Eiraku Wazen Kyoto Kinrande Bowl with Gilded Dragon Decoration

A Japanese Kyoto Kinrande bowl by Eiraku Wazen (1823-1896),…
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A Japanese Kyoto kinrande bowl by Eiraku Wazen (1823-1896), Meiji period (1868-1912), decorated with a cobalt blue glaze, an iron red roundel to the interior centre and three shaped reserves to the exterior, the whole covered in intricate gilded decoration of dragons, precious objects, phoenixes, cranes and scrolling lotus. Six character mark 'Dai Nihon Eiraku zo' to base. 11 cm high, 24 cm diameter

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  • Kinrande - "Kinrande" is a type of decoration that is often found on Japanese porcelain, especially on pieces that were made during the late Edo period (1603-1868) and the Meiji period (1868-1912). The term "kinrande" literally means "gold brocade," and it refers to a style of decoration that features gold paint or gilding in combination with bright colours.

    The kinrande style typically involves the use of a red, blue, or green background colour, which is then decorated with gold motifs such as flowers, birds, or geometric shapes. The gold decoration is applied using a technique known as "moriage," which involves building up the design with layers of raised enamel or slip.

    Kinrande decoration is often associated with the Arita region of Japan, which is known for its production of high-quality porcelain. Arita porcelain was first made in the early 17th century, and it quickly became popular both within Japan and for export to other countries. The kinrande style was especially popular during the late 19th century, when Japan began to produce large quantities of porcelain for export to the West. Some of the most valuable pieces are those that feature intricate and detailed gold decoration, as well as those that were made during the Edo or Meiji periods by well-known porcelain artists.
  • Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.

    For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.

    Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.
  • Roundel - A roundel is a circular disk, medallion or border on a plate or dish, on an object of furniture. A plate or dish will often have a central circular bordered decoration, termed a roundel. In furniture the word is often used instead of the word 'patera' to describe a turned circular decoration. In recent times use of the word has expanded to encompass any circular area on an object.

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