Danny Li Wan Fai, (b.1954) Hong Kong, on the Slips c.1984, oil on canvas, signed lower left, 92 x 61 cm. Exhibitions, the Royce gallery, Sydney, 1984, other notes, the artist was taught western painting in the late '60s from Chiang Wing-sin, an established
Danny Li Wan Fai, (b.1954) Hong Kong, Dinghys at rest c. 1984, oil on canvas, signed lower right, 60 x 90 cm. Exhibitions, the Royce gallery, Sydney, 1984, other notes, the artist was taught western painting in the late '60s from Chiang Wing-sin, an establ
Sawankhalok oil ewer, slightly hexagonal faceted body with faintly shallow decorations and white celadon glaze, spout and rim showing restoration, 21 cm height
Style of Edmund Blair Leighton, detail from 'In time of Peril, oil on canvas, 55.5 x 34.5 cm, note: this work is a study of the central section of the E B Leighton work dated 1897, collection of Auckland City Art gallery
Manner of William Dobson (British) portrait of Thomas Wentworth, 1st Earl of Strafford (1593-1641) oil on canvas 54.5 x 46 cm Provenance: purchased John Dixon Antiques, Auckland, April 1978
Mark Edwin Dockree (British fl. 1856-90), the river Mole near Dorking, a Lane near St Albans, oil on canvas, signed (lower right) and inscribed with title to reverse, signed, inscribed with title and dated 1869 to reverse, 24 x 34 cm each (2). Provenance:
Miller Tiny-Juno oil lamp, Miller brass oil lamp and shade, oil lamp with blue font, milk glass shade and chimney, 19th/20th century, the tallest 52 cm high
The Coronation portrait of 'Ranji' - Colonel H.H. Shri Sir Ranjitsinhji Vibhaji, Maharaja jam Saheb of Nawanagar K.C.S.I. In his Coronation robes and jewellery, three-quarter length seated in a gilded throne chair with lion finial arms. Ranji wears a cream
Black caviar: Brett Jarrett, 'Black Caviar', oil on canvas, signed 'Brett Jarrett' lower right, framed, overall 108 x 145 cm. [From an image of black caviar in the mounting yard at Flemington in February 2013, when she stretched her unbeaten run to 23 by w
An Art Nouveau silver overlaid Loetz 'Crete Papillon' vase, circa 1900, of slender bulbous shape with an oil spot decor in silvery peacock colours on a yellow green ground, delicately overlaid with whiplash tendrils and stems, of lily flowers, with a silve
A French bronze and porcelain argand or Quinquet type oil lamp, 19th century, mechanism marked H.P Bec Rond Parisien, having a pierced rococo style base, a moulded green glazed shaped font and burner with glass chimney and flute edged white glass 'Optima'
A fine French argand or Quinquet type bronze oil lamp, 19th century, with maker's mark of Love & Harvey, Paris, finely modelled in the Renaissance revival manner as an antique style oil, lamp with a central stem and spreading base, original burner mechanis
A French argand or Quinquet type oil lamp with a red shade, 19th century, with partial electrical conversion, with a cast figural spelter base supporting a brass stem with a faceted oil, font and separate burner mechanism with chimney and red painted metal
A small French porcelain oil lamp, late 19th century, brass neck marked boulle and Paris, a cylindrical porcelain font with indigo transferware decoration of a bird, amongst bramble berries on a white ground, set within brass mounts and having, a globular
A small French earthenware oil lamp, late 19th century, by Keller et Guerin, Luneville, a pear-shaped earthenware base with bird and floral transfer decoration, supporting a brass mechanism and a globular pink glass shade with a ruffled, rim, maker's stamp
A French argand or Quinquet type oil lamp with a pink glass shade, 19th century, with a bronze base and stem supporting a cylindrical oil font and separate, burner mechanism with glass chimney and a pink glass shade, height 54.5 cm
An important South Australian full cedar double ended campaign sofa circa 1837, the lipped centered back with roll over ends above swan necked arms decorated with rondels to either side. Below the seat, a squared panelled front and turned legs., fold out d
A late 19th/early 20th century Russian icon, the ornate old patinated brass oklad ornately embossed with raised 'sunburst' halo covering the painted oil on board of Christ. 22 x 17 cm.
Leon Gischia, French (B. 8 June 1903 - D. 29 May 1991) 'Still Life' oil on canvas painting. Signed & dated 1944, Gallery label verso, 64 cm high, 59 cm wide
Circle of Giovanni Angelo Canini (Italian school, 1609-1666), Madonna and the Infant Jesus with angels, oil on canvas, 113 x 94 cm. Provenance: Private Collection, Perth
Follower of Edgar Degas (French school 1834-1917), portrait of a young man Selling Faggots, oil on board, 90 x 59 cm. Provenance: van Ham Kunstauktionen. Private collection, Perth. Other Notes: van Ham Kunstauktionen
Louis Boulanger (French 1806-1867), portrait of a gentleman wearing the Portugese order of Christ, oil on canvas, 117 x 90 cm. Provenance: Private Collection, Perth. Other Notes: Framers stamp from Paris on canvas
Circle of Jan van Huchtenburg (Dutch, 1647-1733), Calvary Battle, oil on canvas, 57.5 x 75 cm. Provenance: Private Collection, Warsaw. Private collection, Perth
18th century European school, portrait of a gentleman in a grotto, oil on canvas, 124 x 100 cm. Provenance: Purchased in the UK in the 1960s. Private collection, Queensland
Ernst Karl Eugen Koerner (German, 1846-1927), view of Capri, oil on canvas on board, signed l.r.c. 'E.K, 28 x 38.5 cm. Provenance: Auktionhaus Satow, Germany. Private collection, Perth
19th century European school, Parisian Streetscene, oil on canvas, signed and dated indistinctly l.r.c., 63 x 79.5 cm. Provenance: Purchased in Paris by the current vendor. Private collection, Sydney
Hugues Claude Pissarro (French, born 1935), Les Chalutiers du Croisic, oil on canvas, signed l.l.c. 'H. Claude Pissaro, 50 x 60 cm. Provenance: The Bernard Madoff collection, Sotheby's, New York, c. 2008. The Collection of Alan James and Jenny Fletcher, S
Herbert McClintock (Max Ebert) (1906-1985), portrait of a girl, oil on board, signed u.l.c. 'Max Ebert, 59 x 52 cm. Provenance: Private Collection, Sydney
William Elliot Johnson (Sir) (British 1881- Australian 1932), Windmill Street looking West from Kent Street, Sydney, oil on board, 39 x 48.5 cm. Provenance: Stephen Scheding collection Sydney, Christies Australia, 24 August 2004, lot 94. Private collection
Thomas Falcon Marshall, Leaving Home, the Parting Admonition, oil on canvas, sketch for the painting shown at the Royal Academy in 1846. Provenance: attached, 21 cm x 35 cm
A Victorian kerosene lamp, the brass column raised on a circular ceramic base, primrose yellow glass oil reservoir with etched shade and a chimney, height 68 cm.
Two portrait miniatures, two carved marble portrait miniatures and two others, including a portrait of boy in a convex frame (possibly ivory), oil on board early 19th century, a study of a girl, and two carved marble profiles of classical figures, largest
Three pieces of silverware, 19th and 20th century, comprising an early 19th century pierced Dutch silver bon bon dish, a George III sterling silver sugar basket, with blue glass liner, maker's marks rubbed, London, circa 1817 and a sterling silver oil lamp
Three works by Harley Manifold and one other, i) En Plein air, II) to Nature, III) old Treasury building and state court offices, IV) landscape, oil on canvas, oil on board, largest: 20 x 25 cm, smallest: 13.5 x 17.5 cm
Two decorative paintings, (20th century), i) Chimey P, floating tiger, oil on canvas, 24 x 29.5 cm, II) Sinan Cole: portrait of a young man, oil on board, 19 x 13 cm
An Indian miniature and two period portrait miniatures, 19th century, the first depicting an elephant procession, reverse painted oil or gouache on plastic film, oval in shape housed in a square ebonized frame. The two portrait miniatures depicting ladies
A pair of female portraits, early 19th century, i. Portrait of a young girl, II. Portrait of a woman with white bonnet, oil on canvas, both unframed, 32 x 26 cm largest
Collection of golden Fleece items & Veedol sign mid 20th century consisting of oil bottles, record books & numerous copies of Sydney or the bush vinyl featuring verses of Henry Lawson recorded to music.
Small unsigned oil painting attributed to Haughton Forrest. Sorell Creek 12 X12 cm possibly a gift to the Mace family Who Migrated to Tasmania on Macduff the same ship as Forrest in 1876 & Selected Land on Sorell Creek (Molesworth) on arrival in 1877
Gilt framed oil painting on board of sailing ship in harbour. This painting has Provenance: which suggests it may have been a gift from Haughton Forrest
George III crested sterling silver and cut crystal two bottle oil and Vinegar stand Robert Calderwood Dublin circa 1760, stand sterling silver, stand 456g
Cased Tranter percussion revolver with accessories retailed by J.W. Rosier Melbourne. Approx 21 cm overall with 9.5 cm barrel in 120 bore. Engraved body. In its original case with nipple wrench, turn screw, nickel oil bottle, lubricating bullet tin, percus
Wedgwood black basalt vestal oil lamp and cover, mid 19th century, the female figure reading a book seated upon the shoulder of an oval lamp decorated with acanthus leaves and bell flowers in relief, impressed mark, and date mark W for 1869. EX: Warwick Oa