A parcel-gilt blackamoor figural candelabrum, mid 20th century, the carved parcel-giltwood figure kneeling upon one knee and holding high above his head a gilded and ornate ten branch candelabrum, the scrolling arms decorated with gilt tole leaves and supp
An ormolu mounted rouge marble urn as lamp base, circa 1900, the vase shaped urn applied with swan neck handles issuing swags and raised on a circular leaf-tip cast support mounted on a shaped square plinth, fitted with lamp cap and candle holder. Height 5
C B Stark 14ct gold cast crystal and diamond Wave pendant, the lave cresting wave incorporating a modern brilliant cur diamond in rub over mount. 14ct curved base and back panel. Signed. Width 3.1 cm. 16.3gm. Provenance: From the Jill Mandeno estate.
Ann Robinson (1944-), copper cobalt Blue (Aquamarine) Scallop Bowl, cast glass (45% Crystal Glass), signed, numbered #41 and dated 2008. With signed certificate and artist's pamphlet, height 37.5 cm, diameter 24.5 cm. Provenance: Private Auckland collectio
A fine cast concrete Three Graces bird bath, the circular bowl with iconic egg and dart rim, the pedestal supported by the Three Graces, height 85.5 cm.
A classical garden statue of a naked maiden 'Shell Girl', finely cast concrete, she stands within a shell, her long hair providing some modesty, height 86.5 cm.
Cast gilt metal easel stand and German/Swiss quarter repeater timepiece, the easel of rococo style, height 155 mm. With associated Goliath timepiece. Black painted dial marked JSGUS for Jacob Schlenker-Grusen, Schwenningen. Arabic numerals, rail track minu
Cast 19th century gilt brass pocket watch stand, the aperture with a demi-lune concave back to hold a watch, framed by a rococo border above a woman seated reading, raised on a husk and scroll moulded base. Height 160 mm
Carl Kauba (Austria 1865-1922), statue titled 'With All My Best Wishes', cast bronze, glass and marble, signed near base with additional foundry mark, 32 cm high
A cast iron garden table with six Coalbrookdale style cast iron chairs, all with olive green painted finish, 19th/20th, (7 items), the table 65 cm high, 98 cm wide
A Victorian brass desk set and an ornate brass and frosted glass epergne, 19th century, the desk set with an applied cast oak leaf and crown border with two fitted glass bottles, and an ornate vasiform epergne on a shaped triangular base with cast swan sup
A 'Little Joe' cast iron money box, early 20th century, a lever operated figure in painted colours, raised mark to reverse, Little Joe Bank, 14 cm high
A Continental sterling silver singing bird automaton music box, London import marks, dated 1927, ornately cast in the form of a bombe commode, with applied bird decoration, with key, not in working order, 11.5 cm high, 13 cm wide, 8 cm deep
A Victorian sterling silver waiter, Barnard Brothers, London, 1845, with a ribbon rim punctuated with anthemion motifs, lightly engraved to the surface and raised on cast floral feet, 19 cm diameter, 200gms
A Napoleon III marquetry inlaid Kingwood bureau a cylindre, French, 19th century, with delicate stringing and cross banding, floral decorations to the interior cupboards and petite drawers, with a shaped skirt and raised on curvaceous tapering legs, with c
Three sterling silver table wares, London, Birmingham, early 20th century, comprising a reticulated footed basket with an applied border and cast base, 1905 Carrington & Co. London; a weighted pillar sugar caster, 1936 Birmingham, and; a boat shape batwing
Bill Amberg a rare rocket briefcase, styled in chocolate brown bridle leather with cast aluminium and nickel fittings, and a blue resin top handle feature. Purple interior with various storage compartments. Tag present to interior. The United Kingdom, prod
Tom Dixon base floor lamp, black sand cast iron base and stem with a satin finished matte brass shade. The United Kingdom, designed 2006, 160 cm high, 49 cm deep
Tom Dixon base floor lamp, black sand cast iron base and stem with a satin finished matte brass shade. The United Kingdom, designed 2006, 160 cm high, 49 cm deep
A pair of large and impressive early 19th century cast iron andirons, in the form of Welsh dragons, aged patina, maker's name to reverse, Charles R. Phillips, Gloucester, purchased from Phillips, Tatton Park, U.K. 46 x 42 x 72 cm.
A large old cast iron garden urn, campana form, decorated with classical figures, florals, etc, handle to each side, raised on square base, rusty and with damage to rim, height 93 cm.
French cast iron door knocker, c. 1900, modelled as a cherub with wings outspread, the knocker in the form of a leafed branch, height 20 cm, width 11 cm, (wingspan) depth 4 cm. Provenance: Ben Stoner Antiques, Sydney
A late Victorian cast iron hall stand, late 19th century, the cast iron hall stand of ornate vegetal form, with five scrolling hanging hooks, above a curved rail supports for sticks and umbrellas, a removable drip pan to the oval shaped base decorated with
A French ormolu, green onyx and champleve enamel gueridon, circa 1900, the fine square onyx top with a champleve enamel edge and cast acanthus leaf corner mounts, raised on four circular tapering onyx columns cast with acanthus and classical capital, unite
A Louis XV style walnut sideboard, mid 20th century, the break-front top with canted sides, above two central drawers and a cupboard with shaped and carved fielded panels, flanked by two full length cupboards with floral-carved details, a carved curvaceous
A transitional style tulipwood gueridon, circa 1900, the oval table with marquetry top, a frieze drawer decorated with contrasting timber veneer, and raised on hipped and tapering curvaceous legs united by a conforming undertier, with cast bronze mounts an
A brass mounted glass hall lantern, circa 1930s of typical cylindrical form with chain and cup attachments, three double scroll vegetal cast supports and a stem with leafy dishes supporting two electrified candles. Length 49 cm, diameter: 19 cm
A Melrose Ware pair of 'Shy Girl' bookends, Mel-Rose Art Pottery (1932-1946), the rare pair of bookends, each in pale green tones, modelled as a female bust with down cast eyes wearing a head scarf, stamped to the underside, with roundel paper label to bas
A set of five copper saucepans, circa 1900, the heavy gauge copper set of five straight-sided saucepans with rivet joined cast steel handles. Height 9.5 cm, diameter: 20.5 cm and smaller
A set of five copper saucepans, circa 1900, the French copper set of five graduated saucepans with straight sides, tin lined interiors and rivet joined cast steel handles. Height 10 cm, diameter: 21 cm and smaller
A set of five copper saucepans, circa 1900, the heavy gauge set of five graduated French copper saucepans with straight sides, tin lined interiors and rivet joined cast steel handles, the largest stamped 'Villedieu made in France' height 10.5 cm, diameter:
A Tibetan bronze figure of a seated Buddha, 17th/19th century Depicted seated on a waisted lotus throne, with a serene face and downcast eyes below the tight curled hair, the shoulder robe with minimal adornment, the hands in a gesture of touching the eart
A large pair of Japanese cloisonne and bronze vases, Meiji period, circa 1900, the pair of ovoid form vases with long waisted necks, each with twin bamboo handles and decorated with two tiers of large stylised lappets between cloisonne bands of taotie-mask
19th century oak trunk, of deep rectangular form, set with a hinged double plank top, the body set with three inset panels with molded edges, flanked by a pair of cast iron handles, the whole raised on four feet, 68 cm x 140 cm x 51 cm
George III sterling silver caddy spoon, hallmarked Birmingham, 1807, Ml (Matthew Linwood), in 'Linwood Leaf' design, the heart shaped bowl beautifully cast with veins and serration to edging, the bifurcated handle decorated with bluebell drops and cartouch
19th century Australian silver mounted cameo egg, stamped to silver base with makers mark of Jochim Mathias Wendt, Adelaide, c.1870s, the vertically opposed emu egg carved with a cameo kangaroo design, surmounted with a cast kangaroo finial, the whole set
George III sterling silver snuff box and cover, hallmarked, Birmingham, 1797, I.T (Joseph Taylor), of rectangular form, with engraved line work to the body and cast floral thumb piece, engraved 2193 Thomas Street to interior, total weight 46gm, 1.8 cm x 6.
19th century Italian brass & stone inlay frame, of octagonal form, the black painted timber frame with cast brass cherub and acanthus themed finials, set with central porcelain plaque of a woman in an outdoor setting, set within a lovely brass recessed bor
Scottish Victorian sterling silver pierced basket, hallmarked Edinburgh,1859, Em (Millidge & Son (Edwin Millidge), of oval form, beautifully cast with shell, acanthus and foliate border, with beaded foliate medallions surrounding two engraved crests and ce
Exceptional Victorian cast iron hall stand, c.1864 probably Coalbrookdale, with arched pediment above a cast panel of acanthus and floral groupings, above a central rectangular mirror and nine acanthus scroll coat hooks, above a central panel displaying ow
Nikolay Ivanovich Lieberich (Russian, 1828-1883), Russian cast iron figure of peasant girl, depicted riding a horse, with rake in one hand, signed in Cyrillic, 18(?) mark rubbed, with Kasli foundry to underside, a/f, 42 cm x 40 cm catalogue note: establish
Mid 19th century French bronze and marble clock, marked to movement 'Vincent & Cie, Medalle D'Argent', the case of architectural pediment form with gilt cast circular dial containing Roman numeral hour markers in black and white enamel hearts, within a c-s
Victorian banquet lamp, quality copper finish, cast iron dolphin decorated base with yellow floral design font and etched frosted green and clear floral design shade, height 61 cm
Jielde, France, Two Signal S1333 Desk Lamps, designed 1953, manufactured by Jielde, mustard, cast aluminium and steel, with articulated arms, cast iron base counterweight (2), approx. height 67 cm (adjustable). Provenance: Private Collection, Sydney
Charles and Ray Eames (American, 1907-1978 and 1912-1988), Four Aluminium Groups Chairs, designed 1958/ c. 2015, manufactured by Herman Miller cast aluminium and enamelled steel, white leather upholstered channel seat, on swivel base, retains decal labels,
Charles and Ray Eames (American, 1907-1978 and 1912-1988), Pair of Eames Aluminium Highback Management Chairs, designed 1958 / c. 2009, manufactured by Herman Miller, black leather upholstered channel seat, cast aluminium and enamelled steel frame, on swiv
Charles and Ray Eames (American, 1907-1978 and 1912-1988), Four Aluminium Groups Chairs, designed 1958/ c. 2015, manufactured by Herman Miller cast aluminium and enamelled steel, white leather upholstered channel seat, on swivel base, retains decal labels,
Mark Brazier-Jones (New Zealander/English, b. 1956), Chaise 'Wing Back Chair' c. 1988, cast aluminium, backrest with outstretched wings, three-legged, seat covered in silver snake skin pattern upholstery, minor marks (A/F), height 88 cm width 63.5 cm depth
A scarce Muller Freres standard 'Uplight' lamp with an Edgar Brandt style stand, c.1930s, with an orange and aubergine mottled shade signed 'Muller Freres Luneville', with their stenciled mark, the handsome cast iron base with three elements ending in a tr
A Thai gilt bronze figure of Buddha, Rattanakosin Kingdom (1782-1936), 19th century, cast as a large standing Buddha with hands in abhaya mudra, on a stepped octagonal plinth base. 90 cm high, 25 cm wide
A Chinese bronze figure of Songzi guanyin, Ming Dynasty (1368-1644), cast as a seated figure carrying a small child in the hands, wearing elaborate clothes and a phoenix crown. Together with a naturalistically carved wooden base. 26.5 cm high, 17 cm wide.
A Tibeto-Chinese gilt bronze figure of a Buddhist attendant, Qing Dynasty (1644-1912), circa 18th century, cast as a standing figure on a double lotus base, richly gilded and with fine chasing work to the robes. Collection label affixed to base. 21 cm high