A French gilded rococo double snuff box, of serpentine shape,…
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A French gilded rococo double snuff box, of serpentine shape, with inlaid white banded agate panels set to each hinged lid framed by scroll and floral embossed panels, the walls with conforming decoration. 6.3 x 4.8 x 3 cm.

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  • Embossed / Repousse - Embossing, also known as repousse, is the technique of decorating metal with raised designs, by pressing or beating out the design from the reverse side of the object.It is the opposite of chasing, where the decoration is applied from the front. An embossed or repoussed object may have chasing applied to finish off the design.
  • Agate - Agate is a type of semi-precious gemstone that is made up of silica dioxide, a mineral that is also found in quartz. It is known for its distinctive banded patterns, which are created as layers of silica are deposited in different colours including red, orange, yellow, green, blue, and purple. It is often used in jewellery, decorative objects, and other decorative items, and it is prized for its beauty and durability. Agate is found in many parts of the world, including Brazil, India, and the United States.
  • Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.

    For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.

    Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.

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