Sheraton style demi lune console table, with inlaid fan…
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Sheraton style demi lune console table, with inlaid fan medallion, on tapering legs with spade feet, height 79 cm, width 92 x 38 cm

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  • Thomas Sheraton - Thomas Sheraton (1751-1806) was born in Stockton on Tees in the north of England. He was apprenticed to a local cabinetmaker and after working as a cabinetmaker, Sheraton moved to London about 1790. Although he described himself as a cabinet-maker, like Chippendale, no definite piece of furniture can be traced to him as maker. Nevertheless, he was immensely influential and in 1791-4 published his four volume book 'The Cabinet-Maker and Upholsterer's Drawing Book'. The books were used as source of design by the furniture-making trade , who often simplified or modified the designs to suit their own preferences. Sheraton furniture is marked by restraint and sophistication, elegance and discretion, though he also found time to invent fanciful combination furniture.
  • Demi Lune - Demi-lune is a French word translating to half-moon or crescent-shaped. In jewellery the demi lune shape is used in the design of pendants and earrings. The crescent shape adds a touch of elegance and femininity, and is often used to symbolize the moon or to evoke a sense of mystery and magic. In furniture design, a demi-lune table is a narrow, crescent-shaped table that is often used as an accent piece or in small spaces where a full-sized table would not fit. Demi-lune tables were popular in the 18th and 19th centuries and were often decorated with intricate carvings or inlaid designs.
  • Inlay - Decorative patterns inserted into the main body of a piece of furniture, generally in wood of contrasting colour and grain, though brass, ivory, ebony, shell and sometimes horn have been used. Inlay may consist of a panel of well figured timber inset into a cabinet door front, geometric patterns, or complex and stylized designs of flowers, swags of foliage, fruits and other motifs. As a general rule, in pieces where the carcase is constructed in the solid, the inlay is relatively simple such as stringing, cross banding and herringbone banding. Where more elaborate and decorative work was required veneer was used. Inlay has been fashionable from at least the latter half of the 17th century, when a variety of elaborate forms were developed

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