An Edward prior tortoiseshell triple cased verge escapement…
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An Edward prior tortoiseshell triple cased verge escapement watch, for the Turkish market, gilt fullplate movement with fusee, pierced and engraved balance bridge cock culminating in a cornucopia. Tulip columns. The fullplate signed Edw prior London with serial number 73282. The face with enamel dial, Turkish numerals and gilt hands, signed Edward prior London to centre. The inner gilt case with winding hole, stamped W.e . The second gilt case with etched texture decoration to edges, with original watchpaper from Edward and George prior London. The final outer case in tortoiseshell with repeated pique pattern motifs to edges. With winding key. London, circa 1850-1860, diameter: 62 mm. Other Notes: Edward prior (active 1800?68) was a noted maker for the Turkish market. A similar tortoiseshell watch with a slightly lower serial number is in the Metropolitan Museum of Art collection, New York, dated to 1850. Condition: watch does not tick when wound.

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  • Verge Escapement - A verge escapement is an early mechanical escapement used in clocks and other timekeeping devices. It is an early form of the escapement mechanism, which is used to regulate the movement of the hands of a clock or watch. The verge escapement consists of a vertical shaft called the verge, which is mounted on the clock's main plate. Attached to the verge are two pallets, which engage with the teeth of the escape wheel. As the escape wheel turns, the pallets alternately lock and release it, allowing the movement of the clock to be regulated. The verge escapement was widely used in early mechanical clocks, but it was eventually replaced by the more accurate and reliable anchor escapement.
  • Tortoiseshell - Tortoiseshell is a translucent material that comes from the horny carapace of a certain types of turtles, including the hawksbill turtle. It is often therefore mounted on a colour underground - often red - or inlaid with gold or silver thread, as seen in Boulle furniture.

    The texture and colour nuances of the material are extremely important. Heated tortoiseshell can easily be formed into various shapes. Like other natural materials, tortoiseshell becomes more beautiful with use. In a time before plastic, tortoiseshell was widely used for small objects such as combs and powder compacts.

    In 1973, the trade of tortoiseshell worldwide was banned under CITES (The Convention on International Trade in Endangered Species). Prior to importing or exporting items containing tortoiseshell a CITES permit must be obtained. Tortoiseshell items cannot be traded on Ebay.

    "Faux tortoiseshell", another case of man initiating nature, is made from old-style plastics such as celluloid and cellulos and is coloured with red, yellow and brown spots to imitate the genuine article. It is commonly used in glasses frames, musical instruments and costume jewellery.
  • Pique Work - A decorative technique used on jewellery and small decorative objects in which designs are created by inlaying small gold or silver studs and stips into tortoiseshell. The art reached its highest point in 17th- and 18th-century France, particularly for the decoration of small tortoiseshell articles such as combs, patch boxes, and snuffboxes.
  • Movement - The technical name for the workings of a clock or watch, and does not include the dial or case.
  • Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
  • Fusee - The fusee movement was used in clocks and pocket watches from the mid 17th century. The fusee is a cone shaped drum within the works that is linked to the barrel of the spring, usually by a length of chain.

    As the mainspring loses its tension over time, the cone shaped barrel compensates for this by increasing the tension, by pulling the mainspring tighter, thus ensuring the time remains constant.

    Use of the fusee in clocks was superseded by the "going barrel" in the mid 19th century and for pocket watches at the beginning of the 19th century.

    The fusee continued to be used in marine chronometers until the 1970s.
  • Cornucopia - The cornucopia, literally the horn of plenty, is a symbol of abundance and wealth. It is traditionally is represented by a curved goat horn overflowing with grain and fruit.

    Modern cornucopias are often depicted as horn-shaped baskets filled with food, and this symbol is often associated with the harvest. This decorative device has a long and ancient history, with roots in Greek mythology.

    In one version, when Zeus was playing with the goat Amalthea he accidentally broke off one of her horns. To atone for this, Zeus promised Amalthea that the horn would always be full of whatever fruits she desired. This became the cornucopia of the Roman goddess Copia, the personification of plenty. Other goddesses, including Fortuna and Pax, also held the cornucopia.

    In furniture and decorative arts, cornucopia as a decorative element have been popular since the 16th century and can be found on items as diverse as light fittings and candelabra to clocks, sculpture and statuary and furniture.

    In ceramics, cornucopia shaped vases were popular in the 19th century, in singles and pairs.

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