Victorian Gothic Miniature Baptismal Font by Minton & Co
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An early Victorian miniature baptismal font by Minton & Co, cast all over with Gothic tracery, the removable cover with gable finial, the base with panels of trefoils, on stepped octagonal base, impressed 'Magdalen' in a cartouche and Minton to base, height 32 cm. Other Notes: see an identical example illustrated in 'A.W.N. Pugin: master of Gothic Revival' 1996 published by the Bard Graduate Center for studies in the decorative Arts, page 250, designed to be used for children who were too ill to be baptised in church, they were a feature of Minton's production from the 1840s until the end of the century. This example is a replica of the font in the church of St Mary Magdalen, Oxford.
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- Pugin - Augustus Welby Northmore Pugin, (1812-52) was an architect and designer and leader of the Gothic Revival movement which was so important an influence on Victorian taste. His father had an architectural drawing school, and artists from that school, including Pugin, then 15 years old, were employed to make drawings of the furniture to be taken to Windsor palace. Later in the year he was employed to design and make working drawings of furniture for the palace. He also designed silver for the royal goldsmiths Rundell Bridge & Rundell. By the 1830s he was insisting on historical accuracy, and published a number of influential books on the Gothic style. He was responsible for furniture in the Houses of Parliament (1836-7) the design of the tower that houses Big Ben. He became a Catholic in 1833, and he and his son Edward Welby Pugin (1834-75) designed and built several churches. In his short life, he married three times. After his death Pugin's two sons, Edward Welby Pugin and Peter Paul Pugin, continued operating their father's architectural firm under the name Pugin & Pugin.
- Victorian Period - The Victorian period of furniture and decorative arts design covers the reign of Queen Victoria from 1837 to 1901. There was not one dominant style of furniture in the Victorian period. Designers used and modified many historical styles such as Gothic, Tudor, Elizabethan, English Rococo, Neoclassical and others, although use of some styles, such as English Rococo and Gothic tended to dominate the furniture manufacture of the period.
The Victorian period was preceded by the Regency and William IV periods, and followed by the Edwardian period, named for Edward VII (1841 ? 1910) who was King of the United Kingdom and the British Dominions and Emperor of India for the brief period from 1901 until his death in 1910. - Cartouche - An ornamental panel in the form of of a shield, oval or rectangular scroll with curling edges. It may be carved into the back of a chair or the top of a sideboard, or present on a piece of silver or jewellery, and contain the initials of the original owner, heraldic symbols, or some other inscription, such as the details of a presentation.
In ceramics the term defines the central area of a vase or similar with a decorative border in one of the shapes above, into which a decorative scene or figures have been painted. - Finial - An architectural decoration, found on the upper parts of of an object. On furniture they are usually found on pediments, canopies and shelf supports. On smaller ceramic or silver items, such as spoons, they may decorate the top of the item itself, or the lid or cover where they provide a useful handle for removal.
Finials have a variety of shapes and forms. They may be urn-shaped, baluster shaped round or spiral, but usually taper into an upper point. Many real life shapes may also be used as finials, such as pineapples, berries, pinecones, buds, lotus and acorns. Sometimes animals such as a lion are depicted, or fish and dolphins.
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