A French biscuit porcelain figural group, 3rd quarter 19th…
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A French biscuit porcelain figural group, 3rd quarter 19th century, two embracing putti raised upon a gilt bronze base with fine border decoration in the neoclassical manner; mark of Saint-Amand-les-Eaux or Sevres underside. Height 18 cm. Width 23 cm. Depth 12.5 cm

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  • Bronze - An alloy of copper and tin, traditionally in the proportions of about 9 parts of copper to 1 part of tin.

    The discovery of bronze in Western Asia in the 4th century enabled people to create metal objects which were superior to those previoulsy possible because of its strength and hardness, and it has been used throughout the world for weapons, coins, tools, statuary and other decorative items.

    It is very fluid in a molten state, and its hardness, strength when set, and non-corrosive properties makes it most suitable for casting sculpture.
  • Putto / Putti / Amorino / Amorini - A putto (plural: putti) or amerino (plural: amerini) is a cherub or cupid frequently appearing in both mythological and religious paintings and sculpture, especially of the Renaissance and Baroque periods and later used as a decorative element in the design of furniture, ceramics, statuary etc. They are usually depicted as chubby males, or of indeterminate gender, often with wings. Their depiction may represent an association with love, heaven, peace or prosperity.
  • Biscuit Porcelain - Biscuit porcelain refers to unglazed, white porcelain that has been fired at a high temperature to harden the material and make it suitable for painting or glazing. The term "biscuit" comes from the French word for "unbaked," referring to the fact that the porcelain has not yet been glazed. The porcelain's firing process is done at very high temperatures and requires good quality of kaolin which is one of the material used to make porcelain.

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