Fine George III sterling silver teapot, hallmarked London, 1786,…
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Fine George III sterling silver teapot, hallmarked London, 1786, Hb (Hester Bateman), of cylindrical form, with a hinged cover set with a wooden finial, above an oval body, with a straight spout and a turned wooden handle, with bright cut decoration and central griffin medallion, set between leaf and berry borders, accented with beaded borders to the rim and base, total weight 370gm (including wooden handle and finial), height 13 cm

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  • Sterling Silver - Sterling silver is a mixture of 92.5% pure silver and 7.5% of another metal, usually copper. Fine silver is 99.9% pure silver, and is relatively soft and the addition of the very small amount of copper gives the metal enough strength and hardness to be worked into jewellery, decorative and household objects.
  • George Iii - George III (1738 - 1820) was King of Great Britain and Ireland from 1760 to 1820.
  • Hallmarks - A mark stamped on articles of precious metals in Britain, since the 14th century, certifying their purity. It derives its name from the Guild Hall of the Goldsmiths' Company, who recieved its Charter in 1327 giving it the power to assay (test the purity) and mark articles of gold and silver.

    The hallmark will consist of several marks, including the:

    - silver standard mark, indicating the purity of the metal. Sterling silver is .925 pure silver.

    - the city mark indicating the city in which it was assayed eg London, Birmingham, York etc.

    - the date mark, usually a letter of the alphabet in a particular font and case,

    - a duty mark, indicating whether duty had been paid to the crown, and only in use from 1784 to 1890

    The piece may include an additional mark, the maker's mark, although not forming part of the hallmark, will be located in the vicinity of the hallmarks.

    Sometimes silver plated items will bear faux hallmarks, often confusing those not familiar with silver markings.
  • Finial - An architectural decoration, found on the upper parts of of an object. On furniture they are usually found on pediments, canopies and shelf supports. On smaller ceramic or silver items, such as spoons, they may decorate the top of the item itself, or the lid or cover where they provide a useful handle for removal.

    Finials have a variety of shapes and forms. They may be urn-shaped, baluster shaped round or spiral, but usually taper into an upper point. Many real life shapes may also be used as finials, such as pineapples, berries, pinecones, buds, lotus and acorns. Sometimes animals such as a lion are depicted, or fish and dolphins.
  • Griffin / Griffon / Gryphon - A griffin, also known as a griffon or gryphon, is a mythical creature with the body of a lion and the head of an eagle. It is typically depicted as a powerful and majestic beast, with the body and legs of a lion and the head, wings, and talons of an eagle. The griffin is widely recognized as a symbol of strength, courage, and guardianship, and has been used in a variety of cultures throughout history.

    In ancient mythology, the griffin was often associated with the gods and was considered a symbol of divine power. In ancient Greece, for example, the griffin was associated with the sun god Helios, while in ancient Egypt, it was associated with the goddess Hathor. In medieval European heraldry, the griffin was used as a symbol of strength, valour, and protection, and was often featured on the coats of arms of noble families.
  • Bright Cut Decoration - Bright cut decoration is a technique used to decorate silver and other metal objects, such as jewellery and flatware, with intricate and detailed patterns. The technique involves using a small, sharp tool called a graver to carve designs into the surface of the metal. These designs are then polished, creating a bright, reflective surface that contrasts with the surrounding metal. The designs can be simple or complex, and can include geometric shapes, scrolling vines, and other decorative elements. The technique is highly skilled and requires a lot of precision, patience and attention to detail.

    Bright cut decoration was widely used in the 18th and 19th centuries, particularly in the silverware and jewellery industries. It was popular in the United States, Great Britain and Europe.

    Today, bright cut decoration is still used by some craftsmen and artists, but it is considered a traditional technique and is not as widely used as it was in the past. However, the bright cut decoration on a silver object is still considered a sign of quality and craftsmanship and is highly prized by collectors of antique silver and other metal objects.

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