A matched pair of Sevres porcelain flower vases and stands…
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A matched pair of Sevres porcelain flower vases and stands (vase Hollandois), one vase with blue interlaced L mark and date letter F for 1758, and fleur de lys painter's mark possibly that of Vincent Taillandier (fl.1753-90) the stand with interlaced L mark, the other with iron red mark 1307 R to both pieces, and incised Cn for postulated worker Chanou, of flared form, each with gilt leaves and dentil rim above 'bleu celeste' ground painted with flower garlands and gilt borders, the pierced shaped oval stand reserved with panels of flowers edged with shaded gilt scrolls divided by gilt roundels, below tapering rectangular gilt diaper-pattern sections, height 17.5 cm. Literature: for a discussion of the form, and for illustrations of the vases in the Wallace collection, London, see Rosalind Savill, 'The Wallace collection, catalogue of Sevres Porcelain', London, 1988, pp. 69-91, which include a similar example incised Cn. Other Notes: this form was introduced at Sevres in three sizes in 1754 and 1758 and was still recorded in production records of the 1790s. The earliest title vase 'A la hollandoise' is believed to derive from the use of these vases as bulb pots and May refer to the Dutch delftware vases of the 17th and 18th centuries, another pair of the same shape and decoration by Taillandier is held in the collection of the Victoria and Albert Museum, London. Other vases hollandois by Chanou are in the collections of the Frick, Ny, the Philadelphia Museum of Art, pa, and Waddesdon Manor, UK.

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  • Bleu Celeste - "Bleu céleste" is a French term that translates to "sky blue" in English, and it refers to a specific shade of blue pigment used in the decoration of porcelain. This color is a light, sky-blue shade that was often used in combination with other colors to create intricate designs on porcelain pieces. The use of "bleu céleste" was was first used by the Sèvres porcelain factory in the 18th century, and became popular in the 19th century. The colour is created by adding copper oxide to the glaze. It was valued for its ability to add a touch of lightness and delicacy to porcelain designs. The color was often used to create floral motifs, landscapes, and other decorative elements, and it was prized for its ability to evoke feelings of calmness and serenity.
  • Incised - A record of a name, date or inscription, or a decoration scratched into a surface, usually of a glass or ceramic item with a blunt instrument to make a coarse indentation. Compare with engraving where the surface is cut with a sharp instrument such as a metal needle or rotating tool to achieve a fine indentation.
  • Floral Swag / Garland / Festoon - Floral swags are a decorative motif often used in the ornamentation of various objects, such as silverware, glassware, and furniture. The term "swag" refers to a garland or wreath of flowers, foliage, or other decorative elements, which is usually arranged in a loop or curve.

    Floral swags can be found in a variety of decorative styles, from ornate Baroque and Rococo designs to more naturalistic Art Nouveau and Art Deco styles. They are often used to add a touch of elegance, refinement, or whimsy to an object, and can be seen on a range of items from chandeliers and candlesticks to picture frames and tea sets.

    In the decoration of silver objects, floral swags are often used to accentuate the curves and lines of the piece, and to add visual interest to the surface. Similarly, on glass objects, floral swags may be used to frame or highlight a particular area of the object, or to add a touch of color and delicacy.

    On furniture, floral swags can be found on a variety of pieces, from cabinets and armoires to chairs and sofas. They are often used to enhance the lines and curves of the furniture, and can be used to create a sense of movement and flow in the design.

    Overall, floral swags are a versatile decorative element that can be adapted to a range of styles and applications, and have been used in the decoration of various objects throughout history.

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