A collection of framed intaglios, cameos and plaques, 18th/20th…
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A collection of framed intaglios, cameos and plaques, 18th/20th century, an alabaster profile of Wesley, a bronze mask of a satyr, a bronzed electrotype commemorating the Duke of Wellington, a terracotta medallion commemorating the death of Pierre Cornielle, after the antique, cameo portrait of a lady, in scagliola emulating Siena marble, a collection of 70 plaster intaglios, cast from antique gems, a collection of 9 plaster intaglios, cast from antique gems, a carnelian intaglio, a collection of 8 plaster intaglios, cast from antique gems, a collection of 6 red wax intaglios, cast from antique gems, an ivory cameo depicting Pius, plaster casts of the Coronation Medallions for King William IV and Queen Adelaide by Wyon, a Horn intaglio seal depicting a Duke, Thomas Worlidge, An engraving of the Tragic Muse (Melpomene), taken from the antique gem, Thomas Worlidge, An engraving of Nero, taken from the antique gem, a black ceramic (basaltic) intaglio, two plaster cameos depicting Tiberius and Vespasian

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  • Scagliola - A process used in architecture, and manufacture of objects, where various colours of marble chips were embedded into a cement mix, which was usually white, in imitation of marble. Usually there was no pattern followed; the chips were embedded randomly unlike pietra dura which as well as incorporating semi precious stones, was usually laid out in a geometric or naturalistic pattern.

    The process had been known since Roman times but was revived in Italy in the 17th century. Scagliola was incorporated into the interior design of some important English houses in the early 18th century and Italian crafsmen were brought over to install the material.

    Scagliola was also used to make table tops, columns, pedestals and busts.
  • Satyr - A creature from Greek mythology with goat-like features, including a bearded face and horns, a man's torso, hairy legs and cloven hooves and a tail. As attendants of Bacchus, satyrs sometimes carry grapes or pitchers of wine. As spitis of fertility they may carry a cornucopia or basket of fruit.

    They are also used to portray lust, and are often depicted with a leering expression. As well as being depicted singly or in a group in sculpture and candelabra, they also appear as motifs on ceramics, glass, silver and gold objects.
  • Ivory - Ivory is a hard white material that comes from the tusks of elephants, mammoth, walrus and boar, or from the teeth of hippopotamus and whales. The ivory from the African elephant is the most prized source of ivory. Although the mammoth is extinct, tusks are still being unearthed in Russia and offered for sale.

    Ivory has been used since the earliest times as a material for sculpture of small items, both in Europe and the east, principally China and Japan.

    In Asia ivory has been carved for netsuke, seals, okimono, card cases, fan supports, animals and other figures and even as carved tusks.

    In the last 200 years in Europe ivory has been used to carve figures, for elaborate tankards, snuff boxes, cane handles, embroidery and sewing accessories, in jewellery and as inlay on furniture. Its more practical uses include being used for billiard balls, buttons, and a veneers on the top of piano keys.

    The use and trade of elephant ivory have become controversial because they have contributed to Due to the decline in elephant populations because of the trade in ivory, the Asian elephant was placed on Appendix One of the Convention on International Trade in Endangered Species (CITES), in 1975, and in January 1990, the African elephant was similarly listed. Under Appendix One, international trade in Asian or African elephant ivory between member countries is forbidden. Unlike trade in elephant tusks, trade in mammoth tusks is legal.

    Since the invention of plastics, there have been many attempts to create an artificial ivory
  • William Iv - William IV was King of the United Kingdom and King of Hanover from 26 June 1830 until his death in 1837, and in English furniture design it represented the brief period between the end of the Regency period, and the beginning of the Victorian period.
  • Bronze - An alloy of copper and tin, traditionally in the proportions of about 9 parts of copper to 1 part of tin.

    The discovery of bronze in Western Asia in the 4th century enabled people to create metal objects which were superior to those previoulsy possible because of its strength and hardness, and it has been used throughout the world for weapons, coins, tools, statuary and other decorative items.

    It is very fluid in a molten state, and its hardness, strength when set, and non-corrosive properties makes it most suitable for casting sculpture.
  • Alabaster - Alabaster is soft natural stone used for statuary, with a similar appearance to marble, but easier to work with. As it is softer than marble, an item made from alabaster can be scratched with a metal object, and an alabaster item does not polish to a high surface gloss like marble.

    Alabaster objects can be semi-translucent. Alabaster occurs in a pure white form and also with veining from dirt. Colours vary from white through yellow and pink to brown. The veining is usually green or black but can be multicoloured.

    Being semi-translucent, alabaster is often used for the bowls of figural lamps, with the figure itself being either alabaster or marble.
  • Carnelian Glass - Carnelian glass is a type of glass that is colored red, orange, or brownish-red. It is made by adding iron oxide to the glass mixture. The color of carnelian glass can vary depending on the amount of iron oxide that is added, as well as the firing temperature. Carnelian glass is often used to make beads, jewellery, and other decorative items. It can also be used to make stained glass windows and other art objects. Carnelian glass is sometimes called "carnelian chalcedony" or "carnelian quartz."

    Carnelian glass was first made in the Roman Empire. It was also made in ancient Egypt, Greece, and Mesopotamia. Carnelian glass was not made again until the Renaissance, when it became popular again. Today, carnelian glass is made in many countries around the world.
  • Intaglio - A term used to define a method of decoration most common in glassmaking and jewellery which involves engraving, carving or moulding an image into the background, leaving an impression, and leaving the top surface of the item flat, the opposite to relief carving, and also know as counter-relief.
  • Terracotta - Terracotta is lightly fired earthenware, red or reddish-brown in colour, used in ancient times. Fired at higher temperatures terracotta was used in the nineteenth century for decorative vases and similar objects, but rarely for utilitarian goods. Other uses for terracotta include roofing tiles, garden pots and ornaments. Glazed terracotta is known as faience.

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