Royal Worcester porcelain basket, quality blanc de chine, woven…
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Royal Worcester porcelain basket, quality blanc de chine, woven effect and gilded decoration, height 20.5 cm

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  • Blanc De Chine - ?Blanc de Chine? literally translates as "white from China". The pieces are made from a pure, white porcelain with a very smooth glaze and have been made since the 16th century to the present day, at the kilns in Dehua in the Chinese province of Fujian.

    Large quantities of Blanc de Chine? were exported to Europe as Chinese export porcelain in the early 18th century and Blanc de Chine was copied by European potteries including Bing & Grondahl, Herend, Meissen, Royal Copenhagen, Royal Worcester and others. It was also exported to Japan in large quantities.

    The most common shapes are devotional objects including small figures of Ho-tai (Buddha) and Guanyin, the Chinese goddess of mercy. Early pieces tend to have a warmer, ivory tinge, whilst later pieces are ?colder? white or have a blue tinge.
  • Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.

    For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.

    Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.

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