18ct gold and onyx brooch, Paloma Picasso for Tiffany & Co.,…
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18ct gold and onyx brooch, Paloma Picasso for Tiffany & Co., 1981. Designed as an open work stylised flower, collet-set with an oval black onyx cabochon at the centre, approximately 41 x 38 mm, signed Paloma Picasso, Tiffany & Co., 1981.

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  • Onyx - Onyx is a form of agate, used from antiquity and popular again in the 1920s and 30s. European onyx is generally green, but can be many other colours, and can contain bands of black and/or white.

    This multicoloured stone is widely used for table tops, lamp bases and in jewellery. Some types of onyx are also used for cameos of which the upper white layer is cut away to reveal the colour beneath.
  • Cabochon Cut in Jewellery - A cabochon cut is a type of gemstone cutting where the stone is cut and polished in a convex shape with a flat bottom and a domed top, with no facets. This type of cut is typically used for opaque or translucent stones that have natural patterns or inclusions that are best displayed in this type of cut. Examples of stones that are often cut as cabochons include turquoise, opal, and moonstone.
  • Openwork in Jewellery - Openwork, also known as pierced work, is a decorative technique used in jewellery making that involves removing or cutting out sections of metal from a piece of jewellery to create a pattern or design. This technique can be used in a wide range of jewellery styles, including necklaces, bracelets, earrings, and rings.

    Openwork jewellery can be made using a variety of different techniques, including hand carving, sawing, and laser cutting. The design can be simple or complex, and can feature a range of different shapes and motifs, from delicate floral patterns to bold geometric designs.

    One of the advantages of openwork jewellery is that it can add visual interest and depth to a piece without adding a lot of weight or bulk. This can be particularly appealing in larger pieces, such as necklaces and bracelets, where heavy materials can be uncomfortable to wear.

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