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Platinum, gold, emerald and diamond ring, Van Cleef & Arpels, circa 1974, of cluster design, centring a claw-set pear-shaped modified brilliant and step-cut emerald weighing 20.246 carats framed by a border of brilliant-cut diamonds to shoulders partially

A very fine Chinese export painting, circa 1840, depicting a scene of eleven trading vessels, in Hong Kong harbor, each one flying a flag of its own nation, oil on canvas, 75.5 x 42 cm. Provenance: Omell Galleries, 22 Bury Street, St. James, London

Early Ming large porcelain Middle Eastern export ware vase with a ring holder & a raised star button, all decorated with Chinese infuence & Eastern flowers, made to hang on a wall for oil distribution. Formally of the Banister Family collection, with a rec

The 1939 Premiership medal won by Melbourne Football Club Hall of Fame Inductee Percy Beames. Superb original condition. Percy James Beames (1911 - 2004) had a remarkable career as an Australian rules footballer of the highest calibre with Melbourne Footba

LEE MAN FONG, 1913-1988, Four Goldfish, LEE MAN FONG, 1913-1988, Four Goldfish, oil on composition board, signed and stamped with a seal of the artist lower right, 122 x 60 cm, 103 x 49 cm (image). Provenance: Private Collection, Singapore, Private Collect

A set of four painted rectangular porcelain plaques, Wei Yongsheng (1910-1975), Republic period 80 x 20 approx. each (4). Provenance: Private collection, Canberra, acquired in Shanghai prior to 1949 and thence by descent The group depicts four famous reclu

A Chinese export painting, 19th century, oil on canvas, Chinese school, Canton, 'The Great Fire 1822', 47.5 x 67 cm

Chinese modern oil painting of flowers (Zhaoxingguo stamp-famous artist), Zhao Qingguo (named as Grape Zhao), is a first-class artist in China,member of Chinese Artists Association, distinguished professor at the School of Fine Art of Zhengzhou University,

18ct white gold, emerald and diamond 'Upswept' ring, 2018, claw-set to the top with a square mixed-cut emerald weighing 6.80 carats, each shoulder end-set with a graduated line of five emerald-cut diamonds together weighing 3.84 carats, the bridge accented

English school, 18th century portrait of Mrs Lewis and Son, oil on canvas bears label to verso: Colonel Wiseman Clarke presumably a previous owner of the picture. A reference to him can be found in an article from the Illustrated London News 20 Jan.1883 re

After Peter Paul Rubens, 18th century school the Virgin mark and child with Saint Elizabeth and the child John the Baptist, oil on canvas, 240 cm x 150 cm

19th century European pair Grand Tour style Italianate townscapes featuring canals oil on canvas 46 x 96 cm (2)

Giovanni Battista Lampi (1751-1830), (Attributed) Portrait of a Noblewoman, oil on canvas signed middle right: Chavalier de Lampi, pinxit anno 1807 76 x 61 cm

Henry John Yeend King, (1855-1924), The Trespassers, oil on canvas, signed lower right, 140 x 100 cm. Exhibited Royal Academy Pictures exhibition of 1904 and illustrated in the catalogue at p.36

English School, Follower of Sir Peter Lely or Studio, English, 17th century, Portrait of James Duke of York, Later James II, oil on canvas, 125 x 100 cm

A pair of Chinese export paintings, circa 1854, Chinese school, Macau, each one in oil on canvas, 'Pira Grande from the South', 56 x 45 cm

North Italian school, early 17th century, the wedding at Cana, oil on board inscribed Joan, 2 to one chequer stone floor tile, 96 cm x 138 cm

Pratuang Emjaroen 1935-2022, temple, oil on masonite, depicting the setting sun behind a temple with a monk in the foreground, in oil over raised gesso-work, signed P.Emjaroen to the lower right, in the original teak frame. The painting 55 cm high, 37 cm w

Emerald and diamond ring, of cluster design, centering a claw-set emerald-cut emerald stated to weigh 7.40 carats, framed by a line of brilliant-cut diamonds, the diamonds together weighing approximately 1.84 carats, mounted in 18ct gold, size K, accompani

Oil on board, signed lower left Haughton Forrest, 29 cm x 61.5 cm, huon river in ornate gilt frame

Sir Peter Lely (School of). Portrait of Lady Anne Montague, Daughter of Robert Montague, Earl of Manchester, Married to James, Earl of Suffolk., oil on canvas. 121.5 cm x 90.5 cm. Provenance: one of two painting purchased by William Johnson from Kimbolton

A fine Cizhou red oil spot tea bowl, Jin dynasty with in-turned lip, covered in a russet splashed black glaze, 8 cm high; 16.2 cm diameter. Provenance: Shanghai Arts, Singapore 1980s

European school, 19th century portrait of Colonel Frederick Taylor in British military uniform oil on canvas unsigned 126 x 98.5 cm

After Peter Lely, Portrait of 'Miss Grimstone afterward Lady Halifax, oil on canvas, bears artist's name, title and cat. no. 57 on label verso, 95 x 130 cm. Provenance: The Estate of the Late Annie Coogan

European School: Classical Figure Studies, oil on canvas on board, 62.5 cm diameter

An unmounted Colombian emerald a rectangular step-cut emerald with known weight of 22.46 carats. Accompanied by GSL report no. AA65286, dated 22 July 2021, stating that the natural emerald is of Colombian origin, with minor clarity enhancement (oil).

HMS Beagle: Conrad Martens (1801-78), 'View of Port Famine, Strait of Magellan', oil on board, 18 x 26 cm, with a lengthy description on the reverse, early wooden frame. The verso inscription reads 'Port Famine. Straits of Magellan/ The anchorage of H.M. S

English School (19th century), Portraits of Officer George Thomas Scott and Eva Constance Scott, oil on canvas (2), 101 x 85.5 cm (each). Provenance: Property originally of Thomas Scott (1800-1855) Mt Morriston Tasmania,

French school (c.1800) 'Putti With Wicker Baskets Of Summer Flowers, Standing on Pedestals in an Idyllic landscape' (2), each oil on canvas, each 253 x 114 cm

A pair of emerald and diamond earrings, each centred with a rectangular step-cut emerald within a border of round brilliant-cut diamonds, emeralds weighing 3.93 and 4.05 carats respectively, estimated total diamond weight 3.80 carats, mounted in yellow gol

Peter Lely (Atrrib.) (1618-1680) portrait of Miss Margaret Waller, circa 1660 oil on canvas bears inscribed label verso: Marg Daugtr of Sr William Waller and Sister to Ann, Wife to Sr Philip Harcourt knight 125 x 99 cm. Other Notes: printed label verso: Si

Studio of Sir Peter Lely, English, 17th century, Elizabeth Wriothsley, Countess of Northhampton and later Countess of Montague, oil on canvas, inscribed and with labels to verso, 125 x 100 cm. Provenance: Prior to 1949 Duke of Manchester, Kimbolton Castle.

Ross Watson (1962-.) Australia, Parachute 1999, oil on board, signed lower right, 118 cm high, 119 cm wide

Italian school, 19th century, a pair of peacocks in classical landscapes, oil on canvas laid down on board, inscribed to verso no.111/ 112 1896 the other 'Villenino D'Este Illambria' and other label Villeno d'Este Allantova / aut Sigla Hd in gilt frames, 7

English School (in the 17th century Style), Portrait of a Young Girl, oil on canvas, 75 x 62 cm. Provenance: The Estate of the Late Annie Coogan. Purchased at the sale of Sir James Horlick

Artist Unknown, (signed Gurschenner), Winter village scene in snow, oil on board, signed ?Gurschenner? lower right, Purchased at Leonard Joel Auctions, Melbourne, circa 1965

Coburn, John (1925-2006), birds in flight, oil on canvas, signed Coburn lower right. Height 60 cm. Width 90 cm

W Meadows. 19th century British School, 'The Cowherd'. Signed W Meadows and dated 1898 lower left. Oil on canvas. 75 x 126 cm. Sold Leonard Joel as lot 254 1/5/2001

A Chinese export painting, Qing Dynasty, 1837, Oil on canvas, English school, inscribed 'The Indiana, 420 tons D.O.Brien Commander' at Whampoa Reach, China, dated 15 th, 10, 1837, 64 x 48 cm

English School, 17th century, Follower of Sir Peter Lely, Mrs Trenchard Sister of General Erle, oil on canvas, Inscribed with sitters name and indistinctly signed in red paint lower left, with stencil mark 709 VE to stretcher, 125 x 100 cm. Provenance: Nan

Framed Haughton Forrest, oil painting, River Derwent, New Norfolk from the Regatta Ground, on Academy board. Signed lower left 46 cm x 30 cm John Pill (Hobart) framers label on verso

Jan Augustini (Dutch, 1725-1773) two works: 1) Waterbirds in a wooded landscape 1773, oil on canvas, signed and inscribed lower right J. Augustini Pinx 221 x 160.5 cm 2) Waterbirds in a wooded landscape 1773, oil on canvas, 221.5 x 161 cm

Spanish School, 17th/18th century, oil on canvas. 137 cm high, 93 cm wide

Pair of T S Cooper (Sidney Cooper) oil paintings 19 x 29 cm depicting cattle & sheep scenes

A George II sterling silver Warwick cruet frame with original bottles and casters, with a contemporary coat of arms and crests of a rampant lion by Samuel Wood, London 1744, the frame 21 cm high, The arms are those of Rokesborough (sometimes spelt Roxburgh

Attributed to Carl Moll (1861-1945), a Mediterranean seascape with fishing boats off a hilly coast, oil on cedar panel, signed and dated lower right: C. Moll 90, the reverse of the panel with an indistinct label stamped in black ink, probably in German. 21

Oil painting by Haughton Forrest, 29.5 x 46 cm, signed, Lake St Clair, Tasmania, on Academy board

A. Loutenbacher. Cubist still life, 20th century. oil on canvas. 46 x 55 cm. signed and dated '56 lower right

After Luini Bernardino, Italian, 15/16th century, Adoration of the Magi, 18/19th century, oil on panel. 108 cm high, 68 cm wide. 'Andina fe in Como' to verso, after the original in the nave of the Como Cathedral, Italy

Haji Widayat (Indonesia, 1919/23-2002), blossom trees, oil on canvas, signed and dated, 77, lower right, 70 x 70 cm.

Artist Unknown, large oil on canvas, Village Festival, in original carved wood frame of the period, 67 cm x 120 cm circa 1940's

Oil on canvas signed H. B. Challon 1820 in gilt frame. 38 x 50 cm Palomino

Gilt framed Seascape oil on board by Haughton Forrest, signed lower left H Forrest, 30 cm, 45.5 cm

A portrait of a courtesan, late Qing dynasty oil on canvas, the young lady seated wearing a pale blue embroidered robe, with one hand clasped supporting her chin, the other holding a book on a table by her side, adorned with jewellery on her wrists, finger

Charles Ephraim Smith Tindall (Scotland, Australia 1863-1951): The S.S. Wyreema, oil on canvas, signed and dated 1909 lower right, 151 x 273 cm

James Haughton Forrest (1826-1925), Tasmanian River Scene with Sailing Boats, oil on board, 29 x 44 cm

English School, 18th century, Portrait of a Gentleman Wearing a Curled Wig, oil on canvas, 122 x 100 cm

Cathleen Edkins (Born 1922), (Grazing Horses), oil on canvas, signed lower right: C. E. Edkins, 75.5 x 90.5 cm

European school (19th century) allegorical portrait of the figure Hope, oil on canvas, 136.5 x 98 cm within an elaborate gilt wood frame, labelled verso gallery of paintings / Costa Conti / artists / Originals and Copies / medals of 1st Class Italian Expos

Artist Unknown (19th century, Australian), Isle Of The Dead, Port Arthur, Van Diemen's Land, oil on board, 31 x 47 cm

The Coronation portrait of 'Ranji' - Colonel H.H. Shri Sir Ranjitsinhji Vibhaji, Maharaja jam Saheb of Nawanagar K.C.S.I. In his Coronation robes and jewellery, three-quarter length seated in a gilded throne chair with lion finial arms. Ranji wears a cream

A Victorian sterling silver and blue-glass oil lamp, by Frederick Elkington and Company Sheffield 1868 74 cm high

An 17th century attributed Bolivian Iconographic painting, depicting Jesus Christ on the cross. Oil on canvas. Approx 1300 x 95 cm. This painting originally stood in a Bolivian church. The church was decomissioned allowing the paintings to be seperated. It

Ildiko Kovacs (born 1962) Big Marley, oil on board, 214 x 184 cm. Provenance: Christine Abrahams gallery (label verso

European School, 19th century, Peacock and Game Birds, oil on canvas, 70 cm high

Oil on Academy board by Haughton Forrest, river scene, signed lower left, 38 cm x 61 cm

Oscar Merte (German, 1873 - 1938), Riders in the Park, oil on canvas, signed lower right 'O. Merte, Munchen, 1930', 138 x 167 cm

Gallipoli: Set of 3 oil paintings by Petty Officer Royal Navy J.Heffer who witnessed the landings. Each one titled. 'Landing of Troops, Gallipoli, April 25th 1915', 'H.M.S. Eurayalus Smyrna. Mar 6th 1915', & ' H.M.S. Euryalus Forcing the Dardenelles 25th 4

Bui Xuan Phai (Vietnamese, 1920-1988), Street Scene, oil on canvas. signed by the artist 31.5 cm x 23 cm. Provenance: NSW private collection, acquired in Hanoi in the early 1980s

A pair of portraits of courtesans, 19th/20th century, (2) oil on canvas, each depicting a young lady seated at a table, one hand raised supporting her chin, one wearing a pale and dark blue robe with floral borders and holding a book, the other wearing a w

After Guido Cagnaci, Italian School, 17th century, David with Head of Goliath, oil on canvas, 105 x 82 cm

Gustavo Alessandro Sacco Oytana (Italian 1862-1932), Portrait of Colonn. Francesco Branchinetti, signed and dated 'G.A. Sacco 91' (lower left), oil on canvase, unframed, 241 x 130 cm. Reference: G. Edoardo Mottini 'Gustavo Alessandro Sacco Oytanna' Pittore

George Pierre Louis Serrier (French, 1852-1949), farm cottage, oil on canvas, signed lower right: G. Serrier, 140 x 209 cm

Ernst Samuel Geiger (German, 1876-1965), (View through the window), oil on board, signed lower right: Ernst Samuel Geiger, 48.5 x 59.5 cm. Provenance: Christie's, Melbourne, c.1995

James Alfred Turner. (1850-1908). Australia. In the clearing. Oil on canvas. Signed J A Turner lower left. 37.5 x 30 cm

Catherine Abel (b. 1966), the beauty of her, 2003, oil on canvas, signed lower left corner, 112 x 91 cm. Provenance: Art House Gallery, Sydney. Private Collection, Sydney

Unknown Artist, twentieth century, the interior of the Pantheon, after the original by Giovanni Paolo Panini (1691-1765) oil on canvas triptych, 230 x 339 cm

Pair of William IV patinated bronze oil lamps, 19th century, each in the form of a boar-headed rhyton, reservoir with leaf-cast decoration centred with a berried finial within a gadrooned border, now electrified (2), height 35 cm

JAN HENDRIK SCHELTEMA(1861-1941), At Ivanhoe, oil on canvas, signed lower right: J H Scheltema, titled verso, 45 x 76 cm

Oil on board Initialled Hf 89 (Haughton Forrest) in ornate gilt frame, Tasmanian scene, Mt Olympus lake St Clair, 29 x 40 cm

Attributed to Pietro Gabrini (Italian, 1856?1926), (sailing in the Bay of Naples), oil on canvas, bears name 'P. Gabrini' on boat, 137.5 x 100 cm. Provenance: This work has been on loan to Werribee Mansion, Victoria

European school, circa 18th century i) French landscape ii) French landscape oil on canvas 71.5 x 58 cm (2). Provenance: Leonard Joel, 16th September 2012, the Graham Geddes collection of important Antiques & objects, Lot 1051. Joseph Farley collection, Lo

An antique Australian horse racing Wheel-of-Chance, a wheel-of-chance depicting twelve different Australian racehorses, painted and titled in oil paint on cedar, the wheel surrounded by brass strapping and mounted on a later stand; the wheel circa 1890. Ov

In the school of Pieter van Lint, Flemish, 1609-1690 the Justice of Cambyses the oil depicts Cambyses II, Son of Cyrus the great and King of Babylonia. From 530 BC, he conquered Egypt but failed against Ethiopia and Carthage 110 x 192 cm.

Oil by 19th century English Artist of mother and child by lantern light, 74 x 62 cm

Gilt framed oil signed H Forrest (Haughton Forrest 1826-1925) lake scene 11 cm high, 17 cm wide

Manner of Thomas Gainsborough (British), The Rev. Dudley Bate c. 1788, oil on canvas, within an 18th century carved giltwood frame, 75 x 62 cm, Note, plate attached to the base of the frame inscribed, Thomas Gainsborough R.A., 1727 - 1788, The Rev. Dudley

Alfred Herbert Cook (1907-1970), Portrait of Albert Namatjira, oil on board, signed lower right: Alfred H Cook, 34 x 44 cm, Related Works, Bonhams, The Owston Collection - Day 1, Sydney (Art Only), Sydney, 25/06/2010, Lot No. 636, sold for $13,200 (Ibp),

Jan Hendrik Scheltema (1861-1941), Droving cattle in the morning light, oil on canvas, signed lower right: J H Scheltema, 52 x 75 cm

CHINESE SCHOOL, British East Indiamen & Chinese Shipping at the Bocca Tigris, circa 1850s, oil on canvas, framed, 45.8 x 59.8 cm. Provenance: A Collection of International Decorative Arts & Art, Mossgreen, Melbourne, 23 April 2012, lot 131, illustrated, Pr

COLONIAL SCHOOL, 19th CENTURY The Tiger Hunt Oil on canvas 76 x 125 cm

Attributed To Enoch Seeman Portrait of William Shippen Esquire MP oil on canvas bears inscription upper right 'William Shippen/Esquire. MP./ Pope's 'Downright Shippen', Born 1672/M.P. for Bramber 1707/A Leader of the Jacobite Party,/committed to the Tower

Artist Unknown (British School) Henry Grey Duke of Kent oil on canvas inscribed 'Henry Grey of Kent Father of Annabell Lady Glenorchy 126 x 100 cm Paper Label to the reverse Inscription reads Brought to Taymouth Castle from the Marquis of Breadalbanes Apar

After Jan Miense Molenaer Family making music oil on canvas, after Jan Miense Molenaer Family making music, oil on canvas, set in a substantial timber moulded frame, the original circa 1650, 230 x 315.5 cm

Vincent Stoltenberg Lerche (Norwegian 1837-1892) 'The Experts' oil on canvas

Sir Oswald Joseph Hornby Birley R.P, R.O.I (1880-1954) 'Apache' dancer Miss Beatrice Collins, oil on canvas, signed mid right, Oswald Birley, 197 cm x 126, Apache, or La Danse Apache, Bowery Waltz, Apache Turn, Apache dance and Tough dance is a highly dram