A French fruitwood demi lune form commode, the demi lune top…
click the photo to enlarge
A French fruitwood demi lune form commode, the demi lune top banded with satinwood, above three drawers, flanked by a curved drawer and curved panel door, on fluted turned legs. 84 cm high, 105 cm wide, 51 cm deep.

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Turned Legs - are legs which have been turned on a lathe. In use from the 16th century, turned legs on tables, chairs and cabinets became more frequent until, by the 1830s, the Georgian square or tapered leg was rarely found except in country pieces.
  • Demi Lune - Demi-lune is a French word translating to half-moon or crescent-shaped. In jewellery the demi lune shape is used in the design of pendants and earrings. The crescent shape adds a touch of elegance and femininity, and is often used to symbolize the moon or to evoke a sense of mystery and magic. In furniture design, a demi-lune table is a narrow, crescent-shaped table that is often used as an accent piece or in small spaces where a full-sized table would not fit. Demi-lune tables were popular in the 18th and 19th centuries and were often decorated with intricate carvings or inlaid designs.
  • Fruitwood - A catch-all term used to describe the wood of any of several fruit-bearing trees, such as the apple, cherry, or pear, used especially in cabinetmaking.

    With a blond colour when finished, fruitwood was used in Europe, especially France, in the 18th and 19th centuries for larger items of furniture such as tables, chairs, cabinets and bookcases but in England its use was generally restricted to decorative elements such as inlays.
  • Satinwood - Satinwood is a dense pale gold coloured timber that was imported into Britain in the second half of the 18th century, and early 19th centuries from the East Indies and the West Indies. The name derives from the satin-like surface sheen when the timber is polished.

    It was used in the solid, as a veneer and in inlays. As well as furniture, satinwood was used for making musical instruments, barometers, boxes and clocks.

    It will usually be found on only the very best quality objects, presumably because of of its cost at the time.
  • Fluting - A form of decoration found on many pieces of furniture, as well as ceramics, silver and clocks, in which round-bottomed grooves, of varying width and depth, are let into columns, pilasters, legs. As a general rule, flutes are cut in the vertical, though they may follow a turned leg in a spiral pattern. In cross-section, they may be described as a series of 'U' shapes, rising and narrowing at each end of the groove. Fluting is the opposite of reeding, with which fluting is often associated.
  • Turning - Any part of a piece of furniture that has been turned and shaped with chisels on a lathe. Turned sections include legs, columns, feet, finials, pedestals, stretchers, spindles etc. There have been many varieties and fashions over the centuries: baluster, melon, barley-sugar, bobbin, cotton-reel, rope-twist, and so on. Split turning implies a turned section that has been cut in half lengthwise and applied to a cabinet front as a false decorative support.
  • Commode - The word "commode" when used to describe an item of furniture, has three usuages:

    1. As used to describe an item of English furniture, it refers to what is euphemistically called a 'night table', that is a small cabinet concealing a chamber pot.

    2. In its 18th century French usuage it describes a low and highly decorated chest of drawers for salons and reception rooms. A bombe commode is a commode with rounded sides and front, giving the chest a somewhat swollen look.

    3. It is also used to denote a half round or serpentine shaped cabinet, with panelled doors, standing on legs. They were pieces on which the cabinetmaker lavished his most accomplished art, with rich veneers, marquetry inlays, gilt mounts and other ornamentation.

This item has been included into following indexes:

Visually similar items

A 19th century English crossbanded mahogany bowfront chest of five drawers, two across the top with three full width drawers below, brass ring handles and bracket feet. 102 x 50 x 100 cm

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

Australian cedar bow front chest of drawers, diminutive 4 drawer chest measuring 74 cm tall

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Louis XV style tulipwood semainier, early 20th century, with a serpentine cream marble top above seven full-width drawers with feather banded and inlaid reserves, hipped and curvaceous edges to splayed feet, with gilt bronze mounts and sabots, height 147

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Louis XV style inlaid tulipwood semainier, circa 1930s, of typical form with a shaped purple and ochre marble top above seven even drawers with feather veneer reserves and floral inlay, quarter veneer strung panels to the sides, bold high hipped edges fl

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.