Bronze Boar Cornucopia Argand Lamps
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A pair of cornucopia argand lamps, in the manner of Thomas Messenger & Sons, depicting a boar, bronze cornucopia formed lamp with boar head below an urn-shaped reservoir, vertical burners, in the manner of Thomas messenger. With associated glass shades. Height 19 cm (without shade).
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- Bronze - An alloy of copper and tin, traditionally in the proportions of about 9 parts of copper to 1 part of tin.
The discovery of bronze in Western Asia in the 4th century enabled people to create metal objects which were superior to those previoulsy possible because of its strength and hardness, and it has been used throughout the world for weapons, coins, tools, statuary and other decorative items.
It is very fluid in a molten state, and its hardness, strength when set, and non-corrosive properties makes it most suitable for casting sculpture. - Cornucopia - The cornucopia, literally the horn of plenty, is a symbol of abundance and wealth. It is traditionally is represented by a curved goat horn overflowing with grain and fruit.
Modern cornucopias are often depicted as horn-shaped baskets filled with food, and this symbol is often associated with the harvest. This decorative device has a long and ancient history, with roots in Greek mythology.
In one version, when Zeus was playing with the goat Amalthea he accidentally broke off one of her horns. To atone for this, Zeus promised Amalthea that the horn would always be full of whatever fruits she desired. This became the cornucopia of the Roman goddess Copia, the personification of plenty. Other goddesses, including Fortuna and Pax, also held the cornucopia.
In furniture and decorative arts, cornucopia as a decorative element have been popular since the 16th century and can be found on items as diverse as light fittings and candelabra to clocks, sculpture and statuary and furniture.
In ceramics, cornucopia shaped vases were popular in the 19th century, in singles and pairs. - Manner of .... / Style of ..... - A cataloguing term where the item, in the opinion of the cataloguer is a work in the style of the artist, craftsman or designer, possibly of a later period.
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