A late 19th century Sheraton style breakfront glazed display…
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A late 19th century Sheraton style breakfront glazed display cabinet with finely carved glazing bars and boxwood strung inlay

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  • Glazing Bars - Thin astragal mouldings, almost always of timber, behind which glass panes in bookcases, china cabinets, kitchen dressers, and so on are fixed. The glass is either puttied in or held by thin beads. Old hand-made glass should show imperfections, such as bubbles and ridges when looked at obliquely against the light, something which is not found in modem factory-made glass. The joints of the glazing bars should always be neatly mitred.

    A cheap shortcut is to apply false glazing bars over a single pane of glass, and this indicates either an item of modern manufacture, or a later conversion, where the panelled door of a press or wardrobe has had a glass front fitted, and the article turned into a 'bookcase'.
  • Breakfront - A design generally found in larger pieces of furniture, such as bookcases, wardrobes and some sideboards. The line of the front is interrupted by the middle section standing out from each end. In a reverse breakfront, the centre section is recessed behind each end. Breakfronted pieces are usually made in three sections the middle and the two wings which are held together by the cornice and pediment, and the plinth on which it stands. The sensible buyer should show caution before buying breakfront pieces, especially bookcases, which are highly desirable and expensive. Always check that the timber, colour, patination, backboards, decoration and thickness of the wood are same in each section.
  • Astragal / Glazing Bars - An astragal, bead or glazing bar is the term used to describe the wooden strips that divide the glass in a cabinet into sections. However it can also refer to the narrow beading on a multi-door cabinet or bookcase that covers the gap between the doors, when they are closed. The astragal is usually attached to the inner stile of the left-hand door (or the right hand as you look at it).
  • Parquetry - Parquetry is inlay laid in geometric patterns, the contrast being achieved by the opposing angles of the grain and veneers. The herringbone pattern is the most commonly used in flooring, but this is almost never seen in furniture - the patterns used are more complex and unlike flooring, can include several different varieties of timber.
  • Boxwood - Boxwood is a hard, yellow coloured, close grained timber. In the 19th century it was often used for inlays, especially stringing, because of its contrasting colour to the darker timbers of the carcase. Stringing is the inlay of a narrow strip of veneer of a lighter colour, such as boxwood along or close to the edges of an object that has been veneered in a darker timber such as mahogany.

    Because of its fine grain and resistnce to splitting or chipping it has also been used for treen, turnings, carvings and other small wooden items, such as chess pieces.
  • Thomas Sheraton - Thomas Sheraton (1751-1806) was born in Stockton on Tees in the north of England. He was apprenticed to a local cabinetmaker and after working as a cabinetmaker, Sheraton moved to London about 1790. Although he described himself as a cabinet-maker, like Chippendale, no definite piece of furniture can be traced to him as maker. Nevertheless, he was immensely influential and in 1791-4 published his four volume book 'The Cabinet-Maker and Upholsterer's Drawing Book'. The books were used as source of design by the furniture-making trade , who often simplified or modified the designs to suit their own preferences. Sheraton furniture is marked by restraint and sophistication, elegance and discretion, though he also found time to invent fanciful combination furniture.
  • Inlay - Decorative patterns inserted into the main body of a piece of furniture, generally in wood of contrasting colour and grain, though brass, ivory, ebony, shell and sometimes horn have been used. Inlay may consist of a panel of well figured timber inset into a cabinet door front, geometric patterns, or complex and stylized designs of flowers, swags of foliage, fruits and other motifs. As a general rule, in pieces where the carcase is constructed in the solid, the inlay is relatively simple such as stringing, cross banding and herringbone banding. Where more elaborate and decorative work was required veneer was used. Inlay has been fashionable from at least the latter half of the 17th century, when a variety of elaborate forms were developed

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