Pair of diamond Pendent earrings, each suspending an open work pear shaped diamond cluster drop, central diamond estimated as 0.75 carats within a surround of old mine-cut diamonds, estimated total diamond weight 2.50 carats, gross weight 6.8gm, length 3 c
Pair of 18ct white gold, diamond and onyx 'Pelage Panthère de Cartier' earrings, Cartier, 2004, each open work circular surmount pave-set with brilliant-cut diamonds suspending a rectangular plaque similarly-set with brilliant-cut diamonds between bu
18ct white gold, emerald and diamond bracelet, the hinged bracelet set to the top with a floral motif centring an oval-shaped millegrain-set cabochon emerald bordered by similarly-set mixed-cut diamonds and framed by diamond-set open work buckle motifs, th
18ct white gold and diamond bracelet, Hardy Brothers, 2008, the articulated open work strap designed as a series of slender gold bars alternately accented by circular and diamond shaped motifs grain and claw-set with brilliant-cut diamonds, completed by a
18ct white gold and diamond 'C heart of Cartier' ring, 2001, designed as a continuous series of open work heart motifs, pave-set with brilliant-cut diamonds, size K, signed Cartier, 2001, numbered AD6234. Provenance: important jewels & watches , Smith & Si
18ct white gold, diamond, ruby and onyx 'Le Baiser du Dragon' pendant necklace and bracelet suite, Cartier, comprising: a detachable pendant designed as an open work articulated geometric motif pave-set with brilliant-cut diamonds accented by swing drop ru
18ct bi-colour gold and diamond 'Aspis' ring, Mattioli, the 15 mm wide undulating open work band with raised edges flanking two spinning white gold banks claw-set with continuing lines of brilliant-cut diamonds, together weighing approximately 1.75 carats,
A pair of 18ct gold and diamond earrings, Neelam, each open work tear drop shaped surmount suspending a similarly shaped drop pave-set with brilliant-cut diamonds together weighing approximately 1.30 carats, length approximately 29 mm, signed Neelam, retra
18ct pink gold, morganite and diamond pendant, claw-set to the centre with a pear shaped morganite framed by a double border of similarly set brilliant-cut diamonds with collet-set diamond accents, to an open work, pear shaped diamond-set bale, the morgani
Channel Seven: A display comprising of a Collingwood guernsey with Channel 7 logo on rear, together with several photos of Nathan Buckley in the commentary box or with other members of Channel 7's commentary team. Framed & glazed.Presented to Buckley by hi
Georg Jensen, 'Moonlight' ring, sterling silver, bezel set with a cluster of round cabochon cut moonstones with a larger one to the centre, with an elaborate open work design to the shoulders, signed '10, Denmark, 925', size P 1/2, total weight 6.9 grams
Art Deco platinum and diamond ring, designed as an elongated oval with filigree and fret work, bezel set with eight small old mine cut diamonds, and an 1.20ct oval cut champagne diamond in the centre, stamped 'Plat', with valuation, size M, total weight 5.
Gold bracelet, 18ct yellow gold, large belcher link with polished and engraved links, together with a an open work filigree style padlock clasp, unstamped, tested as 18ct, length 17 cm, total weight 57 grams
Indian gold necklace, 22ct yellow gold, graduated fringe with filigree and granulation work, decorated with green and navy blue enamel work, stamped '22ct', length 45 cm, total weight 28.4 grams
Sewing work table, late 19th century in mahogany. Serpentine edged lift top with fitted interior and pull out storage drawer below. Stretcher base with long turned supports. Height 68 cm, width 52 cm, depth 36 cm, (a/f small split to front right corner of
Pair of impressive 20th century Rosenthal lidded urns, a central gold detailed cartouche painted with a splendid white peacock surrounded by exotic roosters in a palace courtyard, the other with a country scene, gold sinuous acanthus leaf side handles, ope
A late Victorian burr walnut veneer work box, late 19th century, the rectangular box with hinged lid, burr walnut veneered, empty interior, with lock and no key. Height 13 cm, length 25.5 cm, width 17 cm
A silver pearl and stone set bracelet, central 38 x 16.5 mm rectangular bead work plaque to 6 collet set cultured and osmena pearls and cabochon reconstituted turquoise to 16.4 mm wide fancy link chain and a box clasp with safety clip, length 18.5 cm, wt.
A late Victorian silver belt, seven panels cast with dragons and scroll work, George Nathan and Ridley Hayes, Chester 1899. Length 66 cm. Weight 146 gm.
A Victorian silver card case, shaped outline and engraved with flowers and scroll work, initialled for 1860, Aston & Son, Birmingham 1858. Length 9.5 cm. Weight 69.6 gm. Contains calling cards of the period.
A pair of a Michelsen by Paul Rene Gaugin sterling silver & enamel Zodiac spoons, enamelled work to the centre medallion and handles, length 15.5 cm Wt 70 grams
An early Kerr & Binns Worcester 'Limoges Enamel' decorated cup on foot, dated 1854, the enamelled decoration by Thomas Bott, Snr, the tall bell-shaped bowl on a short circular pedestal foot, the exterior cobalt blue ground with gilt interior, rim, and foot
A Royal Worcester porcelain 'Limoges Enamel' decorated charger, dated 1878 and 1887, the enamel decoration by Thomas John Bott, circular, cobalt blue ground, finely decorated in white enamel with a bust-length portrait of a woman, 'Louisa', after Charles P
Wonderful Japanese tea ceremony cabinet, in Hinoki wood, of rectangular form, beautifully set with a series sliding doors and shelves, drawers and doors, accented with carved fret work sides, 99 cm x 106 cm x 36 cm
A stoneware ginger beer bottle, made in Sydney by Jonathan Leak at his Brickfield hill pottery in the 1820s. It is a rare example of the earliest surviving marked pottery made in Australia, impressed stamp 'Leak' to shoulder, 18 cm high. At the age of 42,
Rare Channel Islands miniature portrait of the jersey silversmith, John Le Gallais, hand-painted on ivory, signed at left 'H. Bertian 1838' and mounted in yellow gold as a brooch. The reverse adorned with mourning window containing four locks of his childr
Rhoda Wager (attributed) circular silver brooch with gold highlights, set with a hand-painted floral porcelain panel signed 'A.V.' on the reverse. Purported to be the work of artist Amy Vale. 3.5 cm wide
Good Russian silver and enamel icon, impressed Moscow, 84, H.E (in cyrilic) depicting mother of God and child, set with enamel halo and border displaying flowers and scroll work in rich tones of blue, red, green, yellow and white, 13.5 cm x 11 cm
Pair of French Louis XV style bedside cabinets, of demi lune form with pierced brass gallery trim, in burr walnut veneer with blondwood and ebony string inlay border work, each set with three central drawers flanked by brass ornaments and inset paneling, r
A carved Burmese chest. Having iron handles. In elm, decorated with carved traditional motifs, ' peacock and elephants and inlaid with scrolling metal work. 61 x 31 x 31 cm
A Chinese strong box, Qing dynasty and later, (having some replaced iron work). A Chinese strong box, Qing dynasty and later, (having some replaced iron work). Now in good, restored condition. Still functional. With certificate 46 x 31 x 31 cm
A rare Derby soft paste porcelain figure, of a shepherdess, with dismal hound' at her feet, her white apron raised containing flowers over a floral sprigged skirt, a posy in her outstretched arm, her jacket and skirt edged in gilt, mounded base with scroll
Antique Chinese jade set silver gilt bracelet with filigree work & shou form engraved seal discs. The bracelet is later Republican era. Marked silver, length 17 cm, width 27 mm
A hardwood moon shape display cabinet, 20th century, with a hinged glazed door to the front and glazed to the reverse, the interior with stepped shelving, the whole supported on an open work base with a shaped skirt and corner bracket feet, 105 cm high, 92
A Moorcroft 'Honeycomb' vase, Des. Philip Richardson, 1987. The 102/7 shape vase, tube-line decorated with stylised bees at work upon a graduated blue ground, with a beehive hanging above in shades of yellow and brown, with impressed Moorcroft stamp, signe
A pair of Chinese silver filigree and enamel guardian lions on stands, mid 20th century finely worked with delicate filigree work to the legs and body, each with open mouth and leaning a paw upon a brocade ball, the body with highlights in typical shades o
A Victorian rosewood inlaid work box, early 19th century the small rectangular box with mother-of-pearl buttons, conforming cartouche to the strung lid and a carved mother of pearl escutcheon, opening to a paper lined interior in purple tones with a lift o
A Richard Killeen Regeneration bowl for Temuka Pottery bowl, made from porcelain. With transfer designs of the imagery used in Killeen's work 'Regeneration'. Marked to the base, 'Regeneration 1978 Killeen'. Height 7.6 cm, diameter 12 cm
A Richard Killeen Regeneration bowl for Temuka Pottery bowl, made from porcelain. With transfer designs of the imagery used in Killeen's work 'Regeneration'. Marked to the base, Temuka Pottery New Zealand. Regeneration 1978 Killeen'. Height 7.6 cm, diamete
A Worcester porcelain tea-canister and cover printed in black-transfer by Robert Hancock with 'Ice Skaters' and 'Lady dancing to a horn'. English circa 1765, unmarked. Provenance: Simon Spero 2000 Exhibition no 27. Albert Amor Ltd London 02/03/2018 (900 po
A gilt edged Worcester porcelain lobed circular painted in the London atelier of James Giles with exotic birds, fruit and an insect. English circa 1768/70, red anchor mark. Provenance: Sir Ian and Lady Heilbron collection. Albert Amor Ltd London Treasures
A gilt-edged Worcester porcelain pierced lattice work and floral encrusted circular basket painted in the London atelier of James Giles with birds in landscape, English circa 1765/70. Provenance: Robyn Robb London 2007 Exhibition no 7. acquired 07/04/2008
Catherine Snowball, set of six fish service plates, c. 1906, hand painted porcelain, depicting fish, with gilded rim, webbing and flora design to edges, displayed at the first Australian exhibition for women's work 1907, where she won best fish service, ar
Victorian mourning brooch/pendant, large and impressive spinner mourning brooch with inset hair and seed pearl decoration in ornate wire work surround, with upper bail for necklace
An Anglo-Indian ebony veneer teapoy, 19th century the William IV style sarcophagus form teapoy with beaded rims, raised on a carved column and quadripartite platform ending in fluted bun feet, the interior adapted as a work box. Height 76 cm, width 42 cm,
A Victorian sterling silver teapot and sugar basin, 1869 London, w maker's mark for Daniel & Charles Houle. The lavish teapot & sugar basin w baluster body repousse, chased w flora, shells & scroll work, the pot w scroll handle & acanthus thumb spurs, insu
Three Judaica sterling silver items, comprising a spice tower of windmill form on a circular base, with wriggle work and lift-off cover, stamped 925 to the underside, a Mezuzah case with embossed with foliate motifs, stamped 925, and a wine label chased wi
18ct white gold and diamond bracelet, the articulated open work strap designed as two lines of claw-set brilliant-cut diamonds framing a series of slender gold bars alternately accented with a cylinder pav��-set with a double row of brilliant
18ct white gold and diamond bracelet cuff, the hinged open work cuff comprising a series of slender gold bars highlighted at intervals with circles and claw-set to the top with brilliant-cut diamonds between similarly set borders, the diamonds together wei
Diamond brooch/pendant, the lozenge-shaped brooch centring a pinched collet-set old mine-cut diamond framed by an open work border of geometric and scrolling design set throughout with old-cut diamonds, the diamonds together weighing approximately 6.00 car
Pair of platinum and diamond earrings, each designed as a stylised cluster of three floral sprays centring an end-set marquise-shaped diamond, the open work flowers claw-set with brilliant-cut diamonds and the leaves channel-set with baguette diamonds fram
14ct white gold and diamond ring, of toi et moi design, the open work terminals designed as scrolls channel-set with tapered baguette diamonds bordered by claw-set brilliant-cut diamonds, the diamonds together weighing approximately 3.33 carats, size N/12;
18ct white gold, emerald, diamond and onyx pendant necklace, the octagonal pendant centring a claw-set emerald-cut emerald framed by a border of pave-set brilliant-cut diamonds and bezel-set black onyx plaques, to an open work chain of alternating octagona
Pair of 18ct white gold and diamond earrings, Canturi, each designed as an open work square bead-set with brilliant-cut diamonds together weighing approximately 0.16ct, approximately 7 mm square, signed Canturi, post fittings.
Buccellati diamond ring, circa 1980, of rope twist lattice work design, claw-set with brilliant-cut diamonds, the diamonds together weighing approximately 0.30 carats, mounted in 18ct gold, size M, signed Buccellati Italy.
Bulgari Ref 102686, a rare 18ct rose gold and diamond-set 'Lvcea' moon phase automatic ladies wrist watch with white mother-of-pearl dial, reference 102686, property from a private collection, Manufacturer: Bulgari, year: circa 2021, reference: 102686, cas
Cartier Ref 2700, a fine 18ct white gold and diamond-set 'Santos Demoiselle' quartz wrist watch with silvered dial, property from a private Queensland collection, Manufacturer: Cartier, year: circa 2008, reference no: 2700, case no: 124505MX, model name: S
Rose gold and diamond earrings, 14ct rose gold, bezel set with a round brilliant cut diamond, approx 0.50ct each, set to an open work mount, post and clip fittings, stamped '583', total weight 4 grams
Gold and diamond earrings, 18ct yellow gold, designed as half hoops with open lattice work bead set with brilliant cut diamonds, key hole clips, stamped 18K, total weight 12.8 grams
German Kalk porcelain portrait cabinet plate, of circular form, painted with a portrait of Madame Recamier, surrounded by a gilt border displaying eagles, Napoleonic N's and scroll work on a cobalt ground, factory marks verso, diameter 25 cm
19th century French portico clock, the case of architectural form with four column supports, decorated with satinwood string inlay work, the white enamel dial set with Roman numeral hour markers and ornate gilt brass bezel surround, movement marked 'Linet
Victorian 15ct target brooch, central single old mine cut diamond on oval plain platform framed with decorative bright cut wire and bead work with reverse photo locket 35 mm length
Victorian Anglo-Indian 22ct tortoise shell and gem cross pendant/brooch, tortoise shell base mounted with fine filigree gold work studded with rubies, turquoise and pearls with cross pendant drop 8 cm overall length (missing brooch pin)
Louis Phillipe period cabinet, a pier cabinet inlaid with brass, copper, pewter and tortoiseshell. Boulle work on the door, engraved with trophies, Hercules and Athena. The single door opens to a single shelf gilt bronze figural mounts to the sides, a saty
Sapphire, Daimond and enamel bracelet, centred by a sugarloaf sapphire weighing 9.38 carats, within a surround of old-cut diamond to open work enamel links accented with old and single-cut diamonds, estimated total diamond weight 2.90 carats, mounted in go
Antique carved ivory trinket box/string box, 19th century ivory tusk with carved detailing depicting monkeys playing with dragonflies in the form of a work box with carved lion finial (base has been re-stuck in)
A pair of porcelain inset satinwood and ebony work tables in the French manner, 19th century, each with a hinged rectangular top enclosing a velvet lined interior, above dipped aprons inset with a Sevres style oval porcelain medallions hand painted with a
A Georgian gold and garnet pendant, featuring five cushion cut almandine garnets foil backed and set in a pierced canetille and bead work 22ct gold frame, the bale of conforming design, 12.7gms.
Ludovico de Luigi a Venice light orse, 1988, Italy. Mixed media print. Signed lower right. Ludovico de Luigi (b. 1933) has work in the Peggy Guggenheim collection, Venice. Framed behind glass. Print 21 cm x 32 cm, frame 35 cm x 50 cm
A 19th century carved Indian table with hand beaten copper inset, an octagonal table with open work of peacocks. At the top is a copper inset with raised peacock decoration. Height 58.5 cm, depth 76 cm
A Tibeto-Chinese gilt bronze figure of a Buddhist attendant, Qing dynasty (1644-1912), 18th century, cast as a standing figure on a double lotus base, richly gilded and with fine chasing work to the robes. Collection label affixed to base. 21 cm high, 7.5
A carved hardwood portrait panel of an Indigenous Australian man by Robert Prenzel, signed, early 1920s, Bust-length, carved in very high relief, the bare-chested man in a laughing expression, stained dark brown, in its original fiddleback blackwood frame
A large Japanese bronze footed vase, Meiji period (1868-1912), constructed in three pieces, an impressive bronze floor vase decorated in high-relief work of cranes, birds in flight, heraldic panels, raised on elephant feet and with ascending dragons to eac
A Japanese iron tsuba with Nbthk Tokubetsu Kicho papers, Edo period (1603-1868), 18th century, iron ground flat plate design of an open work silhouette of a kama sickle on a classic maru gata and maru mami shape, with signed box and attribution to the Katc
Central Italian school first half 15th century, the Virgin and child enthroned and crowned by two angels, with St Francis and St Anthony Abbot, tempera and gold leaf with punchwork on wood panel with engaged frame, 62 x 47.5 cm overall, including the engag
'The Suburban Challenge Cup' Australian silver cricket trophy cup and cover, most likely the work of Henry young of Collingwood in Melbourne, circa 1870s. 23 cm high, 222 grams