A Japanese Koto Ware tea bowl, painted by Meiho, Edo period…

A Japanese Koto Ware tea bowl, painted by Meiho, Edo period…
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A Japanese Koto Ware tea bowl, painted by Meiho, Edo period (1603-1868), circa 1850, rare extant porcelain tea bowl from the Koto Kilns (Shiga Prefecture) with design in overglaze red of the 'Ode to red Cliffs', a piece written by the Chinese poet Su Shi in 1082, describing a trip that he took with his friends on the Yangtze river, which took them past the purported site of the 200AD Battle of red Cliffs, with signed tomobako presentation box. 7.2 cm high, 16 cm diameter

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  • Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
  • Edo Period, Japan - The Edo period in Japan lasted from 1603 to 1868. During this time, Japan was ruled by the Tokugawa shogunate, a military government led by the Tokugawa family. The Edo period is characterized by a period of relative peace, stability, and economic growth, as well as by the development of a distinctive culture and society.

    During the Edo period, the capital of Japan was moved from Kyoto to Edo (modern-day Tokyo), and the country became increasingly isolated from the rest of the world. The shogunate implemented strict policies to maintain control, including the restriction of foreign trade and travel. However, despite this isolation, the Edo period saw significant cultural and artistic development, including the emergence of the ukiyo-e woodblock print tradition, the growth of Kabuki theater, and the flourishing of a vibrant merchant culture.

    The Edo period ended with the Meiji Restoration of 1868, which saw the collapse of the shogunate and the restoration of imperial rule.
  • Overglaze on Porcelain - Overglaze decoration on porcelain refers to a decorative technique where designs are painted onto a fired and glazed porcelain surface, and then fired again at a lower temperature to fuse the decorative design onto the glaze surface. This technique allows for a wide range of colors and intricate designs that would not be possible with underglaze decoration, which is applied before the glaze is fired.

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