19th Century Davenport Lady's Desk in Totara Veneer

• Kauri - An evergreen conifer tree associated with New Zealand, but also grown in northern Australia, and islands around the Pacific rim including Borneo, Vanuatu and New Guinea. The timber is generally golden in colour, and straight grained without much knotting.
  
  A by-product of the kauri tree was the kauri gum, the fossilised resin extracted from the tree. The gum was obtained through digging, fossicking in treetops, or more drastically, by bleeding live trees. Kauri gum was used in the manufacture of varnishes and other resin-based products, and also crafted into jewellery, keepsakes, and small decorative items.
  
  Kauri forests were prolific in the north of the North Island of New Zealand. European settlers in the 1700 and 1800s realised that the timber from these tall trees with broad trunks would be ideal for ship building and construction and a thriving industry was established harvesting the kauri tree. The forests were substantially reduced, and now the remaining Kauri trees that grow in New Zealand are protected, and there are reserves in various areas of the North Island.
  
  The remaining stands of kauri in New Zealand are under threat from "kauri disease", a microscopic organism that causes dieback in the trees, with vast tracts either dead or dying.
• Veneers - Veneers are thin sheets of well-figured timber that are glued under pressure to the surface of a cheaper timber for decorative effect, and then used in the making of carcase furniture.
  
  Early veneers were saw-cut so were relatively thick, (up to 2 mm) but is was realised that saw cutting was wasteful, as timber to the equivilent of the thickness of the saw was lot on each cut.
  
  A more efficient method was devised to slice the timber, either horizontally with a knife, or in a rotary lathe.
  
  Flame veneer, commonly found in mahogany or cedar furniture, is cut from the junction of the branches and main trunk. So-called fiddleback veneers, where the grain is crossed by a series of pronounced darker lines, is usually cut from the outer sections of the tree trunk.
  
  During the 17th and 18th centuries, and in much of the walnut marquetry furniture made during the latter part of the 19th century, the veneer was laid in quarters, each of the same grain, so that one half of the surface was the mirror image of the other.
  
  The use of veneer allows many other decorative effects to be employed, including stringing, feather banding, cross banding, and inlaid decorative panels in the piece. The carcase over which veneer is laid is usually of cheaper timber such as pine, oak or, sometimes in Australia during the first half of the 19th century, red cedar.
  
  The important thing to remember about veneers is that prior to about 1850 they were cut by hand, and were consequently quite thick - ranging up to about 2mm deep.
  
  From the mid-19th century veneers were cut by machines and were almost wafer-thin. This is a critical point when trying to judge the approximate age of veneered furniture.
• Huon Pine - Named after the Frenchman who discovered the Huon River in Tasmania, it is an extremely slow growing and long living tree. Huon pine is native to Tasmania, and it can grow to an age of 3,000 years or more. The wood contains oil that retards the growth of fungi, hence its early popularity in ship-building in convict-era Tasmania. The timber is a warm yellow colour, finely grained, and was popular for household furniture in the Victorian era. Interestingly, much Huon pine furniture was made in South Australia. Huon pine is a protected species and only limited quantities are available nowadays, for craftsmen to manufacture small items such as platters, sculptures and other decorative objects.

This item has been included into following indexes:

• davenport desks 184
• furniture, New Zealand - other 69