Walter Burley griffin (attributed) American oak occasional…
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Walter Burley griffin (attributed) American oak occasional table, circa 1910., 75 cm high, 122 cm wide, 66 cm deep, an identical table can be seen in the accompanying image of a living room in a Walter Burley griffin designed home in Edwardsville, St.Louis. That home had been designed by griffin in 1906 for his brother, Ralph. Griffin had worked for Frank Lloyd Wright from 1901 - 1906 before establishing his own practice where he designed the interior fixtures and furniture for his projects as well as the buildings and gardens. Examples of Griffin-designed furniture are rarely offered in Australia., influenced by the Chicago-based Prairie school, griffin developed a unique modern style. He worked in partnership with his wife Marion Mahony griffin. In 28 years they designed over 350 buildings, landscape and urban-design projects as well as designing construction materials, interiors, furniture and other household items., of course, Walter Burley griffin is now best known as the winner of the competition to design Australia's capital city, Canberra. Griffin was largely under-appreciated during his time in Australia, but since his death recognition of his work has steadily grown. In 1964, when Canberra's central lake was filled, as griffin had intended, Prime Minister Robert Menzies declined to have the lake named after himself. Instead he named it lake Burley griffin, making it the first 'Monument' in Canberra dedicated to the city's designer.

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  • Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
  • Attributed - A cataloguing term where the item in the opinion of the cataloguers, is a of the period of the artist, craftsman or designer, and which probably in whole or part is the work of that person.
  • Oak - Native to Europe and England, oak has been used for joinery, furniture and building since the beginning of the medieval civilisation. It is a pale yellow in colour when freshly cut and darkens with age to a mid brown colour.

    Oak as a furniture timber was superceded by walnut in the 17th century, and in the 18th century by mahogany,

    Semi-fossilised bog oak is black in colour, and is found in peat bogs where the trees have fallen and been preserved from decay by the bog. It is used for jewellery and small carved trinkets.

    Pollard oak is taken from an oak that has been regularly pollarded, that is the upper branches have been removed at the top of the trunk, result that new branches would appear, and over time the top would become ball-like. . When harvested and sawn, the timber displays a continuous surface of knotty circles. The timber was scarce and expensive and was used in more expensive pieces of furniture in the Regency and Victorian periods.
  • Capital - In architecture, a capital is the topmost member of a column, pilaster, or pier, which sits on top of the shaft and supports the entablature or architrave above it. The capital is typically the most ornate and decorative element of the column, and it can take many different forms depending on the architectural style of the building.

    In classical architecture, the most common types of capitals are the Doric, Ionic, and Corinthian. Doric capitals are simple and have a circular shape with a flat top and bottom. Ionic capitals have a more elaborate design with scrolls or volutes (spiral shapes) at the top, and Corinthian capitals are the most decorative, with elaborate carvings of acanthus leaves and other motifs.

    In other architectural styles, capitals can take many different forms, such as the bell-shaped capitals of Gothic architecture or the foliate designs of the Romanesque period. The capital is one of the most important architectural element in a building, it is the one that gives the most character and identity to the building.

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