A Tibetan gilt bronze Mandorla, circa 18th century, cast with four pillars supporting an intricate mandorla of scrolling foliage and a wrathful deity supporting a flaming jewel finial. 26 cm high, 15 cm wide
A Tibetan gilt bronze Densatil style support, circa 15th century, cast with two four-armed Chakrasamvara retinue deities standing in tribhanga pose, one male, holding a mala in the right hand and a kundika in the left, and the other female holding a flower
A Chinese bombe form bronze tripod censer, Qing Dynasty (1644-1912), the two-handled bombe-form censer decorated with small hammer-mark indentations and scratches throughout, with a cast Qianlong six-character mark to the base, and possibly of the period.
A pair of Chinese elm Two-Door display cabinets, circa 1960s, each with a shaped pediment over twin glazed doors encasing three shelves, above two drawers, with traditional cast metal hardware, and raised on stile feet. Height 180 cm, width 98 cm, depth 40
A Thai bronze head of Buddha Sakyamuni, 20th century, the Chieng Seng style hollow cast head with serene expression and down cast eyes, elongated earlobes and urna on the forehead, wearing curled hair dress and ushnisha. Height 34.5 cm
A Chinese cast bronze figure of Pu Tai, the laughing Buddha, possibly Ming. Provenance Christies Australia 1991., the well patinated corpulent figure seated in rajalalilasana with pendulous lobes and holding a cloth sack in his left hand. Height 14 cm, wid
A Japanese patinated bronze tripod Koro, by Yoshi, early Meiji period (1868-1912) of oval section, supported on three feet in the form of finely cast karako (young boys dressed in ancient Chinese clothes), the body decorated with dragons amidst wisps of cl
A French-Style demi-lune display cabinet, 20th century, the moulded top above a single glazed door with glazed convex sides (one missing), the single door opening to a padded interior with two glass shelves, the veneered frame with cast gilt mounts and fri
An Ansonia black slate architectural mantle clock garniture, Ansonia clock Co, late 19th century, the architectural case with domed finials flanked by a classical figures within three columns above classical frieze with relief cast figures, the enamel dial
A French spelter figural globe mantle clock, 19th century depicting 'Jour et Nuit par Claudius' with two bronzed spelter female figures in draping attire holding aloft a black globe dotted with stars and having Roman numerals and pierced gilt hands, raised
An ornate Renaissance revival bronze clock, late 19th century, the large gilt bronze mantel clock with architectural, pierced and decorative elements, enamel and gilt Arabic numeral dial within case with mask decoration and overarching scroll, surmounted w
A French Ormulu mantel clock 19th century, a French ormolu sculptural mantel clock, the silvered circular dial with Roman numerals set within architectural rockwork surmounted by a contemporary gentleman reaching for a bird's nest on a branch, the rectangu
A set of six bronze figurines by Mimovich, Leopoldine Mimovich OAM (1920-2019), mid 20th century, the small individual girls and boys figurines cast in various poses, including girl with rabbit, boy doing handstand, boy with bird, sleeping child etc., inci
A cast iron and brass bed frame, 19th century, the double ended Queen size bed frame, stamped a Cme to cast iron frame, painted ivory, comes with side rails, no base. Height 175 cm, width 155 cm, (bed head)
A pair of Louis XVI style ormolu-mounted mahogany vitrines, 20th century, the pair with rectangular galleried marble tops, the frieze cast with cherubs, vines and foliate scrolls, with glazed central doors and sides, the interiors fitted with adjustable gl
A French gilt bronze group of the Infant Bacchus riding a goat, late 19th century, mounted on a bevelled marble plinth, with indistinct signature cast to the base of the bronze, 35.5 cm high, 39 cm wide
A Victorian cast iron fountain, third quarter 19th century, the broad shallow bowl raised on a spreading triangular support cast with lion masks and other classical details, 119 cm high, 95 cm diameter. Provenance: The Estate of the late Hylton Grimmer
A Victorian cast iron serpent and twig pattern garden seat, circa 1870, 86 cm high, 131 cm wide, 46 cm deeo. Provenance: The Estate of the late Hylton Grimmer
An impressive mid-Victorian sterling silver tea and coffee service, James McKay, Edinburgh, 1858, comprising a tea pot, coffee pot, spirit kettle, sugar basin, cream jug, and sugar tongs, the baluster and bombe shaped bodies and covers richly decorated wit
Rene Lalique, Milan, Iron carbon glass cast using a four-part mould, sandblasted and acid-etched. Grey vase with raised leaf and branch motif. 'R. Lalique ' hand-etched to base. Model created on 17th June 1929, out of stock 28th April 1939, not continu
Collection of white glazed ceramic pieces, various makers, early 20th century, slip cast earthenware and porcelain in the shape of wooden fences and logs, one piece stamped Royal Crown Derby and another stamped Max Roesler (9), height 21 cm (tallest). Prov
Empire works, collection of vases, Stoke-on-Trent, 1928, slip cast white glazed earthenware, two pieces in the shape of cut bamboo, two others as fences and the last as a boy and dog sitting on a fireplace with a duck underneath, factory marks to two piece
Pierre le Faguays (French, 1892-1935), Art Deco bronze sculpture, 'Seduction', signed in cast 'Fayral', on marble base, height 23 cm width 66 cm depth 14 cm. Provenance: Private Collection, Sydney
After Franz Iffland (German, 1862-1935), bronzed figural clock, patinated spelter cast in the shape of a boy holding a paddle and ball, gilded metal mystery clock, height 44 cm. Provenance: Private Collection, NSW
After Auguste Moreau (French, 1834 -1917) and others, five bronzed metal figures, spelter cast into the shape of young boys and girls fishing (5), height 46 cm (tallest). Provenance: Private Collection, NSW
Versace, pair of tissue dispensers, cast brass decorated with bands of geometric patterns and single medusa head medallion to one side (2), height 6.5 cm width 26 cm depth 14.5 cm. Provenance: Gianni Versace, Castlereagh Street, Sydney, 2006. Private Colle
Versace, pair of jardinieres, white-painted plaster of rectangular shape with pierced flower-holder tray, mounted in cast brass claw-footed stands (2), height 9.5 cm width 26 cm depth 16 cm. Provenance: Gianni Versace, Castlereagh Street, Sydney, 2006. Pri
Versace, pair of small jardinieres, white-painted plaster of inverted trapezoidal form with stepped rims, each sitting on four cast brass claw feet, brass medusa head attached to one side (2), height 19.5 cm width 24 cm depth 12.5 cm (each). Provenance: Gi
Versace, three Medusa wall lamps, electrified, cast brass in the shape of medusa heads (3), height 21 cm width 28 cm depth 17 cm. Provenance: Gianni Versace, Castlereagh Street, Sydney, 2006. Private Collection, Sydney
Anton Teutenberg Waikato A & P bronze medal 1876, detailed 'Cattle 1876 1st Prize Awarded To' and engraved 'Jas. Runciman' For Grade Shorthorn Bull1.Yr. Maker's name cast to the front. Diameter 53 mm. In original circular copper case.
Anton Teutenberg Mahurangi Agricultural Society medal, the front in relief with colonial landscape including animals, barley etc. Any presentation engraving removed. Cast maker's name. Diameter 45 mm
Anton Teutenberg silver Auckland Free School of Art medal 1886, the front with colonial coastal landscape including Rangitoto Island, the reverse presentation engraved '1st Prize From The Bust Awarded To Miss Fanny E. Plumley Given By J. Logan Campbell 188
Anton Teutenberg Auckland Infantry Takapuna silver medal 1913, cast detail to the front 'Coast Defence Detc. Auckland Infantry', the reverse 'Annual Camp Takapuna' and engraved 'Water Polo Champ Pte. G.W. Lepine 1913'. Cast maker's initials. Diameter 30 mm
Two Anton Teutenberg 'Hobson's Bay Regatta 1885' gold and silver medals, both presentation engraved 'Won By J.E. Tilly'. The fronts with colonial rowing scene in New Zealand landscape. Cast maker's initials. Diameter 23.5 mm.
An uncommon 19th century American Waterbury Banjo Player Blinking Eye clock, Connecticut, circa 1875, cast iron, his eyes move up and down with the beat of the clock, original 30-hour movement, the original paint and dial showing some wear commensurate wit