Huon Pine Wine Table, Colonial Australian, 19th Century

• Huon Pine - Named after the Frenchman who discovered the Huon River in Tasmania, it is an extremely slow growing and long living tree. Huon pine is native to Tasmania, and it can grow to an age of 3,000 years or more. The wood contains oil that retards the growth of fungi, hence its early popularity in ship-building in convict-era Tasmania. The timber is a warm yellow colour, finely grained, and was popular for household furniture in the Victorian era. Interestingly, much Huon pine furniture was made in South Australia. Huon pine is a protected species and only limited quantities are available nowadays, for craftsmen to manufacture small items such as platters, sculptures and other decorative objects.
• Musk Wood - The musk is native to Tasmania, and is found in the rainforests and wetter regions especially along river banks. It grows to a height of between five and fifteen metres, it has a musk scent. A rare timber and therefore mainly used as a veneer in the 19th-century, it is light brown in colour and furniture constructed from it is very expensive.
• Column - An architectural feature sometimes used for decorative effect and sometimes as part of the supporting construction. Columns should generally taper slightly towards the top. They may be plain or decorated with carving, fluting or reeding. Columns may be fully rounded or, more commonly, half-rounded and attached with glue, screws or pins to the outer stiles of doors, or the facing uprights on cabinets and bureaux.
• Veneers - Veneers are thin sheets of well-figured timber that are glued under pressure to the surface of a cheaper timber for decorative effect, and then used in the making of carcase furniture.
  
  Early veneers were saw-cut so were relatively thick, (up to 2 mm) but is was realised that saw cutting was wasteful, as timber to the equivilent of the thickness of the saw was lot on each cut.
  
  A more efficient method was devised to slice the timber, either horizontally with a knife, or in a rotary lathe.
  
  Flame veneer, commonly found in mahogany or cedar furniture, is cut from the junction of the branches and main trunk. So-called fiddleback veneers, where the grain is crossed by a series of pronounced darker lines, is usually cut from the outer sections of the tree trunk.
  
  During the 17th and 18th centuries, and in much of the walnut marquetry furniture made during the latter part of the 19th century, the veneer was laid in quarters, each of the same grain, so that one half of the surface was the mirror image of the other.
  
  The use of veneer allows many other decorative effects to be employed, including stringing, feather banding, cross banding, and inlaid decorative panels in the piece. The carcase over which veneer is laid is usually of cheaper timber such as pine, oak or, sometimes in Australia during the first half of the 19th century, red cedar.
  
  The important thing to remember about veneers is that prior to about 1850 they were cut by hand, and were consequently quite thick - ranging up to about 2mm deep.
  
  From the mid-19th century veneers were cut by machines and were almost wafer-thin. This is a critical point when trying to judge the approximate age of veneered furniture.
• Turning - Any part of a piece of furniture that has been turned and shaped with chisels on a lathe. Turned sections include legs, columns, feet, finials, pedestals, stretchers, spindles etc. There have been many varieties and fashions over the centuries: baluster, melon, barley-sugar, bobbin, cotton-reel, rope-twist, and so on. Split turning implies a turned section that has been cut in half lengthwise and applied to a cabinet front as a false decorative support.

This item has been included into following indexes:

• furniture, material or decoration - Tasmanian musk wood 27
• tables, purpose or type - wine 509