A heavily gilded Meissen dish 20th century, the scalloped…
click the photo to enlarge
A heavily gilded Meissen dish 20th century, the scalloped gilded edge with a repeated band of gilded & raised maple leaves, pine cones and stems surrounding painted wild flowers to the centre. Crossed swords to verso, pattern no. 730. 17 cm diameter

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Maple - Maple, native to North America, is a dense heavy timber from light to yellow-brown in colour. It has very little distincive graining unless it is one of the variants such as birds-eye maple or burr maple, so was not used extensively for furniture in 18th and 19th century, where cabinetmakers and designers preferred timbers with more distinctive features such as mahogany, walnut, rosewood and oak.

    Birds-eye maple has a seres of small spots linked by undulating lines in the grain, is highly sough and is used as a decorative veneer. Burr maple has larger and irregular grain swirls than birds-eye maple.
  • Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.

    For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.

    Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.
  • Verso - Verso is the "back" side of a sheet of paper, art work, coin or medal. The front side is "recto".

This item has been included into following indexes:

Visually similar items

A gentleman's Hugo Boss gold-plated wrist-watch

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A good solitaire diamond ring, with a wide 18ct gold yellow shank, the setting in white gold. The diamond measuring 8.1 mm by 5.4 mm deep approx and weighing approx 2.20 carats. Colour I/J, clarity SI1. Six claw set, weight 4.4gms.

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

Vladimir Kagan sofa grey wool fupholstery, wooden structure America designed 1990, 76 cm high, 243 cm wide, 127 cm deep

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A solid white opal pendant on chain. 18ct yellow gold. Total weight 27.07 grams

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.