Bruchon, Emile (working late 19th century), 'Protection', the…
click the photo to enlarge
Bruchon, Emile (working late 19th century), 'Protection', the patinated spelter figurine of a classical maiden accompanied by a cupid with a bow; and incised signature and title plaque to the cast base, raised upon a red marble circular base. Height 47.5 cm

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Incised - A record of a name, date or inscription, or a decoration scratched into a surface, usually of a glass or ceramic item with a blunt instrument to make a coarse indentation. Compare with engraving where the surface is cut with a sharp instrument such as a metal needle or rotating tool to achieve a fine indentation.
  • Spelter - Spelter was the name given to an alloy of zinc and brass or copper used in the 19th century for statuary and lighting. It is a brittle bluish-white metal. It was used as a cheap replacement for bronze, but being brittle easily breaks and can't be repaired. When finished it can often be mistaken for bronze, but if discreet a scratch on the base displays shows a greyish colour, the metal is spelter, if a golden colour the metal is most likely bronze.
  • Cupid Motif - The Cupid motif, which features the Roman god of love and desire, Cupid, was a popular decorative element in classical ornamentation. Cupid was often depicted as a winged, naked baby with a bow and arrow, and was often used to symbolize love and desire.

    In classical art and architecture, Cupid motifs were often used as decorative elements on furniture, such as on the legs of chairs and tables, as well as on architectural elements such as friezes and pediments. They were also used as decorative elements in frescoes, mosaics, and other forms of art.

    During the Renaissance, Cupid motifs were often incorporated into the decoration of palaces, churches and other grand buildings, as they were seen as symbols of love and fertility. Cupid motifs were also commonly used in the decorative arts of the Baroque period, often appearing in the form of putti, which are small winged cherub figures.

    In addition to their decorative use, Cupid motifs were also believed to hold symbolic meaning, as they were thought to evoke feelings of love, desire, and fertility.

This item has been included into following indexes:

Visually similar items

A Tibetan gilt-bronze figure of four armed Shadakshari Avalokiteshvara, 18th century, seated in a full lotus posture with finely chased dhoti on a double lotus throne, base sealed with visvajra, 15.8 cm high. Provenance: An old NSW collection

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Sino-Tibetan gilt bronze figure of Vajrapani, 11.3 cm high. Provenance: Western Australia Private Collection, acquired in the 1980s from a British estate

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Sino-Tibetan bronze figure of Boddhisava Avalokieshvara, 18th century, the bronze figure cast in a royal ease posture on a double lotus throne with a goat skin on the left shoulder. A small shakyamuni seated on his head, his right hand resting on the rai

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

An Art Nouveau clock garniture set. Thee piece set spelter suite, by Florian, clock movement by A.D. Mougin, side vases, each with Art Nouveau style girl, clock height 51 cm

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.