Eugene Aizelin's Marguerite Bronze Sculpture, c.1884
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Eugene Antoine Aizelin (French, 1821-1902), Marguerite c.1884, bronze, brown patina, signed, inscribed to base: Eugne Aizelin, stamped to base with foundry: Reduction Mecanique. A. Collas Brevete, titled, inscribed to base, height 70 cm. Provenance: Garrat Antiques. Acquired from the above on 15 June 2014. Other Notes: Aizelin began his study at the Ecole des Beaux in 1844 and debuted at the salon eight years later, where he continued to exhibit regularly until 1897. His models were often cast in various sizes, as in the example of 'Marguerite'.
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- Patination / Patina - In broad terms, patination refers to the exterior surface appearance of the timber, the effect of fading caused by exposure to sunlight and air over the course of a century or more, changing the piece to a soft, mellow colour.
As patina is very difficult to replicate, it is one of the most important guides to determining the age of furniture.
Patina is also the term applied to the bloom or film found on old bronzes due to oxidisation. - Bronze - An alloy of copper and tin, traditionally in the proportions of about 9 parts of copper to 1 part of tin.
The discovery of bronze in Western Asia in the 4th century enabled people to create metal objects which were superior to those previoulsy possible because of its strength and hardness, and it has been used throughout the world for weapons, coins, tools, statuary and other decorative items.
It is very fluid in a molten state, and its hardness, strength when set, and non-corrosive properties makes it most suitable for casting sculpture. - "reduction Mecanique A. Collas Brevete" - "Reduction Mecanique A. Collas Brevete" stamped onto a raised disk on a statue translates as "Mechanical Reduction, A. Collas Patent", referring to the patented method used to reduce the sculptures from their original size. Achille Collas (1795?1859) was a French engineer, inventor, writer and engraver who in 1836 developed a pantograph style machine which enabled him to reduce sculptures to a smaller scale. In 1838, he started a company together with Ferdinand Barbedienne, who was experienced in foundry techniques, to produce reduced copies of sculptures in materials including plaster, wood, bronze and ivory. Following the Great Exhibition of 1851 in London where the company received a special medal, and the Exposition Universelle in Paris when Collas was awarded the Grand Médaille d'Honneur the sculptures became increasingly popular and by 1892 had over 600 employees. The company, Société Collas et Barbedienne continued in production until 1954.
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