Early 20th Century Ciment Fondu Gateway Lions Pair
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A pair of early 20th century ciment fondu gateway lions, in heraldic attitudes, one couchant, the other dormant. With attractive lichenous patination, small perforation to side of one. Approx. 1100 × 380 × 56 cm Note: This pair of lions, for many years graced the entrance to St Johns House, a former Georgian vicarage, in Frome, Somerset.
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- Patination / Patina - In broad terms, patination refers to the exterior surface appearance of the timber, the effect of fading caused by exposure to sunlight and air over the course of a century or more, changing the piece to a soft, mellow colour.
As patina is very difficult to replicate, it is one of the most important guides to determining the age of furniture.
Patina is also the term applied to the bloom or film found on old bronzes due to oxidisation. - Georgian - As an English stylistic period, Georgian is usually taken to cover the period from George I (1714) to the Regency of Prince George (1811-20), although the period from 1800 to 1830 is sometimes designated as the Regency period. During the Georgian period the great English cabinetmakers and designers such as Chippendale, Hepplewhite, Adam Sheraton etc., were all active.
Therefore there isn't a single 'Georgian style' as such and to say something is 'Georgian', usually means it was made between 1714 and 1830. This assumes we discount George V and George VI, both being from the 20th century.
The styles popular at the time of each reign were:
George I (1714-1727) saw out the last years of the Baroque period.
George II (1727-1760) reigned during the Rococo period.
George III (1760-1820) saw the last gasp of the Rococo, all of the early Neo-Classic 'Adam style' and most of the later neo-Classic 'Regency style'.
George IV (Prince Regent 1820-1830)encompassed the last of the 'Regency' style.
William IV's reign (1830-1837) was something of a no man's land (stylistically) and he wasn't a 'George' anyway. He covered the last glimmerings of 'Regency' and the start of the 'Victorian' style. - Heraldic Decoration - Heraldic decoration on silver, glass, and porcelain refers to the use of coats of arms and other heraldic symbols as decorative motifs on these materials. Coats of arms were traditionally used to identify individuals, families, and institutions, and were often displayed on shields, banners, and other objects.
The heraldic decoration typically takes the form of engraved or etched designs that incorporate coats of arms or other heraldic symbols. Heraldic decoration on silver, glass, and porcelain has a long history, dating back to the medieval period when coats of arms were first used. During the Renaissance and Baroque periods, heraldic decoration on decorative objects became increasingly elaborate and ornate, with finely detailed designs that often incorporated intricate scrollwork, mythological figures, and other decorative motifs.
In the 18th and 19th centuries, heraldic decoration became particularly popular among the aristocracy and upper classes, who used these objects as symbols of their wealth and status.
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