A Derby soft paste porcelain figural group, depicting Venus and…
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A Derby soft paste porcelain figural group, depicting Venus and her Son cupid, Venus wearing a flowing gown painted with floral sprigs, cupid with a blue sash, on a mounded base, circa 1752. Height 18 cm. Label to base 'Stockspring Antiques/Early James Giles/84'. Provenance: Stockspring Antiques, London. Robin Barkla collection

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  • Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
  • Soft Paste Porcelain - Porcelain is an ancient ceramic material, first made in China, hence the common name "china", and the process was unknown in the West.

    European potters attempted to replicate Chinese porcelain, without knowing the ingredients in its composition, and the earliest wares were produced with mixtures of clay and ground-up glass (frit), the idea being that the glass would give the porcelain translucency.

    It was given the name "soft" because it did not remain rigid, but "slumped" when fired in the kiln at high temperatures.
  • Cupid Motif - The Cupid motif, which features the Roman god of love and desire, Cupid, was a popular decorative element in classical ornamentation. Cupid was often depicted as a winged, naked baby with a bow and arrow, and was often used to symbolize love and desire.

    In classical art and architecture, Cupid motifs were often used as decorative elements on furniture, such as on the legs of chairs and tables, as well as on architectural elements such as friezes and pediments. They were also used as decorative elements in frescoes, mosaics, and other forms of art.

    During the Renaissance, Cupid motifs were often incorporated into the decoration of palaces, churches and other grand buildings, as they were seen as symbols of love and fertility. Cupid motifs were also commonly used in the decorative arts of the Baroque period, often appearing in the form of putti, which are small winged cherub figures.

    In addition to their decorative use, Cupid motifs were also believed to hold symbolic meaning, as they were thought to evoke feelings of love, desire, and fertility.
  • Aphrodite / Venus - In Greek mythology, Aphrodite is the goddess of love, desire and beauty, whilst in Roman mythology she is called Venus.

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