An ecclesiastical diorama, late 19th century, in the form of a…
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An ecclesiastical diorama, late 19th century, in the form of a church altar, housed in a walnut box, with an ebonized gilded door on a stepped base, 34.5 cm high, 25.5 cm wide, 10.5 cm deep

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  • Diorama - When used in relation to antiques and collectables, a diorama is a three dimensional display, usually within a domed or rectangular glass case.

    As the feathers of birds are more easily damaged than the skin of an animal, most taxidermied birds are displayed within a glazed diorama. The birds will be set in lifelike poses in a naturalistic landscape, usually standing a branch within the diorama. Animals will be displayed set in the landscape they inhabit. The foreground will be set with gravel, rocks and bushes, while the background will be painted.

    While most natural history dioramas can be easily picked up and carried by one person, some larger examples were made that were suitable for display at exhibitions.

    The other type of diorama commonly seen is a model ship enclosed in a rectangular glass box, the ship depicted floating on the sea.
  • Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.

    For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.

    Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.

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