Mahogany Bracket Clock with Floral Engraving and Twin Fusee Escapement

• Mahogany - Mahogany is a dense, close grained red-coloured timber from the West Indies and Central America. It was first imported into Europe in the the early 18th century and its use continued through the 19th century. It was popular for furniture making because of its strength, the wide boards available, the distinctive grain on some boards, termed flame mahogany and the rich warm colour of the timber when it was polished.. The "flame" was produced where a limb grew out from the trunk of the tree, and this timber was usually sliced into veneers for feature panels on doors, backs and cornices.
  
  Some terms used to describe mahogany relate to the country from which it originally came, such as "Cuban" mahogany, "Honduras" mahogany etc. However unless the wood has been tested the names assigned are more a selling feature, rather than a true indication of the timber's origin.
• Verge Escapement - A verge escapement is an early mechanical escapement used in clocks and other timekeeping devices. It is an early form of the escapement mechanism, which is used to regulate the movement of the hands of a clock or watch. The verge escapement consists of a vertical shaft called the verge, which is mounted on the clock's main plate. Attached to the verge are two pallets, which engage with the teeth of the escape wheel. As the escape wheel turns, the pallets alternately lock and release it, allowing the movement of the clock to be regulated. The verge escapement was widely used in early mechanical clocks, but it was eventually replaced by the more accurate and reliable anchor escapement.
• Back Plate - On many types of clocks, the movement operates between two plates, usually made of brass, one at the back, and the other at the front, which forms a mount for the dial.
  
  On English bracket, mantle and table clocks the backplate was often visible through a glass door or panel from the late 17th century, and could be profusely engraved with scrolling decorations, flowers, foliage, birds, and figures. The engraving could also include the maker?s name.
  
  The amount of engraving reduced and became simpler as the 18th century progressed, and by 1800, had been reduced to a border, often with the maker's name in the centre. By the early 1800s all decoration had ceased, and only the maker's name was added, and by the Victorian era, most bracket, mantle and table clocks had no engraving.
• Fusee - The fusee movement was used in clocks and pocket watches from the mid 17th century. The fusee is a cone shaped drum within the works that is linked to the barrel of the spring, usually by a length of chain.
  
  As the mainspring loses its tension over time, the cone shaped barrel compensates for this by increasing the tension, by pulling the mainspring tighter, thus ensuring the time remains constant.
  
  Use of the fusee in clocks was superseded by the "going barrel" in the mid 19th century and for pocket watches at the beginning of the 19th century.
  
  The fusee continued to be used in marine chronometers until the 1970s.

This item has been included into following indexes:

• clocks, type - bracket 328