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Henry Maidment (British fl.1889-1914), Hazelmere Surrey, oil on canvas, 28 x 39 cm

British late 19th century, Scottish landscape with grey horse, oil on panel, 29.5 x 39 cm

Italian school, classical study with figures by a fountain, oil on copper panel, 52 x 36.5 cm

European 19th century - portrait of young gent., European 19th century, portrait of young gent, oil on panel, 29 x 23 cm

A Baynes (British), Telling their Secrets, oil on canvas, signed (lower right), 49 x 66 cm

T. J. Stump (British 19th century ), portrait of Halse family (1822), oil on ivory, inscription to reverse with family's names and ages, 10 x 13.5 cm

L. Sharpe (British 19th century ), the village wedding, from the Keepsake 1832, oil on panel, attribution to reverse, 19 x 24 cm

Tay Bak koi (Singaporean, 1939-2005), harvest, oil on canvas on masonite, signed lower right, Raya gallery label to verso, 22.5 x 29 cm.

Antique framed oil on canvas Portrait Portrait of a Young Gentleman, oil on canvas, unsigned, possibly of Georgian origin, in antique gilt carved wood frame, 25 cm x 19 cm image.

Hal Morland (working c.1911-19), untitled (river landscape) oil on board signed lower left 13 cm x 43 cm

Hal Morland (working c.1911-19), untitled (cattle, cart and Rivergums) oil on board signed bottom right 13 cm x 43 cm

Glenn Holme, house in landscape, oil on board signed lower right 39.5 cm x 49.5 cm

Nan Bretel (born 1916), ballet dancers oil on card signed lower left 23 cm x 16.5 cm

Stuart McKenzie Cullen (born 1933) distant storm 1975 oil on board signed and dated lower right, title verso 29 cm x 42 cm

Stuart McKenzie Cullen (born 1933) evening landscape 1975 oil on board signed and dated lower right, titled verso 25.5 cm x 41 cm

Stuart McKenzie Cullen (born 1933) Windsor homestead 1975 oil on board signed and dated lower right, title verso 19.5 cm x 39 cm

Wallace Cocks, still life oil on board signed lower left 60 cm x 65 cm a/f

Livio M. Suciu (working 1980's), Ranunculus 1989 oil on board signed bottom right, plus signed, titled and dated verso 43 cm x 39.5 cm

Framed religious devotional work, oil on canvas, depicting Mary and the baby Jesus in the Byzantine style, her right hand with a white ribbon, possibly symbolizing the untying of knots, within a painted oak frame, 39.5 cm x 29 cm (image)

Joseph Greenberg (1923: 2007) into the straight, oil on board, signed lower right, 48 x 61 cm.

Joseph Greenberg (1923: 2007) 'Baghdad note winning the 1970 Melbourne Cup', oil and acrylic on canvas board, signed and dated 'Greenberg '70' lower right, 37 x 44 cm.

Joseph Greenberg (1923: 2007) Qpr V Liverpool, acrylics & oil on board, signed lower right, 75 x 60 cm.

The 1939 Premiership medal won by Melbourne Football Club Hall of Fame Inductee Percy Beames. Superb original condition. Percy James Beames (1911 - 2004) had a remarkable career as an Australian rules footballer of the highest calibre with Melbourne Footba

Snow Skiing: Joseph Greenberg (1923: 2007) giant Slalom, acrylic & oil on composition board, signed lower right, 61 x 67 cm.

A collection of glass including a milk glass oil lantern, a millefiori paperweight

English school, (19th century), portrait of a gentleman seated at his desk & his wife & child [2], each oil on canvas, each: 24 x 19 cm

John H Glover, Sunlight & shadow 1963, oil on canvas on board, signed & dated lower left, 66 x 89.5 cm, frame: 77 x 101 cm

Ramon Ward-Thompson, (b.1941), Windsor farm, NSW, oil on canvas on board, signed lower left, titled verso, 29.5 x 37 cm

School - young girl with basket of flowers 18th century naive young girl with basket of flowers, oil on board 59 x 49 cm

Cedric Savage (1901-69) Nelson, oil on canvas board signed (lower right) 35 x 39 cm

Cecil F Kelly (1879-1954) evening light Godley head, oil on canvas board signed (lower right) 22 x 25.5 cm

Anthony Skuse (British 20th century) cutter off Bembridge Isle of Wight, oil on board signed with monogram (lower right) 28 x 39.5 cm

Thomas Goldsworth Dutton (British c.1819-91) HM brig 'Sea Lark' running inshore, oil on board signed with initials (lower left); original Christie's label to reverse 25 x 31 cm

Selina Collier, (19th century) two maritime studies both, oil on board signed and dated 1830/1832 to reverse 11.5 x 14.5 cm each (2)

Attributed Thomas Whitcombe, (British c.1752-1824) the British fleet anchored off St Helena, oil on canvas 18.5 x 42 cm. Provenance: purchased Christies, South Kensington, 16 May 2001 (lot 427)

Early 19th century British, The River Medina at Cowes, Isle of Wight, oil on panel inscribed 'Isle of Wight' (lower) 10 x 15 cm

18th century British 'H.M.S. Duke of Wellington' c.1790, oil on canvas inscribed with title (lower left) 40 x 54 cm

Manner of George Mears (British 1870-1895) the paddle steamer 'Victoria', oil on canvas 51 x 92 cm 'Victoria' was owned by the South East railway Company. She was a cross channel ferry running between Newhaven and Dieppe. Provenance: Purchased Oliver Sutto

19th century British the cutter 'Alarm' crosses the line c.1830, oil on canvas. This painting shows the cutter 'Alarm' crossing the line ahead of Lord Belfast's cutter 'Louisa'. This is one of the earliest paintings of a regatta. It can be accurately dated

Regency ormolu mantle clock, decorated with a seated figure of winged angel pouring oil into a lantern with decoration in relief below

A small Chinese Cizhou black glazed 'Oil Spot' bubble bowll, Yuan Dynasty (1279-1368) the bowl is covered overall with a black glaze suffused with silver 'Oil spots', which on the exterior falls short of the small foot exposing the beige body, an ink mark

A French parcel gilt pier mirror late 19th century. Having an oil on canvas depicting a courting couple. Typical gilt rococo design, height 212 cm, width 112 cm

A pair of silver plate mounted cut glass oil lamps, English, 19th century, 29 cm high without cylinders

Two vintage oil bottles include Shell X-100 plastic funnel with a one pint glass bottle, Firestone rubber funnel with a Angus & Co glass bottle

A pair of starboard and port Davey's patent windproof ship lamps, early 20th century oil lamp that has been wired for bulbs. Made from copper and glass. Height 47 cm, width 26 cm, depth 26 cm

Haji Widayat (Indonesia, 1919/23-2002), blossom trees, oil on canvas, signed and dated, 77, lower right, 70 x 70 cm.

Artist unknown, portrait of a lady, oil on board, signed lower left (illegible) and dated 1884, in original period gilt frame, 29 x 22 cm, 53 x 45 overall

Philipp Haas black forest blinker cuckoo wall clock, twin weight time and strike with oil painted zinc dial surround, lions eyes move with the pendulum beat, circa 1880. Suspension bridge in the form of a running rabbit, a Haas trademark. 45 cm high. Prove

Artist unknown (Italian, 19th century), Renaissance style female portrait, oil painting on oak and gesso board, painted inventory number verso, No.7, Florentine gilt frame, 54 x 43 cm

An Indian bronze hanging oil lamp in the form of a stylized peacock, early 20th century, 52 cm high.

An antique wall sconce oil lamp with single Sherwood burner and glass chimney, 50 cm high overall

A 19th century Russian icon, 'The Last Supper', oil on board, in gilt frame, one chip in paint to the top of icon. Provenance: Frederick John Wood Esq. LLD, a member of Committee of the British and Foreign Bible Society who travelled to Russia in 1883. 41.

Pier mirror, late 19th century, gilt with foliate decorations and oil on canvas panel depicting garden scene, height 213 cm length 93 cm a/f missing pieces to base

Oil lamp, late 19th century, marble and spelter base with mottled blue glass font, height 60 cm

Royal Worcester blush ivory antique oil lamp form candleholder with stylised dragon head handle, the lid and front with masks, 15 cm width

Four late circa 18th/early circa 19th European portrait studies of tradesmen comprising, a farm labourer, a fisherman, a blacksmith and a falconer, oil on copper panel in ornate gilded frames, 19 x 16 cm

Michele de Lucchi 'Benedetto 80' table for Produzione Privata, solid oak, hand-rubbed with oil to preserve the natural effect of its wood. The top is composed of boards paired with the traditional 'Filo morto' system, allowing the wood to breathe and move.

Michele de Lucchi 'Benedetto 150' table for Produzione Privata, solid oak, hand-rubbed with oil to preserve the natural effect of its wood. The top is composed of boards paired with the traditional 'Filo morto' system, allowing the wood to breathe and move

Vintage Plume Vacuum Oil Co. enamel sign 50.5 cm x 30.5 cm

A collection of watchmakers instruments, 19th century and later, including hammers, gauges, oil pumps and clamps within a blue velvet lined wooden display case, the case 11 cm high, 64 cm wide, 36 cm deep

A patented tellurian tabletop orrery by Parkes and Hadley, early 20th century, with an oil lamp and reflector as the sun, on a cast iron base, 27 cm high, note, a device that only illustrates the earth, is called a 'Tellurian' and one that illustrates the

A collection of vintage blown glass desk oil lamps, comprising eight pieces in an antique cedar box, the largest 11 cm high

Three Victorian neo-classical figural bronze oil lamps, three Victorian neo-classical figural bronze oil lamps, each base in the form of a nymph, the largest 40 cm high

A pair of Satsuma porcelain oil lamps, the base without shade or chimney 24 cm high

A pair of Japonisme style brass mounted porcelain oil lamps, Victorian, with tall glass chimneys and hand painted opaque white orb shades, including chimney 56 cm high

A Victorian brass oil lamp with faceted bowl, 19th century, including the chimney 64 cm high

Two Victorian brass and cut glass banquet oil lamps, 19th century, with moulded frosted glass shades, the largest 68 cm high

Three Greek black slip terracotta vessels. Terracotta skyphos deep wine cup height 9 cm, diameter 11 cm; and two lekythos oil bottle height 16 cm each. One with restored neck. Provenance: Luciano Sita collection, Sydney.

After Raphael, Madonna della Sedia old framer's label verso for Henry W Callan, George Street, Sydney. Nb: custom timber packing crate available. Oil on canvas 67 x 59 cm oval

After Raphael, the holy family with the Infant St John the Baptist II inscribed verso a Carreras' 1858. Oil on canvas 100 x 75 cm. Provenance: Estate late Robert Neumann, Sydney.

A Roman terracotta oil lamp and a small bust, antique, BC, the oil lamp with a bead border surrounding the central aperture, an anthemion handle and remnant paint, and a small terracotta head of a woman with coiffed hair and side piercings, length 12 cm, w

An Omega Seamaster, a stainless steel and gold capped wristwatch, circa 1960. Dial: silvered, date aperture at 3. Calibre: manual winding, fully jewelled. Case: polished circular, snap-on back, with inscription: presented to M.R.D. In recognition of 30 yea

Wedgwood oil burner, black basalt in the form of a lamp with woman and jug (some A/F to the base, repaired)

19th century English School, 'Fish', oil on canvas. Unsigned. 66 x 85.5 cm.

19th century English School, 'Portrait of Reverant John Shipton', oil on canvas, 1792. Unsigned. 81 x 69 cm.

Australian School, 'Full Moon', oil on canvas, unsigned. 59 x 91 cm.

M. Garcia, 'Cadiz 1858', oil on canvas, unsigned (mounted with plaque on framed 'M. Garcia, 'Cadiz 1858'). 61 x 82 cm.

Antique miner's oil lamp with magnifying lens, 18 cm high

1880s-1970s cigarette & trade cards in six albums, including Chinese cards; 1924 Mac Fisheries 'Japanese Colour Prints' [10/14]; 1910 Wills 'Arms of the British Empire' [50]; 1923 Wills 'Lucky Charms' [50]; 1925 Cavenders 'Reproductions of Celebrated Oil P

Austin Davies, a dream of women, Austin Davies, a dream of women, oil on board assembledge, signed and dated '98 (centre), 37 x 30 cm maximum

A pair of 1920s American Saruk hand knotted wool on cotton rugs, the central medallion on a field of interlaced flowering branches, surrounded by a central band framed by two narrow guards. Ex. estate collection of a gentleman based in Iran 1940's as head

A massive 19th century Japanese cloisonne charger, the soft pink ground decorated with an elaborate floral bouquet, two white geese and a butterfly, repeating panelled border. Some bruising and minor losses to the rim and foot. Diameter 61 cm. Provenance:

A 19th century Chinese famille rose large shallow bowl, the central cartouche uncommonly with Persian script including date translating to 1880, framed by alternating panels of figures and florals heightened with butterflies. Finely decorated ground. Elabo

A 19th century Chinese porcelain famille rose punch bowl, made for the Persia market, with two cartouches to the exterior inscribed in gilt with Persian calligraphy incorporating the Hijri date 1297 (1880 Gregorian calendar). Provenance: By bequest. Our ve

A Georgian miniature oil portrait of a woman, oval 6.5 x 4.5 cm

A Regency miniature oil portrait of a man, 15 x 9.5 cm

A Roman terracotta oil lamp, 1st-5th century AD, round flat body, a ring handle, a wick hole and one spout, portrait detail to top, diameter 6 cm

Two Roman terracotta oil lamps, 1st-5th century AD, one with Leda and the swan detail, round flat body, a rounded handle, a wick hole and one spout, portrait detail to top, diameter 6-8 cm

Two Roman terracotta oil lamps, 1st-5th century AD, round flat body, a rounded handle, a wick hole and one spout, portrait detail to top, diameter 9-12 cm

Two antique oil lamps, 19th century, 45 cm and 50 cm high

An original painting of Captain James Robertson and a silver presentaton cup: the oil painting (100 x 88 cm) is believed to depict Captain James Robertson, with a brass sextant and a three-mast ship, the barque 'Wallace' in distress, to his right. Robertso

A Colonial double ended settee, finely carved cedar frame with contemporaneous black oil cloth upholstery, Tasmanian origin,19th century, board of Ordinance 'B.O.' stamp on the underside with broad arrow mark. 99 cm high, 205 cm wide, 95 cm deep

Kerosene lamp, late 19th century, floral scene on yellow glass oil font and reeded brass foot, height 68 cm

A fine wild & Wesse oil table lamp, circa 1880s, Berlin, ornately cast as a genie style lamp with the original waisted pink glass shade, now with electrical conversion, patent stamp and maker's mark to stem, height 55 cm

Art Nouveau Loetz and bronzed comport, with a floriform shaped bowl in iridescent oil spot lustre, with a spiraled ribbed motif, supported on an Art Nouveau leaf form stand, on a pierced circular base, height 38 cm

An Oceanic stone oil lamp. Likely fueled by seal oil or whale blubber. These lamps were generally used for light and heat with the wick hanging around the raised area in the bowl. Height 4.5 cm, width 12.5 cm, depth 6 cm