Victorian oak double pedestal desk, late 19th century, the top…
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Victorian oak double pedestal desk, late 19th century, the top with green tooled leather insert, above three drawers, each pedestal with three short drawers, locks stamped 'Hobbs & Co. London', on castors, one castor missing, height 78 cm, width 152 cm, depth 80 cm. provenance: The Estate of Martyn Cook, Sydney

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  • Gold Tooled - Gold tooling on leather inlays in desks and other furniture and leather book bindings refers to the decorative process of embossing the leather with a design using gold leaf. The design is first traced onto the leather and then incised into the surface using a small blade. The incisions are then gilded with thin sheets of gold leaf. The gold leaf is burnished into the leather to create a raised, metallic design. The process is repeated until the entire design is covered in gold.
  • Blind Tooling / Blind Tooled - Blind tooling is a technique used in the decoration of leather goods such as book covers, belts, and wallets. It involves the use of specialized tools to impress designs and patterns onto the surface of the leather without the use of added colour.

    The process involves the use of a variety of tools, including stamps, embossing tools, and finishing tools, which are used to create various textures and patterns on the leather surface. The tools are heated, and then pressed onto the leather, leaving an impression. The tools can be used to create designs that are simple or complex, with a variety of textures and patterns, including geometric shapes, florals, or scenes. The leather is then burnished to enhance the design and give it a smooth finish.
  • Tooled - Decoration of a leather surface, usually by stamping the surface with a heated punch or wheel containing foliate or geometric designs. In blind tooling the surface of the punch or wheel is in direct contact with the leather, while in gold tooling, a ribbon of gold leaf is placed between the punch or wheel and the leather, and once they have been applied, the excess gold is brushed off, leaving only the design.
  • Provenance - A term used to describe the provable history of an antique or work of art, and thus an additional aid to verifying its authenticity. Provenance can have an inflating effect on the price of an item, particularly if the provenance relates to the early settlement of Australia, a famous person, or royalty. Less significant are previous sales of the item through an auction house or dealer.
  • Signed or Stamped - A signed piece of furniture may mean that the maker has signed (and hopefully dated) the piece in the same way that we sign a cheque, but more likely, that it bears evidence of the name of the maker, wholesaler or retailer as a paper label, metal plaque, impressed into the timber or in later pieces after about 1880, stamped onto the timber with an ink stamp.

    The 'signature' or stamp will always be in an unobtrusive position: under the top of a table, on the underside of the rails of a chair, inside a drawer or on the back.

    The fact that a piece is 'signed' considerably enhances its value. Signed Australian furniture is extremely rare, and for imported furniture, it is a mark of quality of the item, as only the items by the top makers or retailers were 'signed'
  • Victorian Period - The Victorian period of furniture and decorative arts design covers the reign of Queen Victoria from 1837 to 1901. There was not one dominant style of furniture in the Victorian period. Designers used and modified many historical styles such as Gothic, Tudor, Elizabethan, English Rococo, Neoclassical and others, although use of some styles, such as English Rococo and Gothic tended to dominate the furniture manufacture of the period.

    The Victorian period was preceded by the Regency and William IV periods, and followed by the Edwardian period, named for Edward VII (1841 ? 1910) who was King of the United Kingdom and the British Dominions and Emperor of India for the brief period from 1901 until his death in 1910.
  • Oak - Native to Europe and England, oak has been used for joinery, furniture and building since the beginning of the medieval civilisation. It is a pale yellow in colour when freshly cut and darkens with age to a mid brown colour.

    Oak as a furniture timber was superceded by walnut in the 17th century, and in the 18th century by mahogany,

    Semi-fossilised bog oak is black in colour, and is found in peat bogs where the trees have fallen and been preserved from decay by the bog. It is used for jewellery and small carved trinkets.

    Pollard oak is taken from an oak that has been regularly pollarded, that is the upper branches have been removed at the top of the trunk, result that new branches would appear, and over time the top would become ball-like. . When harvested and sawn, the timber displays a continuous surface of knotty circles. The timber was scarce and expensive and was used in more expensive pieces of furniture in the Regency and Victorian periods.
  • Castors - Wheels, fitted especially to chair legs, couches, tables and some smaller pieces of furniture, to enable them to be easily moved about. The earliest castors were of brass, with shanks fitting into the base of the leg, and the wheels often made of leather. In the late 18th century, brass 'bucket' or 'cup' castors were introduced, either rounded or square, fitting directly over the end of the leg and held in place with screws. The wheels were generally solid brass. Bucket/cup castors continued in use throughout the 19th century and indeed are still made today. In the later 19th century wheels were sometimes made of wood, china, either white or brown, and sometimes of steel.
  • Pedestal Desk - A pedestal desk is a type of desk that consists of a large work surface supported by two pedestals or cabinets, one on either side. The pedestals are usually identical and contain drawers and cabinets for storage. The desk's design allows it to be placed in the centre of a room, as the back of the desk is usually finished with the same veneer as the front.

    Pedestal desks were popular in the 18th and 19th centuries, and were usually made from high-quality wood, such as cedar, mahogany, walnut or oak, and were decorated with intricate carvings and other decorative details. They were used by businessmen, politicians, and other professionals, and were considered a symbol of status and success.

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