Antique IXL Fortescue's pollard distributor for rabbit baiting, with copper bucket and cast iron components, mounted on a wood base, 74 x 36 cm, 70 cm high ex: Wondaloa Station
Adele Younghusband historical 1936 bronze medallion from the Waikato Society of Arts, presentation engraved 'Adele Younghusband 1936. In recognition of services rendered W.S.A.'. Cast makers name 'Lemington & Co.' Diameter 5 cm. Note: In August 1934, with
Art Deco dress style 14ct gold open face pocket watch, by International Watch Co, (IWC) Schaffhausen, number 899499. 50 mm 14ct gold machine engraved case with vacant cartouche to back cover, milled bezels, leaf and berry cast patterned band. Internal 14ct
A French ormolu mounted onyx vase, second half 19th century, the baluster shaped vase and square base in richly figured onyx mounted with ormolu rim, handles, socle, and foot cast with Renaissance revival motifs, 77 cm high
A pair of Potschapel vases and covers, in the Sevres manner, mid-20th century, each decorated with courting couples in landscape settings, pale blue ground with gilded highlights, finely cast brass mounts throughout, 50 cm high
A Nepalese Padmasambhava (Guru Rinpoche) figure, cast in copper. Seated in the Lalitasana (Royal ease) posture holding a vajra and a Kapala offering cup. The face gilded and hand painted, 22 cm height
A rare 19th century Tibetan Vajra-Katari ( ritual Chopping knife), cast in silver with the head of a Makara and the head of a peacock, the curved flaring metal blade issuing from the mouth section, engraved with Tibetan script. The Makara head surmounted b
Tibetan silver brass and metal Phurba, with integral chopping knife, the finial cast in the form of a dorje, 22 cm length, Provenance: Geoffrey key collection, London
A Tibetan 18th century silver and metal Phurba (ritual dagger), the large tapering triangulated blade issues from the mouth of a mythical makara. The makara surmounted by a dragon cast in high relief beneath three mask deity mounts and a horse head emblema
A Tibetan 18th century brass and metal Phurba (ritual dagger), the triangulated blade issues from the mouth of a mythical makara, the handle cast as a dorje surmounted by deity and Garuda masks with a horse head final in high relief emblematic of the wrath
A large and impressive Tibetan 18th century Dorje, cast in brass with mask mounts to the center section, 20 cm length, Provenance: Geoffrey key collection, London
Spode pair of reticulated baskets, 19th century, willow pattern, cast earthenware with blue transfer Chinoiserie decoration (2), width 25 cm. Provenance: The Estate of Wayne Priddle, Tasmania
Prussian oak chest, 17th century, front and sides decorated with double-headed eagles, the hinged key with sliding compartment for keys, requires two keys to open, sides with iron handles, with two cast iron keys, height 29 cm width 53.5 cm depth 35 cm
Miguel Fernando Lopez (Portuguese, b. 1955), bronze sculpture of a resting Rhino, cast and signed 'Milo' to reverse, sitting on marble base, height 13.5 cm. Provenance: private Estate, Tasmania
Italian bronze figure of Mars, early 17th century, on an integrally cast circular plinth and a later square Siena and black marble pedestal, chocolate brown patina, height 22 cm (overall). Provenance: Christies, London, the Barratt collection, from Crowe h
Two Victorian Coalbrookdale cast iron garden chairs, 19th century, serpent and Grape' pattern, painted red and dark green, with wooden slatted seats and backs, the end supports with dog head terminals on the arm rests, above scrolling snakes, stamped (2) p
Victorian Coalbrookdale cast iron garden set, 19th century, serpent and Grape' pattern, painted black, comprising a table and two benches, the benches with wooden slatted seats and backs, the end supports with dog head terminals on the arm rests, above scr
French bistro table, c. 1900, marble top with zinc rim, cream painted cast iron base, stamped 'Charlionais & Pourailly Lyon Toulouse', height 73 cm width 66 cm
Cast iron jardiniere, late 19th century, of rectangular form, decorated with woven geometrical motifs and acanthus leaves, height 40 cm width 69 cm depth 33 cm. Provenance: Private Collection, Sydney
Louis XV style Gilded-metal mounted Vernis Martin display vitrine, early 20th century, of serpentine shape with a pair of glazed doors and cased sides over a Vernis Martin style painted panels depicting courting couple and bucolic scenes, on cabriole legs
A pair of bronze and onyx pedestal stands, early 20th century the square onyx top supported by cast bronze frames with pierced foliate motif and figural masks, each on four long scrolled legs united by lower tier. Height 82 cm, length 30 cm, width 30 cm
A transitional style tulipwood marble topped commode, circa 1930 the kidney shaped mottled grey marble top on an oval cabinet with two drawers decorated with ebonised and walnut stringing to bookend veneer, sides conforming, with cast brass foliate handles
A transitional style tulipwood bookcase, circa 1900 with a veined white marble top above a single drawer and two long doors with pairs of quarter veneer panels, feather banding to the sides, all with contrasting borders, canted corners, interior with adjus
A large Japanese bronze koro of Fukurokuju seated on a stag, Meiji period the finely cast and black-patinated bronze koro of the god of wisdom and longevity Fukurokuju seated on a black stag, with his long beard and bald elongated head, wearing long flowin
Three soapstone and bronze seals, 20th century comprising an amber soapstone seal of upright form with cut sides, in mellow amber tones, inscribed to one side, a square seal in mottle celadon and brown stone with an openwork chilong surmount, and a bronze
A large French bronze group of two Alsatians after Louis Riche, circa 1930s cast by Jollet (Paris) from a model by Louis Riche (1877-1949), the two alert dogs on a naturalistic terrain base in brown patinated bronze, incised signature 'L. Riche' to the sid
Two French pocket watch stands, c1900 comprising one cast bronze with bean form basin and floral decorated back, and one trench art chair form, with bullet crossed legs and back, the seat made with Reims Cathedral ashtray, surmounted with lion mask. Height
A Hasselblad V-Series 501C medium format camera and accessories, Hasselblad (Sweden), 501c model, 1994-1997. The Hasselblad camera with cast aluminium alloy shell body, focusing hood, Zeiss Planar C f/2.8/80 mm lens, together with two Zeiss Sonnar C lenses
A Royal Dux Bohemia porcelain group of Retrievers, 20th century the slip cast modelled dogs with attentive expressions and painted highlights on a naturalistic oval base in muted green and brown tones, with a pink triangle raised mark, green backstamp and
Charles and Ray Eames soft pad group chair for Herman Miller, black leather on a polished aluminium and cast metal frame. Four point swivel base with castors. The United States of America, designed 1956. C 1970s, 82 cm high, 59 cm wide, 53 cm deep
Charles and Ray Eames pair of soft pad chairs for Herman Miller, black leather on polished aluminium and cast metal frames. Four point swivel bases with castors. The United States of America, designed 1956. C 1970s, 82 cm high, 59 cm wide, 53d,
Mies van Der Rohe Barcelona chair for Artes studio, black leather cushions and straps with buttons on a chromed cast metal frame. Germany / Australia, designed 1929, 73 cm high, 29 cm wide, 75 cm deep
Mies van Der Rohe Barcelona chair for Artes studio, black leather cushions and straps with buttons on a chromed cast metal frame. Germany / Australia, designed 1929, 73 cm high, 29 cm wide, 75 cm deep
Jurgen Laub & Markus Jehs Crown Major pendant light for Nemo, die cast aluminium structure with sandblasted glass diffusers. 30 Led lights in total. Red fabric cable. Germany / Italy, c 2010s, 85 cm high, 110 cm deep
Michele de Lucchi & Giancarlo Fassina Tolomeo desk or table lamp for Artemide, Articulating arms with cantilevered spring balancing system. Die cast aluminium, metal, and plastic. Italy, designed 1987, 100 cm high, 23 cm wide, 55 cm deep
'The Pharaoh's Gift' and 'The Queen's Offering' After Emile Louis Picault (French, 1833-1915) signed to base: 'Picault' bronze, accompanied by wooden pedestals heights: 73 cm, pedestal heights: 133 cm (2). Provenance: Acquired from Malmaison Antiques, New
An Empire gilt-bronze hand mirror, French, circa 1820, with a cast ornamented handle and an engine turned frame enclosing a modern glass, one side magnified, 29 cm long
A pair of bronze mounted Imari lamps, Japanese and French, circa 1900, the baluster vases with fan shaped cartouches amidst foliage in a typical cobalt and red palette, with French bronze cast mounts, with sconces for bayonet fittings, 33.5 cm high
Old Believers Russian house cross of the crucifixion, cast bronze with blue enamel decoration, 19th century, a fine casting;, 22.5 cm high, 15 cm wide, Provenance: The Baker-Finch collection
Weights, lines & Pulleys: an accumulation of new old stock, brass weight shells, end caps, hooks, American cast iron weights, weight lines, ropes and wire. (quantity)
A pair of classical Greek style chariot, horses and warrior statues, patinated cast metal on green marble bases, 20th century, each 27 cm high, 46 cm long
Edwardian sterling silver novelty pin cushion, hallmarked Birmingham, 1906, Cs*Fs (Cornelius Saunders & Frank shepherd), in the form of a swan with original cushion, cushion worn to reveal original wood chip filling, with finely cast feathers and plummage,
A large Thai gold lacquered bronze figure of the standing Buddha, Rattanakosin Kingdom (1782-1932), 19th century, finely cast in bronze with intricately detailed robe, on a fitted square black stand, the figure 99.5 cm high, 24 cm wide. With stand 118.5 cm
Alphonse Emmanuel de Moncel de Perrin (1866-1930), 'Les amoreux', bronze, with a brown patina, cast by Ferdinand Barbedienne, Paris, early 20th century, cast with incised signature to the left side of the seat: Adolphe Moncel, with the founder's incised si
Auguste Nicolas Cain (1821-1894), 'Lion et lionne se disputant un sanglier', bronze, in a mottled gilt and brown patina, cast last quarter 19th century, cast with incised signature to the front of the base, lower right: a. Cain, 38 cm high, 63 cm wide, 35
A Chinese bronze hill censer, Boshanlu, Han Dynasty (202BC-220AD), cast with a pierced mountain-form lid resting on a globular censer raised on a stem emerging from a stand cast with archaic dragons, covered in a fine patina of cuprite and verdigris, 11 cm
Jenny Orchard (Australian, b. 1951), zig zag vase, slip cast earthenware, black and white underglaze decoration depicting women, between leopard print and blue and white sides, signed to base, height 42 cm
Jenny Orchard (Australian, b. 1951), zig zag vase, slip cast earthenware, lavender and black underglaze decoration depicting abstracted faces on a geometric form, signed to base, height 43 cm
Philippe Starck (French, b. 1949), table lamp KTribe T1, designed 2007, manufactured by Flos, opal white polycarbonate inner diffuser and cream fabric shade, die cast, polished Zamak alloy and polished aluminum tubular base, retains manufacturer's label, w
Philippe Starck (French, b. 1949), floor lamp KTribe F3, designed 2007, manufactured by Flos, opal white polycarbonate inner diffuser and aluminized bronze plastic shade, die cast, polished Zamak alloy and polished aluminum tubular base, retains manufactur
A Thai bronze figure of Buddha, mid to late 17th century, cast seated in padmasana with the right hand in bhumisparsha mudra, remnant patches of gilding to the face, height 22 cm. Provenance: Charlotte Horstmans Ltd, Hong Kong, c.1987. Private Collection,
A large Chinese painted terracotta model of a horse, Tang Dynasty (618-907), standing with head cast down to one side and with open mouth, the saddle and eyes decorated with red and green mineral pigments, height 50 cm, length 49 cm. Provenance: Charlotte
A George IV silver salver, makers' mark of Barnard Brothers, London 1828, the piecrust border cast with flowerheads, scrolls and foliate motifs, the engraved ground centred with a monogram and motto within an oak wreath, on scroll and shell cast feet, the
A George III small silver mug, makers' mark of Rebecca Emes and Edward Barnard I, London 1813, baluster shaped and chased with a band of fruiting vines above the half reeded body and leaf cast handle and foot, gilt interior, height 9 cm, 168g
A pair of George III silver cauldron salts, maker's mark of Robert Hennell, London 1772, each with a gadrooned rim, on short cabriole legs with shell cast headers and feet, diameter 7 cm, 187g
A French patinated-bronze equestrian figure of Louis XIV, late 19th century, cast after the 1680 model by Francois Girardon (1628-1715) signed 'Girardon 1680' on plinth, the sun King dressed a l'antique on horseback gesturing with his right hand, on a mode
A pair of Grand Tour Bronzes, Italian, early 19th century, of Demeter and Bacchus, each holding their attributes on gilt metal leaf cast socles, height 21.5 cm. Provenance: Shapiro Auctioneers, Sydney, the Estate of K.R Bernard Smith, 21 September 2004
A pair of Louis XVI white marble and ormolu candlesticks, in the form of a column supporting an urn with reversible cover on a circular leaf cast socle, height 24 cm
A spelter and glass epergne centrepiece, circa 1930 with three pressed depression green glass tulip shaped vases with iris and arches design, raised on a cast pewter base with vine leaf decoration. Height 37.5 cm, width 33 cm
A pair of onyx and gilt bronze side tables, mid 20th century with Louis XVI influence, the green and brown onyx square tops above a shallow skirt with formal cast foliate borders and raised on tapering fluted legs. Height 30 cm, length 34 cm, width 34 cm
A Louis XVI style marquetry cabinet in mixed timbers, 20th century with a veined green marble top above a two door cabinet with medallions of marquetry ribbons and floral, cast metal trims all over, on a plinth base. Height 102 cm, width 122 cm, depth 46 c
A Louis XV style marble top tulipwood bombe commode, circa 1930 with a shaped ochre and rouge marble top above two long drawers with floral inlay to bookend strung reserves, raised on hipped cabriole legs and embellished throughout with cast bronze mounts
An Imari oil lamp base converted to Electricity, Meiji period, c1900, the baluster shape base with shaped reserves of floral bouquets in typical Imari palette above a patterned border, raised on a cast brass spreading base of neoclassical design, fitted wi
A French brass jardiniere, late 19th century, the oval brass jardiniere, profusely embossed with dog hunting scene with stag and wild boar in forest setting, with finely chased beaded pattern detailing to the rim and base and raised on four leaf cast feet.
A Victorian Welsh cast iron cathedral heater, registration no 195880, circa 1890s, the pierced hexagonal body painted green and decorated with scrolls and arches, below a stepped and domed top with bud finial, the interior set with ruby glass panel sides,
A Louis XV style tulipwood bedside table, mid 20th century with shaped mottled salmon marble top above three floral inlaid drawers to feather bookend veneers, similar sides, shaped aprons with ornamented drops and raised on angled and hipped cabriole legs,
A Louis XVI style tulipwood semainier, circa 1930 with a mottled brown marble top with canted corners, above seven bookend veneer drawers with cross-banding, further embellished with neoclassical ring handles, the shaped apron with drop and raised on short
A small transitional style tulipwood secretaire a abbatant, c1930, the floral inlaid top with a pierced brass gallery, with a bouquet of flowers inlaid to the pull down door revealing an interior with three drawers and a brown tooled leather writing slope,
African Benin large bronze mask, finely cast from the lost-wax process. An ornate example with surmounting full relief figure flanked by horns. Note: Benin Art is noted for its influence on 20th century surrealistic Art.