Greek Engravings: Charioteer, Soldiers, Discussion, Olive Branch
Four Greek school hand coloured engravings, 'The Charioteer' and 'Soldiers', each 29 x 50 cm, and 'The Discussion' and 'Olive Branch', each 16 x 11 cm
18th Century Bibiena Engravings of Royal Square and Temples
Two 18th century Bibiena engravings, entitled 'Piazza Reale', 28 x 45 cm, and 'Templi e Regia', 28 x 45 cm
Engravings of Fitzroy Gardens and Kenny's Mill
Fitzroy gardens. Coloured engraving Printed by C. Trodel 37 x 27 cm, together with Coloured engraving. Kenny's Mill. Engraved C Trodel and 1863 37 x 27 cm
Piranesi's Suspended City and Navigating Waters
Piranesi 'Bracccio do citta pensile, e navigate al do sotto' Engraving 13 x 19 cm
Christ Risen Engraving by Durer (1512)
Albrecht Durer (Christ Risen) Engraving Dated 1512, monogram in plate 12 x 7 cm
Bing Roger Engraving from Van Diemen's Land
Bing Roger after N. Petit Ouriaga of Van Diemen's Land Engraving. 27 x 20 cm
Hand-Coloured Engraving of Lorius Tribalis by Hart
William Matthew Hart (1830-1908) Lorius Tribalis Hand coloured engraving Engraved by Mintern Bros 48 x 35.5 cm
Passage by Narelle Autio
Narelle Autio (b. 1969), Passage, 2006, type C print, edition of 10 + 2 AP, 58 x 86 cm. Provenance: Stills Gallery, Sydney. 54 Park Street Spa, Sydney, Labels: Copyright Narelle Autio. Image courtesy of the artist, Stills Gallery, Sydney & Hugo Michell…
Red Nails
Narelle Autio (b. 1969), Red Nails, 2006, type C print, edition of 10 + 2 AP, 58 x 86 cm. Provenance: Stills Gallery, Sydney. 54 Park Street Spa, Sydney, Labels: Copyright Narelle Autio. Image courtesy of the artist, Stills Gallery, Sydney & Hugo Michell…
Cocoon by Narelle Autio
Narelle Autio (b. 1969), Cocoon, 2006, type C print, edition of 10 + 2 AP, 58 x 86 cm. Provenance: Stills Gallery, Sydney. 54 Park Street Spa, Sydney, Labels: Copyright Narelle Autio. Image courtesy of the artist, Stills Gallery, Sydney & Hugo Michell…
Untitled #3 by Narelle Autio
Narelle Autio (b. 1969), Untitled #3, 2006, pigment print on vinyl, 193 x 313 cm. Provenance: Stills Gallery, Sydney. 54 Park Street Spa, Sydney, Labels: Copyright Narelle Autio. Image courtesy of the artist, Stills Gallery, Sydney & Hugo Michell Gallery
River Kwai Series Lithograph by Sidney Nolan
Sidney Nolan, lithograph from the River Kwai Series 13/99, approx 80 cm x 60 cm
Mervyn Smith's Newcastle Silk Screen Print
Mervyn Smith 'Newcastle' (Artist's Proof) silk screen print, signed lower right, 60 x 85 cm
"Spanish Scene" Etching by Lionel Lindsay
Lionel Lindsay 'Spanish Scene' etching, signed lower left, 23 x 25 cm
"Australian Gums" Etching by George Whinnen
George Whinnen 'Australian Gums' etching 3/60, signed lower right, 20 x 25 cm
Endeavour River: Coastal View of New Holland
Coloured engraving, View of Endeavour River on the Coast of New Holland, after Rennoldson
Joseph Choate at St Peters College
Joseph Choate, (act.c.1939-1941), the little Quad - St Peters College 1942, etching ed. A/P, signed & dated lower right, 18 x 20 cm
Herekino Silkscreen by Fassett Burnett
Fassett Burnett, (b. 1932) New Zealand er, Herekino 1986, Silkscreen ed. AP, signed lower right, 49 x 38 cm
Wedding at Windsor Lithograph Plate
Day & Son, pub. The Mansion house, 1863, illustrated in the wedding at Windsor, colour lithograph plate 8, 21.5 x 29.5 cm
Roadside Pool Etching by Pratt
Douglas Fieldew Pratt, (1900-1972), the Roadside Pool, etching ed. 38/75, signed lower right, 18 x 25 cm
Steinlen Lithographs: Gares, Calvaire Serbe, Retour de Permission
Theophile Alexandre Steinlen, 1859-1923, Retour de Permission + Gares + Calvaire serbe (3), each lithograph ed. EA, 195/400, 88/100, signed lower right (2), each signed in plate, 32.7 x 29.4 cm, 29 x 25 cm, 28 x 44.5 cm
Precipice No. 1
Helen Eager (1952-) Precipice No. 1, lithograph, signed and dated lower right, edition 2/12, 15 x 22 cm. Provenance: Artarmon Galleries, Artarmon
Old Fisherman's House
Sydney Ure Smith (1887-1949) 'Old Fisherman's, House Windsor', etching, 33/50, signed lower right and initialed upper left, 12 x 16.5 cm. Provenance: The Sedon Galleries, Melbourne
"Cottage Clarendon" Etching by Sydney Ure Smith
Sydney Ure Smith (1887-1949) 'Cottage Clarendon', etching, 32/50, signed lower right, 13 x 13 cm
"Three" Etching by Sheila Sharp
Sheila Sharp, 'Three', aluminium plate etching, edition 6/10, signed lower right, 7 x 7 cm
"The Cascade" by Elioth Gruner
Elioth Gruner (1882-1939) 'The Cascade', dry point etching, signed lower left, 16.5 x 12.5 cm, with Elioth Gruner, 'The texture of Light' exhibition catalogue 2014. Provenance: Artarmon Galleries, Artarmon 2013
"Mallard Duck" by John James Audubon
John James Audubon (American, 1785-1851), 'Mallard Duck', chromolithograph by J Bien, visible paper size, 63 cm high, 94 cm wide. Provenance: The Schuster Gallery London from 'Audubon's Birds of America' Catalogue - Item 33
Mallard Egret Chromolithograph by J. Bien
John James Audubon (American, 1785-1851), 'Mallard Egret', chromolithograph by J Bien, visible paper size, 63 cm high, 91 cm wide. Provenance: The Schuster Gallery London from 'Audubon's Birds of America' Catalogue - Item 64
German Hand-Coloured Botanical Palms Engravings, 1760
Set of six German hand-coloured botanical copper engravings of palms, circa 1760, 35 cm x 23 cm, each
First Time Round
Hugh David Sawrey, (1923-1999), first Time round 1976, Silkscreen ed. 158/200, signed & dated lower right, 47 x 56.5 cm
"Old Government House, Windsor" Etching by Sydney Ure Smith
Sydney Ure Smith, (1887-1949), old Government house, Windsor, etching ed. 23-50 proof, signed lower right, 10 x 15.5 cm
Rockhopper Penguin on Kelp
Annelise Wiebkin, Rockhopper Penguin on Kelp 2011, Handcoloured linocut ed. 3/10, signed & dated lower right, 15 x 15 cm
Railway Station and Lamb Building Etchings by Malcolm Helsby
Malcolm Helsby, (1900-), the Railway station from Bank Street, Adelaide 1929 + Lamb Building, Inner temple London 1926 (2), each etching ed. 8/60, 12/55, each signed & dated lower right, 31 x 18 cm, 20 x 9.5 cm
Adelphi Arches Lithograph by John Goodchild
John Charles Goodchild, (1898-1980) Britain, Australia, Adelphi Arches, lithograph ed. 3/18, signed lower right, 26 x 35.5 cm
The Spit, Sydney
John Charles Goodchild, (1898-1980) Britain, Australia, the Spit, Sydney 1922, etching, 26.8 x 31 cm
"The Conservatorium" by George Marler
George Marler, (1879-1960), the Conservatorium, etching, signed lower right, 15.5 x 22.7 cm
Goodchild's Etchings of St. Peter's Cathedral, Adelaide
John Charles Goodchild, (1898 - 1980) Britain, Australia, St Peters Cathedral, Adelaide + St Peter's Cathedral, Adelaide (interior) (2), each etching ed. No.20/50, 22/40, each signed lower right, 15 x 18 cm, 18 x 16.3 cm
Red Gums Etching by G.T.M. Roach
Gilbert Thomas Meredith Roach, (1895 - 1972) Australia, red Gums, etching ed. 16, signed lower right, 13.5 x 17 cm
Adelaide Observatory Etching by Maxwell Ragless
Maxwell Christopher Richard Ragless, (1901-1981), Adelaide Observatory, etching ed. 5/25, signed lower centre, 16 x 11.5 cm
Horses on Beach
Charles George Bannon, (1919-1993), horses on a beach, Linocut ed. 4/20, signed lower right, 25 x 31 cm
Portrait of James Ashton by John Goodchild
John Charles Goodchild, (1898-1980) Britain, Australia, portrait of James Ashton, etching ed. No. 16/80, signed lower right, 20.5 x 16.5 cm
Roach's Etchings: White Road and Seven Poplars
Gilbert Thomas Meredith Roach, (1895 -1972), the white Road + seven Poplars (2), each etching ed. 18/25, 10/25, each signed lower right, 12.5 x 17 cm, 10 x 13.5 cm
Hill End Bush Scene
'Hill End' oleograph Australian bush scene, signed lower right Sealy, oleograph, 29 cm x 35 cm
St. Paul's from Fleet Street Etching by H.G. Walker
HENRY G. WALKER 'St Paul's From Fleet Street' etching, signed lower right, 26 x 15 cm
Gilt-framed Child Play Engravings
A pair of English gilt framed steel engravings, depicting children playing, 22 cm x 27 cm (oval including frame)
November Etching
Peter Hickey (1943-) '1st November' 27/30, etching, signed in pencil lower right, 35 cm x 45 cm
Forest Landscape Etching by Peter Hickey
Peter Hickey (1943-) Forest Landscape A/P, etching, signed in pencil lower right, 55 cm x 35 cm
River Landscape Etching by Peter Hickey
Peter Hickey (1943-), River Landscape 4/35, etching, signed in pencil lower right, 35 cm x 45 cm
Sydney Screenprints by Wendy Merrington
Wendy Merrington 'Sydney Glimpses'&'Sydney Moments, screenprints 35/199 & 75/188, signed and inscribed in pencil lower right, 19 x 31.5 cm
Nelson's Final Signal: Trafalgar Lithograph
Nelsons Last Signal Trafalgar lithograph, approx 43 cm x 60c cm
Song of the Sky
David Boyd, (1924-2011), song of the Sky 1998 from the suite Reconciliation, an Australian Odyssey, etching, 19 x 25 cm
Picasso's Mother and Child 1963 Lithograph
After Picasso, mother and child 1963, colour lithograph, signed and dated upper left, in plate, 51 x 38 cm
Livingstone Hopkins: Self-portraits and Etchings
Livingstone (Hop) Hopkins, (1846-1927), Self portrait (head study) 1894 + Self portrait (full figure) + one other Excodus 34:20 (3), etchings late impressions ed. 1/25, one signed and dated in plate, 15 x 10 cm (2) 5 x 4 cm
Evening in N.W
George Marler, (1879-1960), evening in N.W, etching, signed with estate stamp, 14 x 19.2 cm
"Wattle Day" by Pamela Griffith
Pamela Anne Griffith, (b.1943), first of August - Wattle day, Handcoloured etching ed. 24/40, signed lower right, 61.5 x 45 cm
Bush Harvest Etching by Pamela Griffith
Pamela Anne Griffith, (b.1943), Bush harvest, etching ed. 21/40, signed lower right, 50.5 x 60 cm
Colorful Cockatoo Engraving by Lydon & Fawcett
Alexander Francis Lydon, (1836-1897) English, after, Lesser lemon crested cockatoo, colour wood engraving by Benjamin Fawcett, 22 x 15 cm
"The Cat's Garden" by Charles Blackman
Charles Blackman (Australia, 1928- ), 'The Cats Garden', artist proof coloured lithograph, signed 'Charles Blackman' lower right and titled lower centre, numbered lower left 108/175. 68 x 97.5 cm.
Raphael's Vatican Loggia Engraving in Gilt Frame
A gilt framed copperplate engraving, entrance to the loggia at the Vatican, after the original by Raphael Sanzio d'Urbino (1483-1520), published in Rome between 1772 and 1777, after drawings by Cai (Gaetano) Savorelli (fl. 1750-1775) and architect Pet.…
Raphael's Vatican Fresco Designs Engravings
A pair of gilt framed copperplate engravings, fresco designs for the Vatican, after the originals by Raphael Sanzio d'Urbino (1483-1520) published in Rome between 1772 and 1777, engraver John Ottavini (1738-1808), after drawings by Cai Savorelli (fl…
Raphael's Vatican Fresco Designs Engravings
A pair of gilt framed copperplate engravings, fresco designs for the Vatican, after the originals by Raphael Sanzio d'Urbino (1483-1520) published in Rome between 1772 and 1777, engraver John Ottavini (1738-1808), after drawings by Cai Savorelli (fl…
Hand-Coloured Steel Engravings from China Illustrated, 1845
A set of twelve hand-coloured steel engravings, English, circa 1845, published in London for 'China Illustrated, frame 40.5 x 47 cm
19th Century English Bird Engravings Set
A set of four framed engravings of birds, English, 19th century, 15 cm high, 8.5 cm wide
Captain Walance and North-South Heads in Port Jackson
After Captain Walance, North and South head's in Port Jackson, NSW, coloured engraving by W Preston, 21.5 cm high, 25.5 cm wide
Hand Coloured Engraving of Sydney, 1816
A framed hand coloured copper engraving, view of Sydney. Linder, 1816, 15.5 cm wide, 32 cm high
Esther Scenes in Eglomise Mounts
A pair of coloured engravings of scenes from the Book of Esther. In elaborate eglomise mounts, 78 x 61 cm
Frankfort Street, NYC (1930) by Ernest Born
Born, Ernest (USA 1898-1992) 'Frankfort Street, Nyc,' 1930. Lithograph 28 x 22 cm
17th Century Equestrian Engravings from Methode et Invention Nouvelle
17th century equestrian Themed engravings. 5 plates from 'Methode et Invention Nouvelle de dresser Les Chevaux,' by William Cavendish, pub. J. Van Muers, c.1658. Plates 10,25,36 & 38 (2). Copper engravings (5)39 x 53 cm (each)
Troops Arrive at Ballarat Government Camp, 1854
Samuel Douglas Smith Huyghue (1815-1891), The Government Camp, Ballarat 1854, Troops Arriving From Melbourne, Engraving [F.W.Niven & Co.], 13 x 20 cm
"Four Rocks" Etching by David G. Rankin
David G. Rankin (1946-) 'Four Rocks', hand coloured etching 37/50, signed lower right, 49 x 32 cm
Emu Etching by Donald Friend
Donald Friend (1915-89) 'Emu', etching 17/40, signed lower right, 21 x 29.5 cm
The Distant Range
Ernest Edwin Abbott (1888-1973) 'The Distant Range, etching, signed in pencil lower right, 18.5 cm x 28.5 cm
Above Circular Quay
Pio Carlone (1939-) 'Above Circular Quay', lithograph 211/999, signed lower right, 45 x 59.5 cm
Barren Geese Screen Print on Linen
Alison Green, Cape Barren Geese, screen print on linen, limited ed, 1/ 8, signed lower right, 95 cm x 105 cm (frame) approx
"Leda & the Emu" by Clifton Pugh
Clifton Ernest Pugh (1924-90), 'Leda & the emu', hand coloured lithograph, signed in pencil lower right, 18/25, 35 cm x 55 cm approx.
Donna Juana Etching by Norman Lindsay
Norman Lindsay (1879-1969) ?Donna Juana? 1934, etching 7/55, signed in pencil lower right below image, 35 cm x 24.5 cm
Old English Merrymaking
An English Merry-Making In Olden Time, 19th century engraving, houn pine frame, Frame 82 x 114 cm
Rescuing Goldsmith: Huon Pine Etching
A large huon pine framed etching titled 'Doctor Johnson Rescuing Oliver Goldsmith From His Landlady', Frame 73 x 82 cm
1850 Etched Portraits in Huon Pine Frames Set
A set of 4 decorated portrait etchings in matching set of huon pine frames, circa 1850, Frames 38 x 33 cm each
"Pity" Etching in Blackwood Frame (19th Century)
A blackwood framed etching titled 'Pity' by H. Le Jeune, 19th century, Frame 78 x 85 cm
Huon Pine Etching: "The Play Ground" by T. Webster R.A
A large huon pine framed etching title 'The Play Ground' by T. Webster R.A. mid 19th century, Frame 75 x 119 cm
English Merry-Making Engraving by W.B. Frith, 1860
A large Colonial musk framed engraving titled 'An English Merry-Making In The Olden Time' by W.B. Frith A.R.A. circa 1860, Frame 80 x 112 cm
Royal Cortege Engraving in Houn Pine Frame
An impressive houn pine framed engraving titled 'Royal Cortege in Windsor Park' by R.B. Davis, 19th century, Frame 74 x 99 cm
Huon Pine Engraving: Fetching The Doctor
A huon pine framed engraving titled 'Fetching The Doctor', 19th century, Frame 73 x 83 cm
Frown Engraving in Huon Pine Frame
Huon pine framed engraving titled 'The Frown' by T. Webster R.A. 19th century, Frame 52 x 73 cm
Colonial Huon Pine Frames with Antique Engravings
Two 19th century Colonial huon pine picture frames with antique engravings, 38 x 34 cm and 44.5 x 38 cm
Trafalgar Battle Engraving in Huon Pine Frame
C.Stanfield R.A., The Battle Of Trafalgar, engraving, huon pine frame, Frame 52 x 69 cm
Sayers vs Heenan: Championship Fight 1860
Jem Ward's picture of the great Fight between Tom Sayers & J.C.Heenan, at Farnborough April 17th 1860 for the Championship of England & America', lithograph print, framed, overall 105 x 75 cm.
The Boatsheds Lithograph by Clarice Beckett
Clarice Marjoribanks Beckett, (1887-1935), The Boatsheds, lithograph, No. 46/75, paper embossed 'Clarice Beckett Images', 45 cm x 65 cm approx
Donald Friend's Self-Portrait Etching
Donald Friend, 1915-89, Self Portrait etching Ap, signed lower right, 29 cm by 22 cm,
Spinning Man Etching by Salvador Dali
Salvador Dali, (1904-1989) Spanish, the spinning man (from Historia de Don Quichotte de la Mancha suite) 1981, colour etching aquatint, ed. 134/300, signed lower right, 40 x 44.3 cm
Dreams Etching by N.A.W. Lindsay
Norman Alfred Williams Lindsay, (1879-1969), Dreams, facsimile etching, ed. 36/550, Odana Editions certificate of authenticity verso, embossed stamp lower right, 13 x 13 cm
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