Melbourne from the South Side, 1839
After J. Adamson., Melbourne From The South Side Of The Yarra Yarra, 1839, lithograph, with later hand colouring and printed in 1881, artist's and engraver's names with text and legend, title and date below image, 36 x 39 cm, Text reads 'Eng'd by J.…
![Percy Trompf [1902-1964], Australia. The Landing of Captain…](https://img.carters.com.au/640x640/dce4a1c0cc240b2b804a3a565dacdec4.webp)
Captain Cook's Landing at Botany Bay
Percy Trompf [1902-1964], Australia. The Landing of Captain Cook at Botany Bay 1770, c1935 Colour lithograph, signed in image lower right, 48 x 62 cm. Linen-backed., Text includes 'Posters Ltd, Sydney. Australian National Travel Association, 435A Collins…
Victorian Engravings: Machinery, Mining, and Christmas
Victoria: Framed engravings noted 'Improvements in Machinery - The First Horse Puddler, Pennyweight Flat, Ballaarat 1853' & 'The Mining Registrar's Office Lydiard St 1856' by F.W.Niven; 'Australian Diggers Keeping Christmas Eve' by W.Ralston. All window…
Steeple Chase Aquatint Prints, 1832
After Henry Alken (British, 1785-1851), Charles Bentley (British, 1806-1854) (engraver), a steeple chase, 1832, handcoloured aquatints, plate 2, plate 3, published by S & J Fuller at their sporting gallery 34 Rathbone place, London (2), 36 x 52 cm each
Captain James Cook Engraved Portrait, London 1785
Engraving of the portrait of Captain James Cook; Alexander Hogg, London, 1785; Accurately engraved by Mr Thornton from the original picture in the possession of G.W. Anderson; 23 cm x 33 cm
Missionary Landing in Taranaki, New Zealand
George Baxter (1804-67), The Rev. J. Waterhouse Superintending the Landing of The Missionaries at Taranaki, New Zealand', oil print, coloured in the Baxter patented method. 28.5 cm x 40 cm.
Enzo Mari's Pear Screen Print in Oak Frame, Italy 1963
Enzo Mari 'Pear' screen print for Denese, print in oak frame, Italy, designed 1963, 115 x 115 cm
Enzo Mari 'Apple' Screen Print in Oak Frame, Italy 1963
Enzo Mari 'Apple' screen print for Denese, print in oak frame, Italy, designed 1963, 115 x 115 cm
Stink Mill Etching by Rembrandt
After Rembrandt van Rijn, the windmill (the little Stink mill), etching, later edition (20th century), signed in plate lower right, 14.2 x 20 cm
Sydney View from West Cove No. 4 (1810)
William Dymock, (act. 1810) after, NSW 1810: view of Sydney from the West side of the cove no. 4, colour lithograph pub. William Dymock, 37 x 50.5 cm
Sydney Street Views and Landmarks, 1882
Joseph Fowles, (1810-1878) after, Sydney Street views: George Street, King Street, York Street, Pitt Street c.1882 + Wesleyan Centenary Chapel + the post office + folio of National Trust prints, engravings, some handcoloured + prints, 26 x 26 cm (4),18 x…
Hobart Engraved from Mr McGregor's Garden
Engraving Hobart from Mr McGregors garden (Lenna), a. H. Fullwood 1886
1030 W Cielo I Archival Print
Tom Blachford (Australian), 1030 W Cielo I, archival pigment print on lustre paper, 169 x 110 cm
Pair of Signed Engravings by Lewis Miller
Lewis Miller (1959- ), I.) Nicky J, II.) Beth, two engravings, 2/10 and 3/10, both signed and titled in the lower margin, 20 x 15 cm
'Zeppelin' Pochoir Print, Paris 1915
'Zeppelin' by Gamy-Montaut, Published by Mabileau & Co., Paris, 1915, Framed & glazed, overall 54 x 102 cm. The Gamy-Montaut prints were produced by the pochoir process in which the outlines for each image were drawn onto lithographic stones and printed.…
Garth Tapper's Prosecution
A Garth Tapper, Prosecution', lithograph 49/99, signed and entitled. 22 cm x 15 cm image, 40 cm x 30 cm paper size unframed.
Homecoming Through Woods
Jospeh Farquharson (Britain, Scottish 1846 - 1935) home through the Woods, lithograph, signed lower right, 47 x 40 cm
Seraglio Point, Constantinople from Galata Tower (1855)
Thomas Shotter Boys after Theodore E. Thrupp 19th century, view of the Seraglio point, Constantinople from the Tower of Galata c.1855, hand-coloured lithograph, 50 x 73 cm,
Antique Noblewomen Portrait Prints in Parkland
Thomas Watson after Peter Lely (18th century), a pair antique portrait prints of Noblewomen in parkland, one of Henrietta, Countess of Rochester, mezzotint engravings on laid paper, published 1779, 45 x 33 cm approximately each,
Lismore Castle Coloured Aquatint Etching, 1795
Samuel Alken after T.S. Roberts 18th century, Lismore castle, coloured aquatint etching, published 1795, 32 x 43 cm (image),
Antique Prints: Sion House and Frogmore House
Robert Havell Jnr after Willam Havell a pair of antique prints: Sion house and view of Frogmore house, Windsor, Berkshire, published 1815 and 1819, coloured aquatint etchings, 28 x 36 cm (plate) approx. Each,
Shrimp Seller
Francesco Bartolozzi after William Hogarth 'Shrimps!' - portrait of a shrimp seller 1782, stipple engraving, in mid-19th century rosewood frame, 27.5 cm x 20.5 cm (plate),
Hawking Party
William Wynne Ryland after Philips Wouwerman (c.1732-1783), a Hawking party 1765, etching, 32 x 46 cm (border),
Fly Qantas to Fiji
Visit fascinating Fiji. Fly there By Qantas, Australia's Round-the-World Airline' with further text 'Just 4 hours from Sydney by Qantas 707 V-Jet lie the fabled Fiji Islands the ideal place for a real tropic island holiday.', circa 1970, colour process…
Historic Tasmania: Port Arthur
John Eldershaw (Aust., 1892-1973)., Historic Tasmania, Port Arthur, c1930s. colour lithograph, signed in image lower right, 100 x 62 cm, Text continues 'Information from Tasmanian Government Tourist Bureau, Hobart, Tasmania, or from branch offices in the…
Assorted Artworks, Including Historic Castletown House Print
Two framed prints and two other pictures, including a coloured etching titled 'A Mother's Hope' bearing the Christies label 'Historic Castletown House', a graphite on paper, and two others, 25 cm x 20 cm
"Prodigal Son" Coloured Engravings & Etchings Set
A set of ten coloured engravings, ten coloured etchings referring to 'The prodigal Son' series., largest 20 x 27.5 cm (including frame)
Napoleon and Le Duc Reichstadt Lenticular Print
A lenticular print of Napoleon and Le Duc Reichstadt, 19th century, set in a pine frame with ebonized banding, 36 cm x 27.5 cm
Pastoral Etching by Percy Leason
Percival (Percy) Leason, (1889 - 1959), pastoral scene. Etching. Artist's proof, signed lower right hand side. 12 x 17 cm
Rembrandt's Triumph of Mardochai Etching
Rembrandt's 'The Triumph of Mardochai', framed, the back reading 'The Triumph of Mardochai!. The unsigned and undated etching of admirable expression from the year 1639 appears to the untrained eye as unfinished. However, the sparingly sketched figures in…
Seven Sisters Silkscreen by Angkaliya Mitchell
Angkaliya Mitchell (b.1953) seven sisters 2006 silkscreen ed. 14/25 signed lower right with the artist's mark 102 x 69 cm
"The Night Embers" by Tim Storrier
Tim Storrier (b. 1949), the night Embers, 2008, collagraph, edition: 3/70, numbered, titled signed below image '3/70, the night Embers, Storrier, 59 x 120 cm. Provenance: The Artist. Private Collection Sydney
19th Century Prints: Boats & Sydney View
Two 19th century prints. 'Boats of the Friendly Islands,' John Weber, published by Boydell, London, 1809. Coloured lithograph (29 x 41 cm); & 'Sydney Looking South-East from Hottermans Tower North Shore,' published by Gibbs, Shallard & Co, Sydney, 1884.…
Signed Prints Collection
Three signed prints. Nicholas Nedelkopoulos, 'World by Night,' 1986, aquatint A/P (50 x 18 cm); Max Miller, flowers, 1971, wood engraving 7/10 (15 x 12 cm sheet); & Raymond Veysett, Lysistrata, etching 4/15 (19 x 24 cm)
Versicoloured Barbet Engraving from The Naturalist's Miscellany
A Versicoloured Barbet engraving, Eubucco Versicolor (Mayna barbet, Bucco maynanensis). Illustration drawn and engraved by Richard Polydore Nodder. Hand coloured copperplate engraving from George Shaw and Frederick Nodder's 'The Naturalist's Miscellany,'…
Ida Eise's Limeworks Linocut
Ida Eise, Limeworks, linocut, titled and signed L.G Eise, original signed drawing, newspaper clippings and photographs attached verso, 15 x 10.5 cm
Framed Etchings and Engraving by Various Artists
Three framed etchings and one engraving, the first etching by Sydney Ure Smith, the engraving by Monica Poole, titled Gully and editioned 52/150, the second and third etchings are signed illegible, the Sydney Ure Smith 13 cm x 17 cm
"The Flight" by Mervyn Napier Waller
Mervyn Napier Waller (1894-1972), the flight, coloured woodcut, signed M. Napier Waller, editioned 14/50, 14 cm x 15.5 cm
Linocut by Ethel Spowers
Ethel Louise Spowers 1890-1947, Untitled, linocut, signed E.L. Spowers, not editioned, 15 cm x 9 cm
George Eddy Etchings: Landmarks of Hill End and Selby
George Eddy (born 1917), four framed etchings, etching, all signed, editioned and titled, St Pauls Hill end, Sacred heart church Hill end, St Andrews Hill end, and church at Selby, 14 cm x 19 cm, 10 cm x 13.5 cm, 14.5 cm x 20 cm, and 19 cm x 26 cm…
The Bishop's Door
Lionel Lindsay (1874-1961), the Bishop's door, etching, editioned 29/30, signed lower left hand side, 26 cm x 17.5 cm
"Both Puzzled" Engraving in Burr Walnut Frame
After Erskine Nicol (1825?1904) 'Both Puzzled' engraving, 1897, 61 cm x 47 cm, in burr walnut frame 79.5 cm x 68 cm
Pheasant and Pigs Lithograph in Walnut Frame
After George Paar Morland (1763?1804) 'Pheasant and Pigs', lithograph, 37.5 cm x 50.5 cm, in burr walnut frame 58.5 cm x 75.5 cm
Clapsaddle Golf and Tennis Lithographs in Walnut Frames
Two Ellen H. Clapsaddle (1865-1934) lithographs in burr walnut frames, comprising of Victorian lady golf and tennis scenes, 40 cm x 30 cm, 67.5 cm x 55.5 cm
Antique Engravings of New Zealand's Perforated Rock
Two antique engravings of New Zealand originally published by Alex Hogg, at the Kings Arms, Paternoster Row, London, including ' A Larger view (by another Artist) of that Celebrated Natural Curiosity, the PERFORATED ROCK, in Tolaga Bay, in NEW ZEALAND,'(
Lord Nelson's Death Lithograph
Lithograph after Arthur William Devis (1762?1822) 'The Death of Admiral Lord Nelson', 42 cm x 58 cm in burr walnut frame 84 cm x 104 cm
Shrewd Bartering in Korean Market
Willy Seiler (1903-1997) Shrewd Bartering (Korean Market), etching. Signed in pencil lower right, ink stamped title lower left. Framed 39 x 46 cm overall
Australian Botanical Prints by F.P. Nodder in Gold Frames
Six Australian botanical prints, by Frederick Polydore Nodder (act. 1777-1795), Bruguiera Gymnorhiza, Eucalyptus Alba, Acacia Longifolia, Damapana Comferta, Phaseolus Mungo and Rhodomyrtus Macrocarpa, 46 x 30.5 cm each (6) in gold frames
Missionary Landing in Taranaki, New Zealand
George Baxter (1804-67), The Rev. J. Waterhouse Superintending the Landing of The Missionaries at Taranaki, New Zealand', oil print, coloured in the Baxter patented method. 28.5 cm x 40 cm.
Garry Shead's Ern Malley: Book with 3 Etchings
Garry Shead (born 1942); the Apotheosis of Ern Malley; book in original red cloth-bound slip case with three etchings 32/100; i) Tragic Poet; II) sleeping Poet; III) immortal Poet; each work signed, titled and editioned; 9.5 x 22 cm (plate size)
Antique Engravings of New Zealand's Landscape and People
Two antique engravings of New Zealand including engravings for Moore's Voyages & Travels, 'A Curiously Arched Rock on the Coast of New Zealand;' and 'A New Zealand Chief whose head is ingeniously TATAWED;' and 'A Subaltern Warrior of the same Country;' t
Paris 1889: Eiffel Tower and Expo Bird's-Eye View
The Eiffel Tower and Paris bird's-eye view lithograph Vue Generale de L'Exposition Universelle de Paris 1889' by Servando. 46 x 71 cm.
Block-mounted steel engravings of Exhibition awards and interior
A group of four block-mounted steel engravings including 'Distribution of awards at the Exhibition' and 'Interior of the.....Exhibition Building.
NSW Exhibition Sydney 1879 Engraving on Linen
New South Wales Exhibition Sydney, 1879 engraving on linen with printed text 60 x 58.5 cm
Hand-Signed Picasso Lithograph
Pablo Picasso Lithograph Hand signed 'Picasso' in pencil lower right 12 cm x 9.5 cm.
George Baxter Print after Raphael's Madonna and Child
An original George Baxter print after Raphael, circa 1840, a print in oil with patent mark to lower image after Raphael's 'Madonna and child with St John', length 16 cm, width 11 cm
Rare 19th Century Botanical Etchings Set
A rare set of twelve hand coloured 19th century botanical etchings.
Kitten and Butterfly Lithograph
Isabel Braithwaite, the kitten & the butterfly, lithograph numbered 2/25, signed lower right, 40 x 59 cm
Early Whaling Scene by Geoffrey C Ingleton
Maritime etching, early whaling scene, Geoffrey C Ingleton
"The Dancer" Lithograph by Fred Grey (2/9)
Fred Millward Grey 'The Dancer' lithograph 2/9, signed lower right, 26 x 21.5 cm
Sidney Nolan Silk Screen Print "Plant Life" (28/70)
Sidney Nolan 'Plant Life' silk screen print No.28/70, signed lower right 55 x 45 cm
Louis Icart's "Carmen" Etching
Louis Icart, 1888-1950, Louis Icart, 1888-1950, Carmen (circa 1927), etching and aquatint, signed 'Louis Icart' lower right, 54 x 32 cm (image). Provenance: Mr Hans Mueller and Mrs Gertrud Mueller, Sydney.
Victorian Engraved Portrait Set in Gilt Frames
Pair Victorian monochrome engravings portraits of young woman and gent in original gilt oval frames, 36 x 28 cm
Proposed Sydney Harbour Bridge Cross Section Design
Sydney Harbour Bridge Proposed design in cross section, circa 1903 'Section of City from Town Hall to N. Sydney Grammar School shewing Relative Proportions To Bridge, scale 200 feet to one inch' panoramic coloured lithograph by W.A. Gullick, Government…
Sydney Harbour View Lithograph, 1918
'Sydney Harbour Trust Birds Eye View Of The Port Of Sydney' by W. Withers, circa 1918 lithograph on card, glazed and framed in oak 65 x 80 cm
Melbourne Centennial Exhibition 1888 Print in Cedar Frame
'The Melbourne Centennial Exhibition, 1888' Supplement To The Australasian', August 4, 1888 printed by Trodel & Co. Melbourne housed in original Australian cedar frame 60 x 100 cm
Vintage lithograph of B J Loveday Survey of Roads
B J Loveday Survey of Roads, Cape Jervis to Clare, lithograph, vintage, c1900, glazed in frame, 59 x 66 cm
Cafe Life Lithograph by Jeremy Arden
Jermey Arden, Cafe Life, Newtown, Sydney, lithograph, numbered 6 / 500, signed lower right, framed and glazed, 70 x 49 cm
Sydney Harbour 1868: Colonial Wood Engraving
Colonial wood engraving. Sydney Harbour 1868, 16 x 51 cm
Brass Inlaid Hand-Coloured Fan with Distressed Paper
A 19th century bone and pleated paper fan, the sticks pierced and inlaid with cut brass, the paper with hand coloured lithograph some distress.
Frank Martin Coloured Etchings, Signed, Limited Edition
Two Frank Martin coloured etchings, signed, editions of 15/100. Dimensions 37 x 54 cm
"Country Kids" Etching by Pro Hart - Signed Artist Proof
Pro Hart 'Country Kids' artist proof coloured etching, signed by the artist, 17 x 20 cm
Poe-bird of New Zealand
William Hodges, Poe-bird New Zeeland' No. LII, engraving from Cook's second Voyage, published 1777 by Wm. Strahan and Thos. Cadell, London. 20.5 cm x 16.5 cm
Paora Tuhaere, Ngati Whatua Chief, by Stuart and Pulman
Samuel E. Stuart (1855-1920), Portrait of Paora Tuhaere paramount chief of Ngati Whatua', overpainted albumen print by George Pulman, signed Stuart and dated 1893 lower right. Image 13.5 cm x 10.5 cm in ebonized frame, overall 30 cm x 27 cm
Green Shutters Linocut Print by C. Allport
C. Allport linocut print, after C. L. Allport, The House with Green Shutters, 15 x 16 cm
Le Corbusier Lithograph, Limited Edition, Signed and Framed
Le Corbusier framed lithograph by Mourlot oak frame. Limited edition of Le Corbusier Estate signed and dated in the plate, France c 1960 90 x 70 cm
Zandra Rhodes Screenprint, Signed and Framed
Zandra Rhodes framed original Screenprint, Australia (signed) c 1979 frame, 83 cm high, 74 cm wide
Captain Cook Witnessed Human Sacrifice
Antique engraving human Sacrifice in the presence of Captain Cook, Anderson edition circa 1790, 23 cm x 36 cm
1918 American Frohse Anatomical Chart: Muscles of Human Body
An early 20th century nearly life size 'American Frohse Anatomical' chart, Plate No. 2, showing the muscles of the human body in 'Front View' and 'Back View', dated 1918, published by A.J. Nystrom & Co. 160 cm x 104 cm framed under glass.
Birds Eye Maple Frame with Duke of Wellington Lithograph
An early 19th century birds eye maple veneer frame, including a handcoloured lithograph of field Marshal Arthur Duke of Wellington KG (1769-1852) 18 x 16.5 cm, overall
19th Century Oval Frames with Engravings (4)
A pair of 19th century gilt & gesso oval frames, with engravings + two others (4) 20 x 18 cm
18th Century Hand-Coloured Engravings by John Hill
Three framed hand coloured engravings, prints of originals dated circa 1765, by John Hill. Certificates of Authenticity from Discovery, Noosa, Queensland, available. 38 cm X 23 cm (average)
Orientalist Steel Engravings in Gilded Frames
Two similar French steel engravings depicting Orientalist scenes in original gilded frames, each frame 100.5 cm high, 83 cm wide
18th Century Botanical Engravings (or) Botanical Copper Plate Engravings
4 18th century Botanical Copper Plate Engravings, Four 18th century botanical copper plate engravings. Each 37.5 cm x 23 cm
Aquatint Engravings: Etna and Vesuvius Eruptions (1809)
Two aquatint engravings, published 1809, 'Eruption of Mt. Etna in 1669' and 'Eruption of Vesuvius in 1769'. Each 62 cm x 46 cm, (page size).
1829 Sydney Panorama by Robert Burford
'Panorama of Sydney NSW in the year 1829'. Centenary publication (1929) after a painting by Robert Burford. Published by lake & Sons Ltd, Sydney and Melbourne, from the original in the possession of Mr J Feldheim. (key numbers of interest: 18, General…
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