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Jenny Orchard pair of Art pottery bowls, signed 'Jenny Orchard', 9 cm high, 20 cm wide

Jenny Orchard hand-painted black and white pottery vase with turquoise glazed interior, signed 'Jenny Orchard, 2011', 16 cm high

Jenny Orchard pottery plate adorned with two mythical creatures, reverse also adorned with hand-painted scene, signed 'Jenny Orchard', 28 cm diameter

Jenny Orchard 'Kangaroot' pottery sculpture, inscribed in numerous places, an imposing 60 cm high

An Indian 'Mahal' 19th century style hand woven rug. Having muted dark green tones of floral motifs. Originally retailed by 'Jenny Jones Rugs'. 368 cm x 448 cm

A Songye kifwebe mask from the Democratic Republic of Congo, carved wood with black and white pigment. Provenance: Dame Jenny Gibbs collection, length 98 cm

Jenny Orchard (Australian, b. 1951), Vase, 1982, slipcast earthenware with black glaze and abstract decoration, artist's signature and date underneath, some small chips (A/F), height 30.5 cm. Provenance: Private Collection, Sydney

Jenny Orchard (Australian, b. 1951), Figural Sculpture, 1998, handbuilt earthenware in the form of an abstract creature with three eyes and three legs, glazed in multiple colours with sgraffito embellishments, signed and dated underneath feet, height 52.5

A Papua New Guinea middle Sepik River mask, painted carved wood. Original label affixed to reverse: 'David Jones, gable mask, Palembai, Provenance: Dame Jenny Gibbs collection, 67 cm height

Papua New Guinea middle Sepik River Latmul Mei mask, 20th century Mei mask. Wood, pigments, cowry shells, boar tusk, hair and clay, Provenance: Dame Jenny Gibbs collection, 76 cm height

Papua New Guinea mask, decorated with cassowary feathers, boar tusks and cowrie shells, Provenance: Dame Jenny Gibbs collection, 55 cm height

Fijian Wasekaseka (sperm whale tooth necklace), Restrung with beads and velvet ribbon, Provennance: Dame Jenny Gibbs collection, 67 cm length

An important early 19th century Fijian Yagona dish from Western Vitlevu, elongated elliptical shape with a pierced tapering handle. Carved from sacred vesi wood which was typically used for religious vessels. This vessel, historically belonged to the canni

Gucci, limited edition Ken Scott Dionysus Jenny flower bag, styled with a multi-coloured floral pattern on a black background with chain shoulder strap and gunmetal hardware, 20 x 14 x 5 cm

Jenny Orchard (Australian, b. 1951), zig zag vase, slip cast earthenware, black and white underglaze decoration depicting women, between leopard print and blue and white sides, signed to base, height 42 cm

Jenny Orchard (Australian, b. 1951), zig zag vase, slip cast earthenware, lavender and black underglaze decoration depicting abstracted faces on a geometric form, signed to base, height 43 cm

S&E, Japan: a tin plate litho friction, Curtiss Jenny Trainer Bi-Plane Ps-104-6, original packaging, c.1950, packaging: 38 x 11 x 7 cm

Royal Doulton figure 'Jenny', printed signature of artist 'Valerie Annand', HN4423

A rare 18th century Mauri stone (talisman), circular form with countersunk hole to the center. Provenance: Dame Jenny Gibbs collection, 6 cm diameter.

A fine 18th century hei tiki, type II female form well carved in Kahurangi variety stone, face displays small recessed eyes, chin and ear projections with right index finger held to a finely rendered heart-shaped mouth. Well defined three-fingered hands wi

Patu muka (flax pounder), argillite stone. Rounded end and conical to shoulder, knob rounded and grooved. Hammer pecked surface. Provenance: Dame Jenny Gibbs collection. 23 cm length.

A good large Pre-European pounamu toki (adze blade), Inanga with speckled inclusions in the stone, reducing quadrangular shape with sharply delineated cutting edge, lapidary scarf running down the length of one side. Provenance: Dame Jenny Gibbs collection

Pre-European toki pounamu, Kawakawa variety stone with pale mottled inclusions. Uneven poll, polished surface. Some scaring to the upper back section. Provenance: Dame Jenny Gibbs collection. 16 cm length.

Pre-European large toki (dark argillite), thick set stone with slight curvation to laterals, long bevel to blade. Poll uneven. Incipient hammer pecked tang, the remainder polished. Provenance: Dame Jenny Gibbs collection. 31 cm length.

Pre-European unusual Spaded shape toki (dark argillite), uneven hammer pecked poll spading at the shoulder. Well defined lateral edges and sharp rounded cutting edge. Polished surface. Provenance: Dame Jenny Gibbs collection. 11 cm length.

A good large Pre-European toki (dark argillite), tapering quadrangular shape with well defined unblemished lateral edges and bevel with sharp blade. Unusual concentric grooves to the top of the poll. Polished all over finish. Provenance: Dame Jenny Gibbs c

A superb large Pre-European toki (argillite), tapering quadrangular shape, well defined lateral edges and bevel with sharp cutting edge. Uneven flaked poll, hammer pecked at the back. The remaining surface with smooth polish. Giant toki of this size are ve

19th century mere pounamu (short bladed nephrite weapon), crafted from Kawakawa variety pounamu, thin spatulate blade with translucent edge. The blade tapers to the reduced grip section with countersunk suspension hole terminating in three reducing grooves

Toki poutangata (hafted ceremonial adze), with a tapering slender handle, the top section with a carved wheku head with rauponga detailing and cut paua shell eyes (one missing). Hafted with an argillite toki bound with muka. Provenance: Dame Jenny Gibbs co

A 19th century patu paraoa (whalebone hand club), traditional broad spatulate blade, reducing to the grip section, with a circular suspension hole. Provenance: Dame Jenny Gibbs collection. 40 cm length.

A rare and important 19th century taiaha (fighting staff), Arero (tongue) finely carved with rauponga spirals and deeply recessed pataki terminating at a pointed tip. Upoko (head) displays elliptical paua eyes with incised stria radiating from centre. Wove

A 19th century kotiate paraoa (whalebone hand club ), with lobed blade and with a small carved figure to the base of the blade. The grip section terminating in a wheku figure carved in high relief. Provenance: Dame Jenny Gibbs collection, 35 cm length.

A Pre-European patu paraoa (whalebone hand club), traditional broad spatulate blade, reducing to the grip section, with a countersunk suspension hole. Chips evident to the blade. Provenance: Dame Jenny Gibbs collection. 43 cm length.

Pre-European patu onewa (stone hand club), traditional spatulate form reducing to the grip section with hourglass suspension hole with three concentric groves to the butt. Small chip to the blade. Provenance: Dame Jenny Gibbs collection, 34 cm length.

A rare and important early 19th century Wakahuia collected by Lord Freyberg, oval rounded elongated form. The body of the box uncarved. Each side carved with figures in high relief. One figure with robust body with arms to the sides with open mouth, decora

Early 20th century whalebone tiki with toggle, finely carved with forward-looking face and inlaid paua shell eyes. Provenance: Dame Jenny Gibbs collection, 10 cm length. Y number pending

A large 19th century whalebone hei tiki, type I form with eyes embellished with red ceiling wax. Female. Countersunk suspension hole to the top of the head. Indistinct script incised to reverse. Provenance: Dame Jenny Gibbs collection, 16 cm length.

Pre-European pounamu hei tiki, type I form carved in Kawakawa variety stone with pale inclusions to the body. Countersunk suspension hole at the top of the head. Provenance: Dame Jenny Gibbs collection, 10 cm length.

Contact period pounamu hei tiki, finely carved in the type I form in translucent Kahurangi variety stone, finely carved facial features with a clearly defined heart-shaped mouth displaying tongue and teeth. Female. Suspension hole at the top of the head. P

Pre-European fired Inanga hei tiki, stone tooled with rich dark colouration due to the firing process, type I form with forward-looking gaze and three-fingered hands to the thighs. Unusual carved crescent shape to the upper right of the forehead. Two count

Large and impressive contact period hei tiki, high translucency indicates bowenite variety stone with white inclusions to the left side of the face and lower section. Type I form with deeply recessed eyes and some wear to the nose and mouth reflecting sign

A collection of four Art reference books and exhibition catalogues, A collection of four Art reference books and exhibition catalogues, I. Inge King: Constellation, David Hurlston and Jane Eckett, National Gallery of Victoria, 2014, pp. 135, II. The Sculpt

Jenny Smith silk Road patterns of time - ruby 2005, red cast glass, 45 cm height

Jenny Smith, Silk Road patterns of time - jade 2005, green cast glass, 38 cm height

Sequinned and crystal evening dress, tulle neckline, adorned with silver sequins, champagne tone crystals and faux pearls, labelled 'Jenny Packham', full length gown, size UK 18, US 14

Royal Staffordshire 'Jenny Lind' flow blue plate blue and white 'Lake and Mountain' scene decoration, marked to base, small rim chip, diameter 23 cm

Jenny Orchard (Australian, b. 1951), collection of mugs, earthenware, with painted abstract decoration, some signed, comprising four mugs and a cream jug (5), approx. Height 10.5 cm

Jenny Orchard (Australian, b. 1951), coffee service, earthenware, with painted abstract decoration, comprising six mugs, a sugar bowl, a cream jug and a coffee pot, coffee pot signed (9), height 18 cm (coffee pot)

Orchard, Jenny, b.1951, 'Co-Existence,' 2011, rom the 'Rusty Vessel Stories' Exhibition, Barry Stern Galleries, 16 - 31 August 2011. featured in promotional material for aforementioned exhibition. Hand-painted & Glazed Ceramic Vase, height 57 cm

Jenny Hunt, 'Silflay II' woven wall hanging fabrice label to reverse, 188 x 196 cm

Jenny Smith - Silk Road Blue, cast glass, signed and dated '06 to base. Height 38 cm

Jenny Smith - Silk Road ruby, cast glass, signed and dated '06 to base. Height 44.5 cm

Jenny Orchard (Australian, b. 1951), Sottsass vessel, c. 1982, slip cast and hand built earthenware, decorated with geometric designs in black, white, purple and orange, artist's signature to base 'Jenny Orchard', height 41.5 cm. Provenance: Private Collec

Jenny Orchard (Australian, b. 1951), wild vase, c. 1991, glazed hand-built earthenware with applied flowers, artist's signature to base 'Jenny Orchard', height 57.5 cm. Provenance: Private Collection of Jenny Orchard, Sydney

George Baxter portrait print of Madame Jenny Lind, 19th century, 17 x 12 cm,

Jenny Pattrick (NZ Jeweller) silver paper knife Persian dagger inspired style inlaid with mother of pearl and paua 16 cm length

Jenny Pattrick (New Zealand) single opal ring, large natural form cabochon black opal on wide band with scroll and bead work

Jenny Orchard (Australian, b. 1951), water jug, 1981, earthenware, with painted abstract decoration, signed and dated to base, height 35 cm.

Jenny Orchard (Australian, b. 1951) Mrs. Rose, 2006 hand built earthenware, depicting a female figure

Jenny Orchard (Australian, b. 1951) Mr. Rose, 2006 hand built earthenware, depicting a male figure

Jenny Orchard pottery vessel, signed 'Jenny Orchard', 32 cm high

A set of six white glazed slip cast mugs by Jenny Orchard, Australia signed to base

Jenny Kee, printed silk scarf, of abstract design featuring Australian motifs, hand rolled hem, signed within the print, 110 x 110 cm

Six Coalport china lady figures. 'Special Birthday', height 17 cm; 'Pauline', height 20 cm; 'Helena', height 24 cm; 'Victoria', height 24 cm; 'Jenny', height 23 cm; and one seated figure, height 15 cm.

Jenny Orchard (Australian, b. 1951), zebra teapot, c. 1990 hand built earthenware, with black and white glaze, together with a vase, artist's signatures to bases 'Jenny Orchard' (2)

Jenny Orchard (Australian, b. 1951), vase, c. 1990 hand built earthenware with blue glossy glaze, and two spiral handles, artist's signature to base 'Jenny Orchard'

A 1920's Ferdinand Strauss (U.S.A.) 'Jenny the Balking Mule' tinplate lithographed wind-up toy depicting the stressed farmer, riding atop of cart full of fruits while trying to urge his mule forward by dangling a pail of oats in front of him. Trademark pri

Jenny Kee and Linda Jackson, flamingo park 'Mondrian' knitted sweater dress crew neck with 3/4 length sleeves, designed in the style of Mondrian, labelled 'Jan Ayres hand knitted originals, 'Flamingo park Sydney' (A/F) overall wear

Jenny Kee and Linda Jackson, flamingo park knitted wool dress with belt cream, cropped sleeves, featuring native Indian Chief and girl with applied braided hair embellishment to front and back, with multicoloured braided belt tie, labelled 'Jan Ayres for f

Jenny Kee and Linda Jackson, flamingo park 'Calla Lilies' sleeveless wool knit dress black, knitted with pink and red calla lily design to front and back, labelled 'Jan Ayres for flamingo park Sydney'

A Jenny Jones Nepal Kathmandu custom design runner hand spun wool & silk. 40 knots 90 x 550 cm

A Jenny Jones Nepal Kathmandu contemporary rug hand spun Tibetan wool with original certificate value$ 5900 247 x 315 cm

Music: Photograph titled on reverse 'Jenny Fabian London 1963', with 'Jeremy Fletcher' photographer's handstamp on reverse. (Jeremy Fletcher is known for his photographs of the 1960s music scene; Jenny Fabian was a famous groupie)

Jenny Orchard abstract design vase, 25 cm high

A French style flat woven Kilim rug (ex, Jenny Jones) 250 x 245 cm

Jenny Jones wool floral pattern rug hand knotted 245 x 305

Jenny Orchard Australian pottery teapot, incised 'Jenny Orchard, 2001', 38 cm across

Pair of 'Jenny' armchairs for Flexform, stained ebony, fabric, Italy, designed 2002

Jenny Orchard (Australian, b. 1951), figural vase, c. 1990, hand built earthenware with black and white glossy glaze, artists signature to base 'Jenny Orchard', height 36.5 cm

London and the Swinging 60s A wonderful collection of original autographs and books about the leading personalities in the music, fashion and cultural revolution that was London in the 1960s. The Swinging Sixties was a youth-driven phenomenon that took pla

An important and unique memento and collection of archival material associated with Sir Edmund Hillary, Mt. Everest and Antarctica. A stone collected by Hillary on the first ascent of the summit of Mt. Everest May 29th, 1953, mounted in a Nepalese brooch /

Jenny Smith, cast glass sculpture 'Silk Road: Patterns of Time', 25 cm dia (af)

Louis XV style Vernis Martin style and ormolu mounted mantel clock on wall bracket, 19th century, the waisted case with scrolling foliate mounts and decorated with flowers against a red ground, white enamel dial with Roman and Arabic numerals, case stamped

Pair of gilded metal and white marble table lamps, each cast as a twin handled vase on a marble fluted column (2), height 43 cm. Provenance: The collection of Alan James and Jenny Fletcher, Sydney

Pair of French altar candle holders, turned and carved wood, painted white with gilded decoration (2), height 91 cm. Provenance: The collection of Alan James and Jenny Fletcher, Sydney

Chinese carved and polychromed ivory dragon boat, late 19th century / early 20th century, the scaly dragon's body forming the vessel, carrying a finely carved Imperial pavilion with the emperor and his court, raised on an oblong stand decorated with stylis

French Empire mahogany centre table, 19th century, black variegated marble top of circular form, above a three columnar supports with ormolu mounts, carved paw feet, joined by trefoil shaped stretchers with central gilded brass urn finial, height 74 cm, di

Neoclassical mahogany console table, 19th century, the white rectangular marble top above a long drawer, over two supports surmounted by caryatid busts, mirrored back, lower shelf inlaid with sunburst, height 101 cm, width 142 cm, depth 55 cm. Provenance:

Hugues Claude Pissarro (French, born 1935), Les Chalutiers du Croisic, oil on canvas, signed l.l.c. 'H. Claude Pissaro, 50 x 60 cm. Provenance: The Bernard Madoff collection, Sotheby's, New York, c. 2008. The Collection of Alan James and Jenny Fletcher, S

French tapestry, Battle of Bruges, 20th century, depicting the defeat of the Spanish army near the canal at Bruges by the troops of King Louis XIV in 1667, retains workshop label 'Edition d'art De Rambouillet, Ateliers De reproduction d'oeuvres d'art, 175

French Verdure tapestry, probably Aubusson, 18th/19th century, depicting a wooded landscape with oak trees in shades blue, green and cream, within a floral border, signed 'I.R.D' (A/F), 241 x 140 cm. Provenance: Christopher Davis gallery, Paddington, c. 20

French Verdure tapestry, probably Aubusson, 18th/19th century, woven with birds and formal garden within river scape setting, in shades of green, blue and cream, reduced, 213 x 275 cm. Provenance: Christopher Davis gallery, Paddington, c. 2003. The Collect

French Verdure tapestry, probably Aubusson, 18th/19th century, woven with birds in a garden setting, in shades of green, blue and beige, reduced, 176 x 166 cm. Provenance: Christopher Davis gallery, Paddington, c. 2003. The Collection of Alan James and Jen

Large Flemish pastoral tapestry, second quarter 18th century, Brussels, inspired by the paintings of David Teniers the Younger (1610-1690), woven with shepherds and shepherdesses in the fields, in shades of cream, orange, blue and green, signed l.r 'V. Ley

French leather armchair, with brown velvet seat cushion, bronzed nailhead trim (A/F), height 78 cm. Provenance: The country Trader, Sydney. The Collection of Alan James and Jenny Fletcher, Sydney

Louis XVI style canape, c. 1900, carved and grey painted frame, pale pink and light gold floral upholstery, height 93 cm, width 180 cm, depth 70 cm. Provenance: house of desks, Sydney. The Collection of Alan James and Jenny Fletcher, Sydney