A Biedermeier foldover mahogany table, circa 1860, the swivel…
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A Biedermeier foldover mahogany table, circa 1860, the swivel top on a deep shaped plinth to a lyre shaped pedestal on a rectangular base with inverted square cabriole style legs with brass castors, height 74 cm, length 84 cm, width 41 cm extended length 84 cm

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  • Castors - Wheels, fitted especially to chair legs, couches, tables and some smaller pieces of furniture, to enable them to be easily moved about. The earliest castors were of brass, with shanks fitting into the base of the leg, and the wheels often made of leather. In the late 18th century, brass 'bucket' or 'cup' castors were introduced, either rounded or square, fitting directly over the end of the leg and held in place with screws. The wheels were generally solid brass. Bucket/cup castors continued in use throughout the 19th century and indeed are still made today. In the later 19th century wheels were sometimes made of wood, china, either white or brown, and sometimes of steel.
  • Plinth - The square or rectangular base of a piece of cabinet furniture, often ornamented with moulding. The plinth may be separate, as in some wardrobes or presses, and act as the support for the carcase. In a false plinth, the moulded boards may be attached directly to the piece. Furniture with a plinth base usually does not have separate feet. The term derives from architecture where it denotes the base of a column or statue.
  • Foldover - A term used when describing card, tea or games tables, where the top folds over onto itself when not in use. The interior surfaces that are exposed when the top is open may be polished (in the case of tea tables) or baized (for card or games tables).
  • Mahogany - Mahogany is a dense, close grained red-coloured timber from the West Indies and Central America. It was first imported into Europe in the the early 18th century and its use continued through the 19th century. It was popular for furniture making because of its strength, the wide boards available, the distinctive grain on some boards, termed flame mahogany and the rich warm colour of the timber when it was polished.. The "flame" was produced where a limb grew out from the trunk of the tree, and this timber was usually sliced into veneers for feature panels on doors, backs and cornices.

    Some terms used to describe mahogany relate to the country from which it originally came, such as "Cuban" mahogany, "Honduras" mahogany etc. However unless the wood has been tested the names assigned are more a selling feature, rather than a true indication of the timber's origin.
  • Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
  • Lyre - Attributed to the 18th century designer Robert Adam, the back splat of a chair or sthe supports of a table are in the form of a lyre, a Greek musical instrument similar to a harp.

    In shape it resembles two reversed scrolls.

    Chairs continued to be made in this style for at least the next fifty years.

    In Australia many cedar chairs and tables have survived dating to the 1830s and 1840s, featuring the lyre shape in the back splats and as supports for small tables.
  • Lyre Motif - The lyre motif is an ancient decorative design that is believed to have originated in ancient Greece, where the lyre was a popular musical instrument. The lyre itself was often decorated with ornate carvings and designs, including the iconic lyre motif.

    In ancient Greek mythology, the lyre was associated with the god Apollo, who was the patron of music and the arts. The lyre was said to have been invented by the god Hermes, who presented it to Apollo as a gift. As a result, the lyre became a symbol of creativity, inspiration, and artistic expression.

    The lyre motif typically features a curved or S-shaped body, with strings extending upwards from the base. The motif was often used in architectural decoration, as well as on pottery, jewellery, and other decorative objects.

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