Spode Trio and Duo, 1820-25, Floral and Gilt Decoration
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A Spode trio and a Spode duo, circa 1820-25, nos. 2949 and 3614; trio. Provenance: Circa Antiques, UK, £255. A London shape cup and narrower coffee cup with elegant rectangular handles decorated with a deep royal blue reserved border with gilt broken line motifs, the bodies decorated with vivid summer posies and sprigs, and an Etruscan shape duo decorated with full blown pink roses upon gilded foliage, with dentil and floral borders and central floral medallions; with pattern numbers underside
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- Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.
For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.
Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today. - Etruscan - The Etruscans were pre-Roman people who mainly inhabited central and part of north Italy, in the area corresponding to Tuscany. The civilisation was active from around 700BC until their assimilation into the Roman Empire in around the 4th century BC.
With the increasing importance of Rome they were virtually wiped out, for Rome would not tolerate a competitive civilization. Many Etruscan rituals and aspects of their culture were taken over by Rome: Etruscan funeral games became the Roman gladiatorial combats and the science of divination came from the Etruscans.
They were also incredible craftsmen in precious metals. It was said that the famous Etruscan Sibylline books of received wisdom were burnt by Rome and that the emperor Claudius was the last person who could read Etruscan, a language that is still largely undeciphered.
Black and red figure vases attributed to the Etruscans provided the basis for the Etruscan style of furniture, decorative arts and decoration first seen in Louis XVI furniture in the 1760s, and then adapted by Robert Adam in England.
The style was characterised by the use of the red and black colourways of the vases, together with motifs such as lions, birds, sphinxes and griffins.
Josiah Wedgwood was inspired by the civilisation, and in 1769 he opened his new ceramic factory at Stoke-on-Trent, naming it "Etruria Works". Using the modeller John Flaxman, he produced wares based on what was thought at the time, to be Etruscan themes.
At the end of the 18th and in the early 19th century, Etruscan themes were seen in glass, jewellery and furniture, and in the 1820s Coalport China produced a range of wares based on the Etruscan themes.
Around that time it was discovered that the archaeological treasures attributed to the Etruscans were of Greek origin, but the description of them as "Etruscan" continued. - Etruscan Revival Style - The Etruscan revival style is based on the ancient art and architecture developed by the Etruscan civilization that lived in central Italy between the 8th and 3rd centuries BCE. In ceramics and decorative arts the Etruscan style is characterised by its ornate and intricate designs, as well as its use of vibrant colours. Etruscan pottery was often decorated with scenes from daily life, myths and legends, and animal and floral motifs, rendered in relief or painted. Etruscan metalwork, such as jewellery and vessels, also displayed a high degree of skill and sophistication, with intricate designs featuring mythical creatures and animals. Additionally, the Etruscan style is known for its use of the bucchero technique, which involved creating a black, matte surface on pottery by reducing the oxygen in the firing process. This style of decoration was widely adopted by other cultures in the ancient Mediterranean world.
- Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
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