Royal Worcester Vase by George Moseley, 1930

• Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.
  
  For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.
  
  Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.
• Lambrequin Border - A lambrequin border is a decorative motif and consists of a series of overlapping scalloped or pointed shapes, resembling the drapery of a lambrequin, a type of decorative hanging usually made of fabric or leather that was used to adorn the tops of doors or windows.
  
  In ceramics, the lambrequin border was a popular decorative element in the 19th and early 20th centuries. It was often used to embellish the edges of plates, platters, bowls, and other serving pieces, as well as on vases, jars, and other decorative items. The border was typically applied using a transfer printing technique or hand-painted by skilled artisans.
  
  The lambrequin border was popular in many different styles of ceramics, including those made in the majolica, transferware, and Art Nouveau styles. It was often combined with other decorative motifs, such as floral or foliate patterns, to create a rich and ornate design.
• Oviform /ovoid - The outline loosely resembling the shape of an egg.

This item has been included into following indexes:

• Moseley, George - Royal Worcester artists 10
• Royal Worcester (England), item types
  • other 3,388
  • vases, other 1,161