Pair of French circular top gallery tables, with pierced…
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Pair of French circular top gallery tables, with pierced gallery top with stringing, above banded and strung borders with gilt metal mounts, above tapered facetted herringbone legs on brass feet, slight a/f (one with raised veneer), height 72 cm and diameter 70 cm (2)

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  • Pierced Decoration - Ornamental woodwork with part of the background cut through and removed to produce an open-work pattern.
  • Veneers - Veneers are thin sheets of well-figured timber that are glued under pressure to the surface of a cheaper timber for decorative effect, and then used in the making of carcase furniture.

    Early veneers were saw-cut so were relatively thick, (up to 2 mm) but is was realised that saw cutting was wasteful, as timber to the equivilent of the thickness of the saw was lot on each cut.

    A more efficient method was devised to slice the timber, either horizontally with a knife, or in a rotary lathe.

    Flame veneer, commonly found in mahogany or cedar furniture, is cut from the junction of the branches and main trunk. So-called fiddleback veneers, where the grain is crossed by a series of pronounced darker lines, is usually cut from the outer sections of the tree trunk.

    During the 17th and 18th centuries, and in much of the walnut marquetry furniture made during the latter part of the 19th century, the veneer was laid in quarters, each of the same grain, so that one half of the surface was the mirror image of the other.

    The use of veneer allows many other decorative effects to be employed, including stringing, feather banding, cross banding, and inlaid decorative panels in the piece. The carcase over which veneer is laid is usually of cheaper timber such as pine, oak or, sometimes in Australia during the first half of the 19th century, red cedar.

    The important thing to remember about veneers is that prior to about 1850 they were cut by hand, and were consequently quite thick - ranging up to about 2mm deep.

    From the mid-19th century veneers were cut by machines and were almost wafer-thin. This is a critical point when trying to judge the approximate age of veneered furniture.
  • Mounts - Mounts are used to describe bronze, brass and ormolu adornments on furniture especially quality furniture in the rococo and classical revival style, and are also the cabinet makers' name for the metal fittings on furniture, such as hinges, locks and handles, and metal edges and guards which protect furniture from damage.
  • Faceting - Faceting is a technique of removing material from a curved surface, to give a series of flat surfaces but retaining the profile of the original surface.

    The technique is most commonly associated with diamond cutting where the various cuts used such as rose cut and brilliant cut, add life and sparkle to the stone, whilst at the same time removing as little of the stone as possible.

    Faceting by grinding is also used to decorate glass. The stems of many drinking glasses are decorated by cutting a series of flat surfaces on a circular stem, and hollow vessels such as vases may have faceted surfaces.

    In furniture faceting is often applied to legs of tables and chairs, where a circular baluster shaped section is flattened so as to form an octagonal section.
  • Gallery - On furniture, a gallery is a small upright section, frequently pierced and decorated, around the tops of small items of furniture, such as davenports, side tables, and so forth. Galleries are made in brass or bronze,and be fretted, pierced or solid timber. A three-quarter gallery is one that surrounds three of the four sides of a table, desk or other top.
  • A/f, as Inspected - The letters "A/F" or "as inspected" as part of a description is the cataloguer's shorthand for "all faults" or "as found", meaning the item has some type of damage or deficiency, it is of uncertain date or provenance, and/or that the seller takes no responsibility for the completeness of the item or the accuracy of the description.
  • Stringing - Fine inlaid lines, in contrasting colour to the carcase timber, found mainly on furniture made in the styles of the later 18th and early 19th centuries. Stringing, which may be of satinwood, pine, ebony, horn, brass or occasionally ivory, is found principally on drawer fronts, around the outer edges of usually tapered legs and French bracket feet, around the edges of inlaid panels and between the joint of the cross banding and carcase timber on table tops, chests of drawers, cabinets etc. The effect is to emphasize the line of the piece and add to the impression of lightness and elegance. Stringing also occurs in Sheraton-revival-style furniture of the later 19th and early 20th centuries.
  • Herringbone Pattern in Furniture - The herringbone pattern is a popular decorative pattern used in furniture, created by inlaying small rectangular pieces of veneer in a zig-zag pattern, similar to the pattern found in the herringbone link used in jewellery. The pieces of veneer are cut at a 45-degree angle to create the distinctive V-shape, and are arranged in a way that creates a seamless, interlocking pattern.

    The herringbone pattern in veneer can be used in a variety of ways in furniture design. It is commonly used on table tops, cabinet doors, and other flat surfaces, where it can add visual interest and texture to the piece. It can also be used on curved surfaces, such as the front of a chest of drawers or the top of a curved console table, where it can create a dramatic and eye-catching effect.

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