A William IV small centre table of mixed figured veneers, the…
click the photo to enlarge
A William IV small centre table of mixed figured veneers, the oblong top with rounded corners veneered in eight segments radiating from a rondel utilising the same timbers in opposing positions, the segments divided by bands filled with semi-circles or diamonds of further figured veneers, outlined with ebony, raised on a tapering cylindrical column, carved with acanthus at the base, issuing from a quadrapod plinth raised on squat circular feet. 66 x 53 x 72 cm

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Veneers - Veneers are thin sheets of well-figured timber that are glued under pressure to the surface of a cheaper timber for decorative effect, and then used in the making of carcase furniture.

    Early veneers were saw-cut so were relatively thick, (up to 2 mm) but is was realised that saw cutting was wasteful, as timber to the equivilent of the thickness of the saw was lot on each cut.

    A more efficient method was devised to slice the timber, either horizontally with a knife, or in a rotary lathe.

    Flame veneer, commonly found in mahogany or cedar furniture, is cut from the junction of the branches and main trunk. So-called fiddleback veneers, where the grain is crossed by a series of pronounced darker lines, is usually cut from the outer sections of the tree trunk.

    During the 17th and 18th centuries, and in much of the walnut marquetry furniture made during the latter part of the 19th century, the veneer was laid in quarters, each of the same grain, so that one half of the surface was the mirror image of the other.

    The use of veneer allows many other decorative effects to be employed, including stringing, feather banding, cross banding, and inlaid decorative panels in the piece. The carcase over which veneer is laid is usually of cheaper timber such as pine, oak or, sometimes in Australia during the first half of the 19th century, red cedar.

    The important thing to remember about veneers is that prior to about 1850 they were cut by hand, and were consequently quite thick - ranging up to about 2mm deep.

    From the mid-19th century veneers were cut by machines and were almost wafer-thin. This is a critical point when trying to judge the approximate age of veneered furniture.
  • Ebony - Ebony is a close grained timber, black in colour. It has a fine texture which can be polished to a high gloss, making it suitable for venereering, inlay and stringing and its use as solid timber is resticted to small decorative items and ornamental decoration, such as chess pieces and musical instrument parts. The term "ebonised" means "faux ebony", timber that has been darkened during the polishing process to resemble ebony.
  • Column - An architectural feature sometimes used for decorative effect and sometimes as part of the supporting construction. Columns should generally taper slightly towards the top. They may be plain or decorated with carving, fluting or reeding. Columns may be fully rounded or, more commonly, half-rounded and attached with glue, screws or pins to the outer stiles of doors, or the facing uprights on cabinets and bureaux.
  • Acanthus - A stylized leaf motif, one of the primary decorative elements of classical Greek and Roman architecture, derived from the genus of flowering plants in the family Acanthaceae, native to tropical and subtropical regions of the Mediterranean area. It is a common element in classical Greek and Roman design, and is often seen in Corinthian and Composite order columns and used as a decorative element in English, European and Australian furniture, particularly on the curve of a leg, and as decoration for a corbel.
  • Figured - A descriptive term to describe the patterns in the grain of timber. An object may be described as "well figured" or "highly figured" if the grain on a section of the object is highly patterned, as with flame mahogany or burr walnut.
  • Plinth - The square or rectangular base of a piece of cabinet furniture, often ornamented with moulding. The plinth may be separate, as in some wardrobes or presses, and act as the support for the carcase. In a false plinth, the moulded boards may be attached directly to the piece. Furniture with a plinth base usually does not have separate feet. The term derives from architecture where it denotes the base of a column or statue.
  • William Iv - William IV was King of the United Kingdom and King of Hanover from 26 June 1830 until his death in 1837, and in English furniture design it represented the brief period between the end of the Regency period, and the beginning of the Victorian period.

This item has been included into following indexes:

Visually similar items

A Tasmanian Colonial occasional table, huon pine, musk, blackwood, cedar, beefwood, casuarina and myrtle, circa 1845 A Tasmanian Colonial occasional table, huon pine, musk, blackwood, cedar, beefwood, casuarina and myrtle, mid 19th century pencil inscripti

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Regency mahogany fold-over top card table, 19th century, with square tapered central column, lion paw feet and green felt top. Height 74 cm; top 86 x 85 cm

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Victorian mahogany wine table, mid 19th century, the table has a solid mahogany top, upon a turned, central column on a platform base with turned feet. Height 67 cm. Top: 57 x 46 cm

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Regency style mahogany occasional table, the rectangular top raised on an octagonal tapering column issuing from a carved knop and quatrefoil plinth base with squat bun feet. 72 cm x 42 cm x 64 cm.

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.