Barry Brickell 'Fatso' salt glazed large jug, typical spherical…
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Barry Brickell 'Fatso' salt glazed large jug, typical spherical form with stylised bird beak form spout, green/brown variable tone with pale and brighter highlights in gloss and semi-gloss salt glaze effects, five kiln 'gem' drips, one with clay segment, impressed potter's mark at base of strap handle, height 31 cm. Illustrated 'Playing with Fire, Auckland Studio Potter's Society Turns 50' by Peter Lange and Stuart Newby, published January 2011, see page 45, full page illustration.

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  • Salt Glazed - Salt glazing involves throwing salt into the kiln when it is at its highest temperature, usually around 2,300 to 2,400 degrees Fahrenheit (1,260 to 1,320 degrees Celsius). The salt vaporizes and forms a glaze on the surface of the pottery, creating a range of effects depending on how the salt is applied and the firing conditions. This glazing method was first developed in Germany in the 15th century and quickly became popular throughout Europe and North America. It was particularly popular for making stoneware pottery, such as jugs, crocks, and other utilitarian objects.

    Salt glazes can produce a range of colors, including gray, brown, blue, and even pink or purple in some cases. The texture of the glaze is typically rough and pebbled, with a matte or satin finish. The process of salt glazing can be unpredictable, with variations in temperature and salt application leading to subtle variations in the finished product.

    Salt glazing is still used by potters and ceramic artists although it is less common than it was in the past.

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