English school, 18th century portrait of Mrs Lewis and Son, oil on canvas bears label to verso: Colonel Wiseman Clarke presumably a previous owner of the picture. A reference to him can be found in an article from the Illustrated London News 20 Jan.1883 re
'Legends of the Goal Square': large poster from an original 1996 oil painting by Bryan Membrey, featuring 10 goal-kicking legends, signed by two of them, namely Peter McKenna & Peter Hudson, overall 72 x 100 cm.
Antoine Blanchard, (1919-1988), an early 20th century scene in the place de l'Opera, Paris, oil on canvas, signed lower right, 31.5 x 44.5 cm, dimensions: 31.5 x 44.5 cm, medium: oil on canvas
Ellis Silas, (1885-1972), a portrait of a working man, oil on canvas, signed and dated 1914 lower left, 94 x 72 cm. Provenance: The Estate of the late Hylton Grimmer. Other Notes: in juxtaposing a fit, strong working man with the recruiting poster on the w
Flemish school, early 17th century, Adam and eve in the garden of Eden, oil on oak panel, 61 x 74 cm. Provenance: The Estate of the late Hylton Grimmer
European school, mid 19th century, a young woman at prayer, oil on canvas, Indistinctly signed or inscribed centre right, oval, 79 x 64 cm. Provenance: The Estate of the late Hylton Grimmer, dimensions: oval, 79 x 64 cm, medium: oil on canvas. Provenance:
Spanish school, dated 1678, St Julia, oil on canvas, inscribed as title lower right, signed and dated lower left 'Teresa del Nino Jesus. Me fecit ano 1678', 99 x 91 cm. Provenance: The Estate of the late Hylton Grimmer, dimensions: 99 x 91 cm, medium: oil
N. Taylor, (active late 19th century), a pair: 'Recruiting' and 'The deserter', oil on canvas, each 74.5 x 61.5 cm. Provenance: The Estate of the late Hylton Grimmer, dimensions: each 74.5 x 61.5 cm, medium: oil on canvas. Provenance: The Estate of the lat
Hendrik Maarten Krabbe (Dutch 1868-1931) 'Op Moeders Schoot' (On Mother's Lap), oil on board, signed and titled on original artist's label verso. 52 cm x 41.5 cm
An oil on oak panel, depicting two men drinking at a strewn table, attended by a serving woman, possibly Spanish mid-16th century, signed lower right indistinctly. 18.5 cm x 23.5 cm. 19th century gilt frame with some faults.
19th century Russian quadri-partite icon showing four images of the mother of God with a silver basna, silver for Russian Veliki Ustyug 1812. Oil on wood panel 36 x 29.5 cm, reference lot 249 Hargesheimer Auctions, Dusseldorf, Auction 97 Russian and Greek
Late 19th century Russian icon of the mother of God of Tikhvin (Tikhvinskaya) showing Christ seated on his mother's forearm, oil on wood 37 x 29 cm (restored), reference lot 501 Hargesheimer Auctions, Dusseldorf, auction 84 important Russian and Greek Icon
An old oil container, Highlands Region, Papua New Guinea, reinforced with woven cane; the oil is used to cover body during ceremonies so that it glowed. Ritual smoking pipe engraved on main stem, height 36, 26 cm
A Victorian gilt metal oil lamp, in the classical style, formed as a tripod with three snake wreathed herns on a leaf cast base, electrified, height 62 cm
A collection of Australian treacle glazed pottery wares, 20th century, including McHugh and Campbell, comprising four pieces including a crystalline glazed oil lamp by David Williams, the oil lamp 13 cm high
Nils Hansson (1900-1996, Swedish), still life, oil on board, 46 x 37 cm, signed lower left, unframed. Provenance: Metropol Auktioner, Sweden. Private collection, Canberra
Thorbjorn Lie-Jorgensen (1900-1961, Swedish), interior scene 1944, oil on board, 57 x 67 cm including frame, signed verso. Provenance: Eek Auksjon, Norway. Private collection, Canberra
Arne Hegglund (1915-2009, Norwegian), from Svolvaer 1953, oil on panel, 57 x 66 cm including frame, signed and dated. Provenance: Blomqvist Kunsthandel, Norway. Private collection, Canberra
Bengt Blomqvist (1920-2001, Swedish), still life 1948, oil on canvas 39 x 60 cm including frame, signed and dated. Provenance: Crafoord Auktioner, Sweden. Private collection, Canberra
Folke Sinclair (1877-1956, Swedish), Crocuses 1944, oil on panel, 37 x 31 cm including frame. Provenance: Crafoord Auktioner, Sweden. Private collection, Canberra, signed lower left
Ruth Sjogren (1885-1978, Swedish), Still Life With Flowers, oil on canvas, 48 x 40 cm including frame, signed lower left. Provenance: Auktionshuset Kolonn, Sweden. Private collection, Canberra
Ellen Trotzig (1978-1949, Swedish), still life with flowers 1938, oil on canvas, 44 x 41 cm including frame, signed and dated lower left. Provenance: Crafoord Auktioner, Sweden. Private collection, Canberra
Pair of early 19th century oil paintings, English oil paintings on canvas, both depicting 'Meandering river Scenes' with cattle, thatched cottages, windmill and wooded landscape, both framed in matching giltwood surrounds 50 x 60 cm, ea, one with minor tea
Noparat Livisit b.1932 Thailand flowers oil on canvas, signed lower left. Noparat Livisit is a well-respected artist who was born in Roi Et in 1932. Attended the Faculty of painting and sculpture at Silpakorn University 77 x 97 cm
Grand pair of Regency bronze candlesticks, in the Roman/ classical style, each accommodating three candles on a triform design in the manner of Roman terracotta oil burners, each suspended via an elongated fluted central column and raised on a tri footed c
A pair of emerald and diamond earrings, each centred with a rectangular step-cut emerald within a border of round brilliant-cut diamonds, emeralds weighing 3.93 and 4.05 carats respectively, estimated total diamond weight 3.80 carats, mounted in yellow gol
An emerald and diamond ring centring a rectangular step-cut emerald flanked and framed by round brilliant and marquise-cut diamonds, estimated total diamond weight 1.40 carats, mounted in 14ct white gold, gross weight approximately 7.40 grams, ring size N.
Van Houten, Mesdag (Dutch, 1834-1909) attributed, floral still life. C1890 oil on canvas. Unsigned and untitled. Inscribed Mesdag van Houten in pencil verso, height 49 cm, width 69 cm
Malloch, Bruce (B.1936), 'Tranquil River' (Western Australia) oil painting on board. Signed B. Malloch lower right, dated 89, and further titled verso. Framed height 23.5 cm, width 17 cm
St John Rosse, Nicholas (B.1945, British), 'Making Ripples', oil on board signed N St John Rosse lower right. Framed. Purchased GBP900 in July 2003 from Peter Hadley gallery Dartmouth, Devon, UK, height 30 cm, width 39.5 cm
St John Rosse, Nicholas (B.1945, British), 'Walking through Waves', oil on board signed N St John Rosse lower right. Framed. Purchased GBP540 in Oct 2003 from, the D'Art gallery Dartmouth, Devon, UK height 34.5 cm, width 19.5 cm
St John Rosse, Nicholas (B.1945, British), 'Paddling with Sylvester', oil on board, signed N St John Rosse lower left. Framed. Purchased in 2004 from, the contemporary Art gallery, St Ives, Cornwall, height 29.5 cm, width 19 cm
St John Rosse, Nicholas (B.1945, British), 'Little Shrimping Boy', oil on board signed N St John Rosse lower left. Framed. Purchased May 2004 from, the contemporary Art gallery, St Ives, Cornwall height 29.5 cm, width 19 cm
Recknagel, Theodor (German, 1865-1945), portrait of a girl, quarter-length. Oil on canvas. Signed th. Recknagel lower right. Housed in a ripple moulded ebonised frame with tondo aperture. Diameter 38 cm
Dehn, Georg (German, 1843-1904), village Scene.Untitled oil on board. Signed G. Dehn lower right. Housed in a period ripple moulded ebonised frame, height 45.5 cm, width 39.5 cm
A Max Thomson marine parade Dingies 2007 oil on canvas, his formative years spent in provincial New Zealand have had a profound effect on his choice of subject matter. This is evidenced in his constant return to the natural landscape for inspiration. Heigh
An 17th century attributed Bolivian Iconographic painting, depicting Saint Paul. Oil on canvas. This painting originally stood in a Bolivian church. The church was decomissioned allowing the paintings to be seperated. It has been attributed to the 'School
An 17th century attributed Bolivian iconographic painting, depicting Saint Peter. Oil on canvas. This painting originally stood in a Bolivian church. The church was decomissioned allowing the paintings to be seperated. It has been attributed to the 'School
A Max Thomson Tomatoes oil on canvas, stretched on canvas., his formative years spent in provincial New Zealand have had a profound effect on his choice of subject matter. This is evidenced in his constant return to the natural landscape for inspiration. H
A superb Georgian III sterling silver Warwick 5 piece cruet set and stand with three graduated footed baluster casters and spiral conical finials and cut glass oil and vinegar ewers, the mounts with shell thumbpiece and acanthus top scroll handles, all wit
Mather brown (American 1761-1831), seated peasant girl with Sickle, oil on canvas - in poor condition, signed (lower right), 127 x 102 cm, canvas relined
A Russian icon of Christ Pantokrator, late 19th century, oil on wood in silver gilt oklad and ebonised and gilt wood kiot, height 31 cm, width 26 cm, depth 7 cm
A Russian icon of Saint Innocent of Irkutsk, second half 19th century, oil on wood in a silver and gilt oklad contained within a gilt wood and brass mounted kiot, height 28 cm, width 18 cm, depth 6 cm
A Victorian oil lamp, the frosted globular shade above a faceted reservoir on a reeded shaft and circular foot on ceramic base, height 68 cm. Provenance: The Gordon and Jackie Samuels collection
A late Roman / Byzantine Pottery oil lamp. Levant, c. 400-600 A.D. The oil lamp of round flat body with spout, with concentric bands and shallow groove around the central filler hole, now very much worn, some encrustation and overall surface wear and trace
Donald James gray Cameron (1927 - 2018), Cameron's Bight, oil on board, signed lower right, 23 x 25 cm, Cameron's Bight is on the Mornington Peninsula, near Blairgowrie.
James Edwin Meadows (1828 - 1888), Off Dungeness, oil on canvas, signed and dated 1879 lower left, also titled and signed verso on stretcher, 20.5 x 40.5 cm.
Thomas Seymour (Britain, 1844-1904), Valley of the Ouse, oil on canvas, signed lower left 'Tom Seymour', 39 x 60 cm, 58 x 78 cm overall. Provenance: The Jason E. Sprague collection, Melbourne.
Alfred de Breanski senior (1852-1928), Loch Achray, oil on canvas, signed lower left 'Alfed de Breanski', 30 x 49 cm, 42 x 62 cm overall. Provenance: The Jason E. Sprague collection, Melbourne.