Vintage metal & glass banquet lamp salmon coloured glass font, to oil banquet lamp, with dual British burners and iron metal base, and including glass funnel, height 60 cm, total.
Volumes, 2, 'Norman Lindsay,' by Lin Bloomfield. 'Norman Lindsay Oil Paintings, & Watercolours 1889-1969.', pub. odana editions 2006 & 2003. deluxe limited ed. #140/500. Each signed by the author, with tipped-in photograph & slipcase.
After Theodoor Rombouts (Flemish, 1597-1637), second half 19th century, 'The Gamblers', oil on canvas, housed in decorative gilded frame, unsigned, the frame 146 cm x 184.5 cm
A Chinese export oil painting of a lady at leisure, Qing Dynasty (1644-1912), 19th century, finely painted with an interior scene of a seated Chinese lady. In a contemporary custom antique-style frame, the painting 26 cm high, 19 cm wide. The frame 47 cm h
M L Poum Malakoul (Thai-French, 1910-1973), temple Complex 1968, oil on canvas, Impressionistically painted with a large tree in the foreground, and a Thai temple scene with stupas and mountains behind. Housed in a simple hardwood and giltwood frame, 62 cm
M L Poum Malakoul (Thai-French, 1910-1973), village scene 1966, oil on canvas, village huts nestle beside a forest, with hills behind. Housed in a simple hardwood and giltwood frame, 57 cm high, 68 cm wide. With frame 68 cm high, 79 cm wide. Provenance: pu
Hinks & Sons, two Victorian pressed metal and cut glass oil lamps, with bayonet duplex burners, clear and blue glass fonts, fluted gilt-metal columns (2), height 63.5 cm, 65 cm. Provenance: The collection of Robert Hutchinson, Sydney
Arthur Hamblin (1933 - ), 'With his Dogs' 1982, oil on board, signed and titled lower left, 12 x 17.5 cm, framed 21 x 26 cm. Bears signature and title verso.
Kaylene Philomac Australian Aboriginal, 'Kalaitipita,' My country, oil on canvas, stamped verso for Australian Regional Arts artists, catalogue # CC10-46 & CC010196KP verso, 32 x 40 cm
Set six oil Company beer glass coasters, each coaster with advertising emblem for an oil Company, including: Mobil, Castrol, golden Fleece, shell, etc.
A Victorian banquet oil lamp, 19th century, the brass and glass oil lamp marked duplex, with a classical twisted stem Corinthian column to a square stepped base, an ornate embossed brass waisted font, original burner mechanism and a bulbous form scallop ed
Rex Newell, Australia, (1939-2016), the Palace Hotel, Tilba Tilba 1980, oil on canvas on board, signed & dated lower right, signed & titled verso, 70 x 100 cm, frame: 90 x 122 cm, medium: oil on canvas on board
Louis Pisani, 'Music Rehearsal' oil on canvas, 92 x 68 cm (135 x 115 cm overall size)(details including artist name, and gallery provenance for Rome and Florence to reverse) mounted in the finest quality 19th century giltwood, gesso and moulded picture fra
A late Victorian oil lamp, the gilt metal and black granite Corinthian column support with frosted glass shade and a chimey, raised on four gilt metal feet. Overall height to tip of chimney 68 cm.
An antique oil lamp modelled as Britannia, the painted metal figure adjacent the mask head and acanthus leaf lamp support, the green tinged glass reservoir moulded with stars, all raised on four scrolling phoenix feet. Overall height to top of chimney 84 c
A spelter figural oil lamp, the column modelled as a Turkish man holding the lamp aloft, the faceted glass reservoir etched with a geometric pattern, raised on a black glass socle, late 19th/early 20th century. Overall height 79 cm.
A late Victorian oil lamp, the metal column modelled as two cherubs supporting the white glass reservoir and shade, above a floral base. Height to top of chimney 60 cm.
A pair of decorative maritime paintings, each depicting a sailing ship on the high seas, oil on board, unsigned, in decorative giltwood and ebonised framed. Image 11 x 16 cm, framed 29.5 x 35 cm.
An impressive Budapest Majolica oil lamp, the baluster body decorated with cherubs and foliate scrollwork, the whole supported on four gilt metal scrolling acanthus capped feet, the body with gilt metal cherub supports, the etched glass shade above and wit
A late 19th century French oil lamp, the pale turquoise glass body well enamelled with flowers and floral swags, gilt metal lionmask handles (loose), the fuel reservoir lift out, and raised on a gilt metal circular stand with four scrolling and mask head f
A late Victorian oil lamp, pale red reservoir and etched glass shade, held above a stone and gilt metal Corinthian column, on square base and four scrolling legs. Overall height 78 cm.
Emerald and diamond ring, of cluster design, centering a claw-set emerald-cut emerald stated to weigh 7.40 carats, framed by a line of brilliant-cut diamonds, the diamonds together weighing approximately 1.84 carats, mounted in 18ct gold, size K, accompani
Handsome 19th century French banquet lamp, with opaque glass shade, above a crystal oil well and stand decorated with red foliage, above a gilt base, a/f, total height 83 cm
Assorted sterling silver pieces, marks of various Silversmiths, comprising of a jewellery box, with engine turn decoration, two open salt cellarettes (one missing glass liner), a pepperette, four napkin rings, an oil burner, a cream jug, a Victorian snuff
Gilded brass argand lamp, with a central urn above two arms, decorated with masks and floral swags, raised on a square base with four bun feet, together with an oil lamp in the shape of a Doric column, electrified, no shades (2), height 44 cm width 38 cm d
Loch Shiel and cattle by R.A. Murray, oil on board. R.A. Murray became a member of the Royal Academy of Arts in 1887. Framed 51.5 x 74 cm, painting 43.4 x 66 cm
An oil painting by Jerrod Nathan depicting still life flowers. In a giltwood frame behind glass. Label affixed to the back reads 'Painted by Jerrod Nathan, medallist, Royal Academy, London'. Frame 53 x 62 cm, painting 40 x 50 cm
Shewan & Co. Hong Kong, Canton & Kobe: 14th September 1893 'Hongkong Market Letter'2-page printed document sent to their offices and representatives around the world (including Anson. B. Heath in Melbourne) regarding the current prices for products of all
An antique oil lamp with figural silver plated base, Duplex black button double burner, original glass font and shade, inscribed on the base, 'Presented To W. Letcher Esq. By His Colleagues Of The Literary Staff And By The Commercial Staff Of The Ballarat
Lucie Rie, oil & Vinegar Pourers stoneware with manganese exterior, white interior with O & V marked to stoppers, both with impressed Lr impressed marks, 15 cm height (oil with rim chip)
A Louis XV Chinoiserie overdoor painting, oil on canvas, depicting a fanciful Chinese family making music in an idyllic landscape within a rocaille and mask surround on a turquiose ground, 73.5 x 120 cm framed
An unmounted Colombian emerald a rectangular step-cut emerald with known weight of 22.46 carats. Accompanied by GSL report no. AA65286, dated 22 July 2021, stating that the natural emerald is of Colombian origin, with minor clarity enhancement (oil).
A pair of emerald, tanzanite and diamond earrings each suspending a cascade of round brilliant-cut diamonds, circular-cut emeralds, circular-cut and pear-shaped tanzanites, suspended from a cut-cornered rectangular-shaped emerald, mounted in 18ct white gol
Three antique oil lamps, 19th and early 20th century, one with amber font, one with cut crystal font and the other with metal font, the largest 50 cm high
Benson English Arts & Crafts oil lamp model No.293/K with original Whitefriars lemon vaseline glass shade, black button double burner and chimney, factory stamp to base, late 19th century, 56 cm high overall
Garaganalia including shell miniature glass oil bottle, golden Fleece matchbook, two Pegasus enamel ashtrays and a Dunlop tyres ashtray, 20th century, (5 items), the bottle 5 cm high
A small terracotta votive oil lamp, Palestine, Roman period, 1st century A.D. With CofA from Halcyon Antiques and Antiquities, Newcastle, Australia. 9 cm wide
Jeihan Sukmantoro (Indonesian, 1938 - 2019), Calon Penyan, (the dream of becoming a singer), oil on canvas, signed 'Jeihan' and dated 1977 lower right, titled and signed verso, 70 x 79 cm.
A pair of Dutch miniature portrait oil paintings on tin in fiddleback timber frames, English Art labels verso, 19th century, frames 12 x 12.5 cm overall