A large Royal Worcester painted charger, dated 1879, the…
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A large Royal Worcester painted charger, dated 1879, the decoration attributed to Thomas Scott Callowhill, earthenware, circular on a foot ring with original holes for hanging or mounting, painted with 'Ophelia' after Jean Baptiste Bertrand on a gilt-ground field of fleur-de-lis within a border of turquoise glazed trailing foliage weaving through a gilt meander design, impressed and printed marks underside including impressed number 'N5', 36.5 cm diameter. Other notes: According to Wendy cook, formerly of the Museum of Royal Worcester, this is one of a series of late 1870s earthenware plates decorated with figure subjects and portraits she has seen and believes were specially created as single examples for display in the Worcester Royal porcelain Company's show rooms (private communication with vendor).. Condition: slight wear to the gilt., inspection under Uv light presents areas of repainting and possible restoration to textured ground, and decoration to rim

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  • Earthenware - A basic ceramic material that is fired at a low temperature. Earthenware is the basis of almost all ancient, medieval, Middle Eastern and European painted ceramics. After firing, the colour is the colour of the clay when it is dug from the ground: buff, brown and red. It is not waterproof until glazed. Creamware is a type of earthenware covered with a transparent lead glaze. Majolica, faience and delft are also earthenware covered in an opaque white tin glaze.
  • Attributed - A cataloguing term where the item in the opinion of the cataloguers, is a of the period of the artist, craftsman or designer, and which probably in whole or part is the work of that person.
  • Charger - An oversize dish or plate in ceramic, silver, or pewter primarily made for display, but able to be used for serving at the table or on a sideboard.
  • Fleur-De-Lis - The fleur-de-lis is a stylized lily or iris flower with

    three petals that has been used as a decorative motif for thousands of years. It

    often appears in Christian iconography symbolising the Holy Trinity and as an

    emblem that reflects the purity of the Virgin Mary. In decorative art and antiques

    decoration, the fleur-de-lis is often used as a symbol of elegance, refinement,

    and good taste.



    The fleur-de-lis has a rich history and in ancient times, it

    was associated with royalty, purity, and the divine, and it was used as a

    symbol of the French monarchy for many centuries.



    It is a common design element in ceramics, silverware, jewellery,

    furniture, and other decorative objects, and it can be found in many different

    styles and forms.

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