An English porcelain plate, decorated by Thomas Baxter, Jnr,…

An English porcelain plate, decorated by Thomas Baxter, Jnr,…
click the photo to enlarge
An English porcelain plate, decorated by Thomas Baxter, Jnr, early 19th century, probably Worcester or Coalport, the well decorated by Baxter en rosaille with Venus in her chariot drawn by doves after Raphael Sanzio, signed 'T. Baxter' lower left, the border gilt decorated with a repeating design of foliage within C scrolls, unmarked as to manufacture, 23.5 cm diameter. Condition: wear to paintwork and gilding overall. One chip and a small area of restoration to rim

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Aphrodite / Venus - In Greek mythology, Aphrodite is the goddess of love, desire and beauty, whilst in Roman mythology she is called Venus.
  • Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.

    For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.

    Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.

This item has been included into following indexes: