Minton, pair of ormolu mounted porcelain covered vases, 19th…
click the photo to enlarge
Minton, pair of ormolu mounted porcelain covered vases, 19th century, each of baluster form with painted frieze depicting courtship and attendant figures in landscape, supported by three putti, on a classical ormolu plinth base inset with porcelain panels (2), height 53 cm. Provenance: Lawsons, November 1991. Private Collection, Sydney

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Frieze - An architectural term denoting the flat, shaped or convex horizontal surface of furniture, between the architrave and the cornice, usually found on a cabinet or bookcase, or on desks and tables where it may include drawers, the area between the top and the legs. In ceramics, the term refers to the banding, of usually a repeating pattern, on the rims of plates and vases.
  • Putto / Putti / Amorino / Amorini - A putto (plural: putti) or amerino (plural: amerini) is a cherub or cupid frequently appearing in both mythological and religious paintings and sculpture, especially of the Renaissance and Baroque periods and later used as a decorative element in the design of furniture, ceramics, statuary etc. They are usually depicted as chubby males, or of indeterminate gender, often with wings. Their depiction may represent an association with love, heaven, peace or prosperity.
  • Ormolu - Ormolu was popular with French craftsmen in the 18th and 19th century for ornamental fittings for furniture, clocks and other decorative items. True ormolu is gilt bronze, that is bronze that has been coated with gold using a mercury amalgam. Due to the health risks associated with using mercury, this method of creating ormolu was discontinued in France in the 1830s. A substitute was developed consisting of about 75% copper and 25% zinc, however it was inferior to the bronze version. It was often lacquered to prevent it tarnishing.

This item has been included into following indexes:

Visually similar items

An archaistic gilt repousse bronze vase Qing dynasty, 19th century, of hu form standing on a splayed foot, the pear shaped body surmounted with a tall slightly waisted neck set with double dragon head and loose ring handles, the sides decorated in relief w

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A gilded Chinese porcelain lidded ginger jar, 49 cm high

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A pair of gilt metal mounted 'famille-verte' covered vases, 19th/20th century, each of quatrelobed section, the shouldered body tapering to the rouge marble mounted base and surmounted by a waisted neck with metal mounted rim, the sides reserved with panel

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

Two Chinese painted-enamel 'European figures' snuff bottles, Qianlong four-character mark, 5.5 cm high (2). Provenance: Singapore private collection

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.