19th century French miniature, after Francois Gerard's 'Portrait of Juliette Recamier', oil on ivorine, signed 'Gerard' lower right, in brass frame 16.5 cm x 11 cm
Mid 19th century, artist unknown, portrait of a young lady with red necklace, unsigned. Dated 1865 in pencil lower centre., oil on canvas on board, 37 x 26 cm
Attributed Emanuel Teter (born in Salzburg circa 1780) fine 19th century hand painted oil on ivory of Miss Grace Rose, the young Miss Rose stands with blushed cheeks wearing a white silk dress with blue ribbon highlights and shoes, holding a flower filled
A fine antique hand painted oil on porcelain portrait of 'Louis Bonaparte' late King of Holland, depicted in formal military attire. Named to the reverse. 14.5 x 11.5 cm. In ormolu frame: Note: Louis Napoleon Bonaparte (born Luigi Buonaparte; 2 September 1
A pair of brass ships cabin lanterns, Eli Griffiths & Son Ltd., Birmingham (1870-1963), circa 1915 the pair of oil lanterns of traditional shape with three panes of glass, one hinged for access, each with Bulpitt type burner, wooden carrying handle, vented
Yellow gold gents cufflinks and Accompaniments comprised of a tie slide, tie pin and a set of cufflinks. All have the shell oil logo and all are set with small single cut diamonds. All are inscribed with' 35 Years of Service.' total weight:21.4 grams.(3)
Artist unknown, Madonna and Child in the style of Murillo, 19th century, oil on canvas (relined), 161 x 106 cm, 182 x 125 cm overall. Provenance: The Baker-Finch collection
A group of four Thomas Webb Queen's Burmese fairy lamps with ceramic bases, late 19th century, comprising a pair of shades on matching floral decorated ceramic bases, a vine decorated shade upon a similar base and a Roman oil lamp style fairy lamp base wit
An Imari oil lamp base converted to Electricity, Meiji period, c1900, the baluster shape base with shaped reserves of floral bouquets in typical Imari palette above a patterned border, raised on a cast brass spreading base of neoclassical design, fitted wi
18ct white gold, emerald and diamond 'Upswept' ring, 2018, claw-set to the top with a square mixed-cut emerald weighing 6.80 carats, each shoulder end-set with a graduated line of five emerald-cut diamonds together weighing 3.84 carats, the bridge accented
A late 19th century Hinks's duplex brass and copper oil lamp, the fluted brass column supporting a copper reservoir, all raised on a square base with four bracket feet. Overall height 65 cm
An early 20th century Australian Lithgow Matilda oil lamp, with ruby glass and thumb cut reservoir, the square silver plated base with two moulded kookaburras, with maker's button to base. Overall height 57 cm.
NZ colonial artist unknown, 'S.S. Ngapuhi', oil on canvas, initialled and entitled. 91 x 60 cm. Note: The Ngapuhi was a Northern Steamship Co. vessel built in 1900 and dismantled in 1941. Her hull was beached on Rangitoto Auckland. Small repair to sky.
Harry Williams Stephens (1869-1942) a study of the battlecruiser 'H.M.S. New Zealand', oil on canvas, signed, titled and dated 1913. Unframed, 69.5 x 102.5 cm. See: wikipeDiameter org/wiki/HMS_New_Zealand_(1911). New Zealand visited her namesake in 1913, t
Ellis Silas (1885-1972), 'The Patriot', oil on canvas, signed and dated lower left: Ellis Silas / 1914, Indistinctly inscribed to the reverse of the canvas, 94 x 72 cm. Provenance: Galerie d'Art (Barry Garside), Perth, WA, 1979 (with the present title), so
Attributed to Edward Williams (1781 - 1855), a pair: 'A view near Richmond on the Thames' and 'A view near Battersea on the Thames', oil on canvas, each finely inscribed as title to the reverse in an earlier 19th century hand, both inscriptions ending 'By
Eric de Luca (contemporary), two works: 'Nature morte a la grenade' and 'Sucrie en argent et verre de Venise', oil on canvas, both signed lower right: Eric de Luca, both inscribed as title by the artist to the reverse, dated (2015 and 2012, respectively),
A large overmantel mirror in a fine antique gilt frame, the frame second half 19th century, the rectangular plate with shaped top within a moulded frame with carved top rail and crest, the frame in contrasting oil and water gilding, 198 x 124 cm
An early Colonial spade back library chair made from 'Beauty Leaf Tree' (*Calophyllum Inophyllum), Queensland origin, circa 1845, 51 cm across the arms. Calophyllum Inophyllum is a large fruit bearing plant, and a culturally important source of Tamanu oil.
An antique Australian horse racing Wheel-of-Chance, a wheel-of-chance depicting twelve different Australian racehorses, painted and titled in oil paint on cedar, the wheel surrounded by brass strapping and mounted on a later stand; the wheel circa 1890. Ov
A late Victorian converted banquet lamp and two decorative table lamps, late 20th century, the oil lamp on a brass Dutch style candlestick, the brass mounted urn lamp 99 cm high. Provenance: Drake house, Australian Catholic University (Acu)
Two Oriental cloisonne items, comprising a Japanese cloisonne oil lamp (Meiji period 1868-1912), the bulbous body decorated with alternating panels of butterflies and phoenixes on polychrome and speckled ground, between lappet and floral borders, on a gilt
Royal Doulton titanium exhibition vase, c.1920, of cylindrical form, the border inscribed Domini.1920. Anno, above a blue oil spot lustre with fleur-de-lis, original label verso, height 20 cm
17th/18th century Dutch school, portrait of William of orange (1533-1584) oil on panel 30 cm x 24 cm note: William of orange, also known as William the Silent or William the Taciturn, was the head leader in the Dutch revolt against the Spanish Habsburgs th
Tipp & Co (Germany) large tinplate Forecourt petrol Pump set. With oil bin/battery box mounted on traffic island. Comprises three petrol pumps with elecrified globes to top 'Pratts, BP and Shell;' oil bin with 'In' and 'Out' signs to sides. Pre-war period.
Aster Fulgurex gauge 1 4-6-2 loco and tender LNER 'Silver Link' A4 Class No.2509 live steam. One of a limited production of 150, this example is a factory built model and is marked B19, evidence of very light firing and overall is in excellent condition. C
Amsterdam, Jacobus Leonardus van der Meide, Basilica of Saint Nicholas (Basiliek van de Heilige Nicolaas), Amsterdam, oil on canvas, signed (lower left), 59 x 79 cm
Charles Goldsborough Anderson (British, 1865-1936), the evening dress, Mrs Goldsborough Anderson, oil on canvas mounted on board, 217 x 90 cm. Provenance: artist's family collection, Auckland. International Art Center auction lot 77, 17/11/17
After Peter Paul Rubens, 18th century school the Virgin mark and child with Saint Elizabeth and the child John the Baptist, oil on canvas, 240 cm x 150 cm