McDonald's logo, signed by Nathan Buckley and other players including Josh Mahoney, Brad Cassidy, Andrew Schauble, Jason Wild, Scott Russell, Simon Prestigiacomo, Paul Williams and others. Note: the s

South Australian State Representative guernsey worn by Nathan Buckley while representing the SANFL in a game against the WAFL played on May 12 1992. Framed & glazed.This was not a State of Origin contest but a game played between representative sides from

Channel Seven: A display comprising of a Collingwood guernsey with Channel 7 logo on rear, together with several photos of Nathan Buckley in the commentary box or with other members of Channel 7's commentary team. Framed & glazed.Presented to Buckley by hi

Victorian Football League Patriotic Match (1942) stick pin made by K. G. Luke; together with other Football Club badges and fobs of the 1930s-40s. (7 items).

A range of VFL, AFL, Vfa and other match programmes including June 1963 Victoria v South Australia, 1963, 1964 and 1965 Semi-Final 'Records' featuring Geelong; June 1964 Victoria v Western Australia;  April 1970 Fitzroy v Richmond 'Royal Visit' game; April

1960 VFL Finals Series: 1st Semi-Final (Collingwood defeats Essendon), 2nd Semi-Final (Melbourne defeats Fitzroy), Preliminary Final (Collingwood defeats Fitzroy by 5 points) and the Grand Final (Melbourne defeats Collingwood by 48 points); plus 4 other Re

Rare Tour Publication: 'The Australian Cricket Team, Touring South Africa 1935-1936, Told in verse & lettered' by 'The Signaller' [South Africa, March 1936]. The hand-lettered dedication to the inside front cover continues 'To C.V. Grimmett Congratulations

Group of three full-size match footballs, from the early-to-mid 2000s. Two are red Sherrins, one with Collingwood logo and Yakka branding that has been signed by two unknown persons and the other with Challenge Bank branding. The third ball is a red Ross F

Nathan Buckley's 2002 Grand Final guernsey. The guernsey worn by Buckley in the 2002 Grand Final against the Brisbane Lions. Buckley won the Norm Smith Medal for best on ground, despite his team losing the game. This has only happened on three other occasi

Nathan Buckley's Collingwood playing shorts, circa 1999. Black shorts with blue Primus patch on one side, AFL logo and adidas logo on the other. White stripes and AFL branding along sides. (2 pairs).

Two framed Nathan Buckley covers from 'Inside Football' magazine. One from 15 March 1995 featuring Buckley in tuxedo with headline # 'Class Act', the other from July 1998 with the headline # 'Nathan Buckley. The Force'. Also, a framed portrait photo of Buc

A Sessions mantle clock (and key), with silver plaque affixed below the face 'Presented to C.V. Grimmett by Kensington Cricket Club on his Departure for England with Australian XI - March 1930.'Both Don Bradman and Clarrie Grimmett played for the Kensingto

Rackham, Arthur [illustrator], the fairy Tales of the Brothers Grimm (1909), one of 750 numbered copies signed by Rackham, the fairy Tales of the Brothers Grimm, illustrated by Arthur Rackham, Translated by Mrs Edgar Lucas (Constable &, Company Ltd, Lon

A fine Charles II silk needlework picture, third quarter 17th century, coloured silk thread embroidered on canvas, depicting an elegant, possibly aristocratic couple, she holding a goblet and he a sword or other long object, in an extensive landscape with

An Austro-Hungarian 800 standard silver flatware service, maker's mark Ka, Pest, early 20th century, in a stylish early modern pattern with flaring flat terminals to the chamfered shafts, basically a service for twelve, one hundred and twenty-seven pieces,

Sterling silver Victorian coffee and tea service, comprised of a coffee pot 21 cm, tea pot 15 cm, milk jug 11 cm and twin handle sugar bowl 10 cm. All have a squat bell like design in sterling silver, with the coffee pot, tea pot and milk jug having floral

A ten dollar US Indian head coin pendant, this 1926 gold coin is 90% fine gold and 10% fine copper, approximate 21.6ct and has a total weight of 16.7 grams with a diameter of 26.9 mm. One side depicts an Indian head and the other an eagle. The 18ct yellow

White gold and diamond bangle, 18ct white gold, half of the hinged bangle is claw set with round brilliant cut diamonds, totaling approx. 1.76cts, unstamped, total weight 10 grams, Provenance: other notes: with original receipt

Yellow gold and diamond bangle, 18ct yellow gold, half of the hinged bangle is claw set with round brilliant cut diamonds, totaling approx. 1.76cts, unstamped, total weight 10 grams, Provenance: other notes: with original receipt

An ivory netsuke study of a woman, standing in traditional robes holding a staff and shield. Stained and signed, height 5.3 cm. Provenance: Purchased 'Japanese and Other Works of Art' June 1975. Sotheby Parke Bernet Inc. New York.

Ivory netsuke of a smoker, standing in traditional robe open exposing his chest, a pipe to one hand, the other with pouch. Recessed staining and signed. Provenance: Purchased 'Japanese and Other Works of Art' June 1975. Sotheby Parke Bernet Inc. New York.

Ivory netsuke of a man with monkey, the monkey to his shoulder, he holds a bow to his front and a quiver of arrows to his belt. Stained and signed. Provenance: Purchased 'Japanese and Other Works of Art' June 1975. Sotheby Parke Bernet Inc. New York.

Ivory netsuke of a demon group with old woman, the two demons on top of a box, the women seated to the front, a skull and snakes beside. Stained and signed. Provenance: Purchased 'Japanese and Other Works of Art' June 1975. Sotheby Parke Bernet Inc. New Yo

Ivory netsuke of a mountainous village scene, including buildings, figures and tress. Stained and signed. Provenance: Purchased 'Japanese and Other Works of Art' June 1975. Sotheby Parke Bernet Inc. New York.

Ivory netsuke of Fukurokuju, the od of wisdom, luck, longevity, wealth and happiness. Traditionally displayed with his very long head. Stained and signed. Provenance: Purchased 'Japanese and Other Works of Art' June 1975. Sotheby Parke Bernet Inc. New York

Ivory netsuke of a mythical dancing figure, open dropped drawer, one arm raised, wearing voluminous robe, stained. Provenance: Purchased 'Japanese and Other Works of Art' June 1975. Sotheby Parke Bernet Inc. New York.

Ivory netsuke of two men battling with a horse, a warrior on the horses back, another man below. Signed. Provenance: Purchased 'Japanese and Other Works of Art' June 1975. Sotheby Parke Bernet Inc. New York.

Ivory netsuke of an elderly woman, standing with pail and ladle. Stained and signed. Provenance: Purchased 'Japanese and Other Works of Art' June 1975. Sotheby Parke Bernet Inc. New York.

Ivory netsuke of an elderly woman, in grimacing pose with one hand raised, wearing traditional robes. Stained and signed. Provenance: Purchased 'Japanese and Other Works of Art' June 1975. Sotheby Parke Bernet Inc. New York.

Ivory netsuke of a man with monkey, the monkey to his shoulder, he holds a bow to his front and a quiver of arrows to his belt. Stained and signed. Provenance: Purchased 'Japanese and Other Works of Art' June 1975. Sotheby Parke Bernet Inc. New York.

Ivory netsuke of foreigner, wearing traditional robes, a box hangs around his neck, a parasol to his back, signed. Provenance: Purchased 'Japanese and Other Works of Art' June 1975. Sotheby Parke Bernet Inc. New York.

Ivory netsuke figure group, with a woman beside a rearing horse, another man (her husband) below. Signed. Provenance: Purchased 'Japanese and Other Works of Art' June 1975. Sotheby Parke Bernet Inc. New York.

An ivory netsuke study as a Zodiac pyramid, the twelve animals in a tapered stack with dark stained and polished highlights. Signed, height 6.2 cm. Provenance: Purchased 'Japanese and Other Works of Art' June 1975. Sotheby Parke Bernet Inc. New York.

An ivory netsuke of Hotei, traditionally represented with his open robe exposing his corpulent belly, his large sack across his shoulder upon his back. Signed, dark stained highlights. Provenance: Purchased 'Japanese and Other Works of Art' June 1975. Soth

An ivory netsuke modelled as a box maker, seated leaning upon a box showing its lid. Dark stained highlights. Signed. Provenance: Purchased 'Japanese and Other Works of Art' June 1975. Sotheby Parke Bernet Inc. New York.

An ivory netsuke as a samurai, upon the back of a shishi with its tail as a snake. Unsigned. Dark stained highlights. Provenance: Purchased 'Japanese and Other Works of Art' June 1975. Sotheby Parke Bernet Inc. New York.

An ivory netsuke of an old figure, crouching with hand club and fan. Stained and signed, height 4.8 cm. Provenance: Purchased 'Japanese and Other Works of Art' June 1975. Sotheby Parke Bernet Inc. New York.

An ivory netsuke of a performer wearing a shishi mask, standing holding a rattle instrument. Stained and signed, height 6 cm. Provenance: Purchased 'Japanese and Other Works of Art' June 1975. Sotheby Parke Bernet Inc. New York.

An ivory netsuke of a kneeling woman, applying lipstick with the use of a disc form mirror. Stained and signed. Provenance: Purchased 'Japanese and Other Works of Art' June 1975. Sotheby Parke Bernet Inc. New York.

An ivory netsuke study, of two figures supporting a broken pillar. Stained and signed, height 5.3 cm. Provenance: Purchased 'Japanese and Other Works of Art' June 1975. Sotheby Parke Bernet Inc. New York.

Pair of impressive 20th century Rosenthal lidded urns, a central gold detailed cartouche painted with a splendid white peacock surrounded by exotic roosters in a palace courtyard, the other with a country scene, gold sinuous acanthus leaf side handles, ope

An early 1900s bronze figure 'Epeiste', standing holding sword, signed Schwatenberg, (Spiro Schwatenberg 1880-1920), on variegated marble base. (replacement sword blade, original would also be held in other hand), height 31 cm.

A Sheraton revival small proportion sideboard, decorative stringing and inlaid shell decoration, two drawers to the centre with a deep wine storage drawer to one side and cupboard stage to the other, raised on slender tapering legs. 136 x 59 x 87 cm.

A Victorian mahogany military campaign chest, with combination of two short over three full width drawers. Brass recessed drawer and side handles together with other fittings. Old turned compressed bun feet. 106 x 44 x 105.5 cm. Some old marks of age.

Three early 20th century Maori carved tekoteko figures by Henry Evan Lloyd, each stylised figure with one hand clasping it's lower jaw, the other clasping it's wrist. Paua inserts, height 39 cm. Note: Henry Evan Lloyd, architect and builder from manaia was

A Lladro 'Spring' figurine, Lladro no. 5217 (des. Juan Huerta, 1984), the figurine of a girl holding a bouquet of spring flowers in one hand and a little bird in, the other, with a watering can at her feet, on a circular base, in typical muted tones with a

Two 9ct yellow gold pendants one set with synthetic ruby & the other with a garnet, marked 375. Weight 2.1 grams

Two sterling silver and gold cigarette cases, 1. square with martime motif engraved to the face accented with rubies and sapphires, not tested for nature of origin, calibre-cut ruby set to deployment button, unmarked, weight 116.2 gm, 7.7 x 7.7 cm 2. blac

Two silver bracelets, Deco style 8 mm wide alternately set with oval cabochon mother of pearl and round cut marcasites to fold over clasp, length 17 cm; other 15 mm wide floral filigree plaques to hook clasp, length 15 cm; total wt. 32.02g.

Deborah Sears (British), blue and white Flowerbrick, slipcast earthenware, tin-glaze decoration depicting Arcadian landscape one side with a cow and the other with a pig, artist's studio signature underneath, 6.5 cm x 13 cm x 5.5 cm. Provenance: The Estate

Two trinket boxes, both of circular form, one by Lorraine Lee with a hand painted bird on the lid, and the other by Rosenthal with hand painted leaves with blue ground and gold outline to the lid (2), height 4.5 cm; height 9.5 cm. Provenance: The Estate of

A 19th century Austrian Beidermeir secretaire, with domed top and a single drawer above a fall front, the interior fitted as an architectural gallery with mirrors and painted decoration, seven drawers, two cupboards and a secret compartment, three drawers

A late 18th century carved bone chess set, 'Old English' pattern, kiln dried bone, one side natural, the other stained crimson, circa 1780. Height tallest 8.5 cm. With original receipt. Provenance Mackett Beeson Chessmen and Ivories, Berkeley square, Londo

Lisa Ringwood (South African, b. 1968). Two Wall Platters, oval slab-rolled earthenware, sgraffito and oxide drawings of colonial farming scenes, one with green border and the other with yellow, manganese to rims, artist's signature and seals to undersides

Myung Nam An (South Korean, b. 1969). Two Eye Sculptures, c. 2016, glazed porcelain in the shape of anemones, one with green spikes and surmounted by a green dome, some spikes broken off, the other with purple spikes and yellow dome (A/F) (2), height 12 cm

Myung Nam An (South Korean, b. 1969). Two Eye Sculptures, c. 2016, glazed porcelain in the shape of anemones, one dark blue with gold hemisphere on top, the other a lighter shade of blue surmounted by red hemisphere, some spikes missing (A/F)(2), height 14

Myung Nam An (South Korean, b. 1969). Two Eye Sculptures, c. 2016, both glazed porcelain, surmounted by black domes, one in the shape of a pine cone, the other surrounded by multi-coloured butterflies (2), height 14 cm (tallest). Provenance: The Estate of

A group of three Grainger's Worcester reticulated porcelain stands, variously last quarter 19th century, a circular pedestal of classical architectural form, pierced throughout other than the centre of the top, ivory ground with coloured and gilt mouldings

A pair of Royal Worcester porcelain figures, shape nos 2659 and 2660, dated 1917 and 1918, each modelled as a classical female figure in long robes standing on a low shaped base, one holding a lyre, the other a tambourine, the skin and hair ivory ground, t

A pair of Kerr & Binns Worcester porcelain vases, and another very similar, the pair dated 1858, the decoration attributed to Thomas Bott, Snr, all of the same form and size, each beaker-shaped with an everted rim and waisted foot, white ground with gilt b

A Worcester porcelain pot pourri vase and a spill vase, the first circa 1860, decorated by Josiah Rushton, the other dated 1867, the pot pourri vase of covered bowl form on a tall stem with broad foot, white ground with coloured enamel and gilt decoration,

Two 'Limoges Enamel' decorated porcelain plates, both Brown-Westhead, Moore & Co., circa 1890, the enamel decoration by Thomas John Bott, both circular, one with a pierced border modelled as a wavy ribbon, turquoise glazed with gilt details, the centre dec

A late Victorian Wardle & Co. Majolica pedestal, 1890s, in Victorian classical manner, the circular top above the square body modelled with gryphons to its corners flanking other motifs to its sides, glazed in pink and white, impressed mark to the interior

A pair of Kerr & Binns Worcester porcelain vases, circa 1860, probably matched, with slight variations in height and decoration, each bottle-shaped with a waisted neck, cobalt ground with gilt rim and foot, the front of each with a gilt-framed oval reserve

A matched Kerr & Binns Worcester porcelain tea bowl and saucer, circa 1860, each circular on a spreading foot with a pair of satyr masks to the sides, white glazed with gilt rim, masks, and foot, the bowl decorated to the front with a prospect of Malvern,

Two similarly-decorated Kerr & Binns Worcester porcelain handled cups of matching form, dated 1853 and 1858, the decoration attributed to Thomas Bott, Snr, of the same classical skyphos form and size, both exteriors cobalt blue ground with gilt rims, handl

Two similar Kerr & Binns Worcester porcelain Rhyton-Shaped vases, shape no. 23, one dated 1858, each with a flaring mouth rising from a horse's head terminal, one on a moulded rectangular base, the other on an elliptical base, both ivory ground with gilt b

A pair of Copeland porcelain plates, circa 1881, the enamel decoration by Arthur Handley, each circular with raised fluted sides, each decorated with the head of a classical maiden in profile, one adorned with fruiting grape vine, the other with flowers an

Pair of hedgehog brooches, each modelled as a whimsical hedgehog, one with ruby set eyes, the other with emerald set eyes, mounted in 14ct gold, length 23 mm and length 17 mm, gross weight approximately 13.7 grams (2).

Tony White coral and mother of pearl earrings, property from the Estate of a private Sydney Collector, modelled as two adjacent hearts, one collet-set with carved coral, the other mother-of-pearl, mounted in 18ct gold, length 35 mm, post and clip fittings,

Tiffany &, Co. '1837' ring, composed of two interlocking bands, one in 18ct gold, the other in sterling silver, size N, gross weight approximately 6.5 grams, signed Tiffany &, Co. Accompanied by a Tiffany &, Co. Pouch, a Tiffany &, Co. Gift rec

A pair of Royal Worcester porcelain covered vases, dated 1862, the enamel decoration attributed to Thomas Bott, Snr, each of flattened bottle shape on a spreading elliptical foot, a pair of satyr masks to the shoulders, with a domed and finialled cover, co

A pair of Royal Worcester porcelain figures, shape nos 2649 and 2650, dated 1913 and 1917, each modelled as a classical female figure in long robes standing on a low moulded circular base, one holding a face mirror, the other pulling up a mask from her eye

A Royal Worcester porcelain 'Limoges Enamels'-Decorated vase, dated 1877, the enamel decoration by Thomas John Bott, of elegant baluster shape on a circular foot with a pair of restrained handles to the shoulder and sides, cobalt blue ground with gilt bord

A Royal Worcester porcelain 'Limoges Enamel' decorated plaque, early 1870s, the enamel decoration by Thomas John Bott, oval and convex, cobalt blue ground, finely decorated in white enamel with a scene of a young fisherman and siren embracing, signed 'Tj B

A Royal Worcester 'Limoges Enamel' decorated exhibition quality chalice and cover, dated 1867, the enamel decoration by Thomas Bott, Snr, the tapering cup-shaped body on a knopped stem and circular foot, the cover with a domed and finialled centre, cobalt

A pair of Royal Worcester covered pot pourri vases, shape 519, 1870s (date ciphers indistinct), the reserves by Josiah Rushton, each ovoid on a square foot with a pierced cover and a pair of handles to the shoulders modelled as entwined serpents, turquoise

A Royal Worcester porcelain ewer and stand, dated 1875, the decoration attributed to Eduard Bejot, the ewer of classical baluster shape on a circular foot, modelled with a Neptune mask beneath the spout and a handle in the form of a melusine holding a dove

A pair of large Royal Worcester porcelain covered vases, shape 520, dated 1871?2, the reserves decorated by Josiah Rushton, each of broad baluster shape on a square foot with a moulded and finialled cover and a pair of foliate scrolling handles to the shou

An impressive Royal Worcester porcelain banquet oil lamp, shape 1354, dated cipher for 1893, of classical torchere form, the etched cranberry glass shade enclosing the Hinks & Son brass burner in a vase shaped bowl atop a baluster stem raised on a triangul

A large Royal Worcester painted charger, dated 1879, the decoration attributed to Thomas Scott Callowhill, earthenware, circular on a foot ring with original holes for hanging or mounting, painted with 'Ophelia' after Jean Baptiste Bertrand on a gilt-groun

A Kerr & Binns Worcester porcelain handled plate, dated 1857, the decoration by Josiah Rushton, circular with a pair of upturned loop handles extending from beneath the raised sides, white ground with gilt borders, the centre plain, the border decorated wi

A Kerr & Binns Worcester porcelain enamel decorated exhibition chalice, dated 1862, the enamel decoration by Thomas Bott, Snr, the tapering cup-shaped body on a knopped stem and circular foot, the ground cobalt-glazed with foliate motifs in white 'Limoges

A pair of Royal Worcester porcelain figures, 'Joy' and 'Sorrow', Class 2 shape nos 57 and 58, dated 1925, each modelled as a half draped classical female figure standing on a moulded low base, one holding a dove to her chin, the other mourning a dead dove

A Worcester porcelain vase, the decoration by James Callowhill, 1850s, apparently on an earlier body, of broad baluster shape on a square foot with a pair of foliate scrolling handles between the shoulders and rim, the body with gilt-ground borders framing

An early Kerr & Binns Worcester 'Limoges Enamel' decorated cup on foot, dated 1854, the enamelled decoration by Thomas Bott, Snr, the tall bell-shaped bowl on a short circular pedestal foot, the exterior cobalt blue ground with gilt interior, rim, and foot

A large Royal Worcester charger, dated 1877, the decoration attributed to Thomas John Bott, earthenware, circular on a foot ring with original holes for hanging or mounting, decorated in cobalt blue and white enamel with a portrait of John more on a gilt g

A Royal Worcester porcelain 'Limoges Enamel' decorated exhibition ewer and stand, dated 1866 and 1867, the enamel decoration by Thomas Bott, Snr, the ewer of classical baluster shape on a circular foot, modelled with a Neptune mask beneath the spout and a

A Royal Worcester porcelain 'Limoges Enamel' decorated charger, dated 1878 and 1887, the enamel decoration by Thomas John Bott, circular, cobalt blue ground, finely decorated in white enamel with a bust-length portrait of a woman, 'Louisa', after Charles P

A large Royal Worcester vase, date cipher for 1883, of baluster shape on a circular foot with knopped stem, a pair an inward-scrolling handles to the shoulders, turquoise ground with gilt handles and mouldings, the front decorated with a scene of a classic

A Royal Worcester porcelain 'Countess of Dudley' service covered sugar bowl, dated 1865, the decoration by Thomas Scott Callowhill and James Callowhill, the jewelling and gilding by Samuel Ranford, Cup-shaped on three gilt lion's paw feet with a finialled

A Royal Worcester porcelain 'Limoges Enamel' decorated plate, dated 1878, the enamel decoration by Thomas John Bott, circular, cobalt blue ground with a plain white rim, finely decorated in white enamel with the mounted St George vanquishing the dragon aft

Very large Sino-Tibetan gilt bronze Buddha, depicted seated with legs crossed, with knotted hair and a downwards gaze, shown with one hand resting in the lap with the other resting on the knee, seated on a double lotus base, evidence of lacquer, height 100

Sino-Tibetan gilt bronze Buddha, depicted seated with hat and feathered finial, with robes flowing from behind, one hand in pose the other holding flaming pearl, on triangular base, height 30 cm

Two Chinese silver and enamel articulating fish pendants, set with multiple fins, one in tones of blue the other in orange and green tones, length 4.5 cm (2)