A rare and early Len Castle salt glaze pottery lamp base,…
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A rare and early Len Castle salt glaze pottery lamp base, compressed ovoid form with fine ribbed detail, short flared narrow neck, the original wire hole to the base with internal glaze, the cobalt slip giving variable blue effects, impressed early castellated potter's mark to base and original exhibition handwritten label '13. salt glazed stoneware Lamp Stand Base. 40/' '. Note during this 1950-1955 period Len hand dug his own Westmere clay and fired his salt glazed pieces in the Crum Brick & Tile Works, New Lynn kilns. Minor chip to edge of one rib. Height 22 cm

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  • Salt Glazed - Salt glazing involves throwing salt into the kiln when it is at its highest temperature, usually around 2,300 to 2,400 degrees Fahrenheit (1,260 to 1,320 degrees Celsius). The salt vaporizes and forms a glaze on the surface of the pottery, creating a range of effects depending on how the salt is applied and the firing conditions. This glazing method was first developed in Germany in the 15th century and quickly became popular throughout Europe and North America. It was particularly popular for making stoneware pottery, such as jugs, crocks, and other utilitarian objects.

    Salt glazes can produce a range of colors, including gray, brown, blue, and even pink or purple in some cases. The texture of the glaze is typically rough and pebbled, with a matte or satin finish. The process of salt glazing can be unpredictable, with variations in temperature and salt application leading to subtle variations in the finished product.

    Salt glazing is still used by potters and ceramic artists although it is less common than it was in the past.
  • Oviform /ovoid - The outline loosely resembling the shape of an egg.

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